In The Good Old Crumb-er Time

You can tell it’s summer in Berlin because when it rains you feel disappointed instead of resigned. The wet seems to be related to a distraction of the Gulf Stream which is related to climate change, but more technical than that I can’t get.

Still, you have to wonder how the rain affects Sandsation, the latest tourist attraction by the Hauptbahnhof, where a visiting Texan dragged me the other day. Massive sand sculptures by actual artists (some of whom appear to be professional carvers of ice, snow, and sand) are being made out of 2000 tons of the stuff dumped on the site, piled high, and carefully scraped into images. None of them are going to give Richard Serra sleepless nights, but it’s an amusing thing to walk around.

There are sculptors from all over, including a guy from India who heads a sand-sculpting school there and is recreating the Taj Mahal in ridiculously authentic detail. The theme is “Welcome to Paradise,” and sure enough, one of the Germans has sculpted an anti-paradise of miserable heads of boat people crammed into a tiny boat. Never enough misery, eh?

Most of the sculptors seemed to be spritzing their creations with some sort of stuff from an applicator that looked like the ones exterminators use. Maybe that’s rain-protection, or maybe they’re just resigned to re-doing their work from now until July 29, when the thing closes.

And inside the Hauptbahnhof, the Diplodocus skeleton has vanished, replaced by an information stand about the various (costly) wireless services German train stations are now offering.

* * *

On the rest of our walk, the Texan and I walked down Reinhardtstr., better known as Little Bonn, where I like to show people the Nazi air-raid bunker that continues to stand there because the price of demolishing it exceeds the value of the plot on which it stands. For some months, a luxury apartment has been under construction on the top of it, making me wonder who in the hell would want to live atop an ugly concrete hunk which is cold and damp inside. I got my answer last week in an article in the International Herald Tribune, informing me that an art collector named Christian Boros is moving into the apartment and housing his collection, which will be open to the public, in the bunker. I’ve been in this bunker, not when it was a gabba club, but afterwards when the irrepressible Hannes from the DNA gallery mounted a show in it a couple of years back. All I can say is, I hope Boros has some interesting stuff there, because this is one depressing interior.

Hope, however, springs eternal, etc: Best Western has just opened a hotel next door. That means guests have their choice of a view of the bunker or the Ukranian Embassy next door.

* * *

While we Berlin expats are seeking hamburgers now that Hazelwood seems to have gone the way of all good restaurants here, New Yorkers are warming to Currywurst. Really: a friend who works at the New York Times has declared it good, and just look at the rest of the menu:

The prices are even right. Not that I think I’ll be visiting New York any time soon, and if I do that I’ll be seeking out Currywurst, but I give these folks an A for effort.

* * *

Living alongside a straightaway on which speeding idiots race day and night, and given that Berlin drivers are hands down the worst I’ve ever come across (and yes, I’ve driven in Italy), I’m amused by the current anti-speeding campaign someone’s mounted. I looked for images on the Web, but there don’t seem to be any. At any rate, this features gorgeous women with their finger and thumb indicating a distance of about an inch, and the caption “Speeders are about this big.” I know, Sigmund Freud was Austrian, but someone here has hit upon something I’ve suspected for a long time.

* * *

I can tell the way this week’s going: today I took my last €40 out of the bank, hoping that one of the several firms I’ve worked for recently will be paying me soon, and went down to the market at Hackescher Markt. Standing waiting to cross at Rosenthaler Platz, a driver changed lanes so he could drive through a puddle and douse me head to foot. Undaunted, I pressed on, bought some Parmesan from the pasta ladies, bought some olives from a “Greek” stand, and headed home, at which point I realized that my wet hand had apparently stuck on a €10 note, and a quarter of my bounty was gone.

That’s okay. It’s going to rain all weekend anyway.

Condolences

On a somber note, condolences are in order for David and Wendy Dunlap. Last night they lost Suki, their dog of 14 years. I’m not a dog person, but always liked Suki because she acted like a cat. A gentle, quiet Greyhound mix rescued from an abuse shelter, she sadly passed in the night from an unknown, but mercifully quick illness. R.I.P. Suki.

A YOUNG PERSON’S GUIDE TO JOSEPHINE FOSTER

JOSEPHINE FOSTER’s bizarre, avant-folk songs travel musical history via a ghostly linkage with the Appalachian porch whisperers of the pre-WWII era, with a pinch of the British Isles folk touch to boot. One thing for certain about her these days is that she doesn’t stand in one place for too long – witness her most recent CD, “A Wolf In Sheep’s Clothingâ€Â, a German-language run through 19th century tunes that was even too much for me to take. Recently I heard some new material of hers and it was weird-ass, free-form noise. It’s OK – I am fully on board, because I think she is a singular talent, and one of this decade’s true originals. I love the delicate complexity of each ringing tone she coaxes out of her guitar with strange tunings and stranger patterns, and with a voice that’s equally as eerie (and beautiful beyond doubt), and which goes through every imaginable permutation to get to the deep emotional truth at each song’s core. Foster’s lungs take a little bit of patience for the uninitiated, but at least she sounds like a w-o-m-a-n, albeit a woman transported from 16th century England tearooms by way of Mary Poppins films.

I’m picking a representative smattering of five songs from her catalog for ya. Two are from a heavy psych/folk CD she put out with a backing band called The Supposed (“All The Leaves Are Gone”); one is from her second-ever homemade CD-R (“Little Life”) – she has about a half-dozen of those, and you can order some of them right here; one is from her fantastic CD from 2005 “Hazel Eyes, I Will Lead Youâ€Â ; and one was a freebie cover song of THE CHERRY BLOSSOMS, whom Foster has collaborated with) on a comp that came with THE BELIEVER literary magazine. All are superlative. If you like this, there’s a lot, lot more to delve into.

Play or Download JOSEPHINE FOSTER & THE SUPPOSED – “Well-Heeled Menâ€Â (from 2004 “All The Leaves Are Goneâ€Â CD)
Play or Download
JOSEPHINE FOSTER – “The Golden Windowâ€Â (from June 2005 compilation CD included with “The Believerâ€Â magazine)


Play or Download
JOSEPHINE FOSTER – “There Are Eyes Aboveâ€Â (from 2005 “Hazel Eyes, I Will Lead Youâ€Â CD)


Play or Download JOSEPHINE FOSTER – “Francie’s Songâ€Â (from 2001 “Little Lifeâ€Â CD-R)


Play or Download JOSEPHINE FOSTER & THE SUPPOSED – “
John Ave.
Seen From The Gray Trainâ€Â
(from 2004 “All The Leaves Are Goneâ€Â CD)

LIVING IN A WHITE GHETTO

Among the pearls buried on an unduly unheralded late 80s compilation of “driving bands from Los Angelesâ€Â called “GIMME THE KEYSâ€Â was a band called THE THIRSTY BRATS. There wasn’t a lot to these fellas – their thing was raw, dirty, 50s-inspired drunk-and-roll in the vein of then-current acts like the LAZY COWGIRLS and slightly earlier bands like the SUICIDE KINGS. Little did I know it until today, but SCOTT “DELUXEâ€Â DRAKE claims to have been a member of the band at one juncture. I believe him.

I saw the band one time only, at an all-day free festival/alcoholiday of Trigon Records acts in Isla Vista, California. This’d be around 1989, I’d say. I think the Thirsty Brats might have been hopped up on goofballs, as their set was exceptionally sloppy, the singer harangued the crowd unduly and often, and loads of drunk people danced their asses off to the dirty rock and roll beat. Other acts that appeared that day included CLAW HAMMER, a tripping-on-acid CRAWLSPACE (confirmed to me personally by the band), FEARLESS LEADER (stymied by the Isla Vista Park Service in their attempt to “let a chicken looseâ€Â during their set), and MOIST-N-MEATY. In other words, pretty much all the bands on “Gimme The Keysâ€Â. Eighteen years later I spin the record and my favorite track not by Claw Hammer is easily “White Ghettoâ€Â by those same Thirsty Brats. In fact, I kinda think it’s a classic. Whatever that means.

Play or Download THIRSTY BRATS – “White Ghettoâ€Â (from 1988 compilation “Gimme The Keysâ€Â)

ASTEROID GARAGE BOP FROM THE ETTES

One of my favorite tracks of the past year is “Reputationâ€Â from an LA mersh-garage act called THE ETTES. They say that they are a cross between “Nancy Sinatra + The Stooges + Thee Headcoats + Thee Headcoatees + The Strokes + The Sonics + The Rolling Stones + Compulsive Gamblers + Patsy Clineâ€Â. Well there’s at least a few ringers in there, aren’t there? So I got the CD and I wasn’t particularly thrilled by it – but I’ll admit I probably need to give it another spin or two before reflexively chucking it. But “Reputationâ€Â is a wowzer. Loud, over-amped multitracked vocals, a killer set of riffs, SIMPLY SAUCER-ish “space soundsâ€Â, and all knocking by in under two minutes. A great one, one that it’s hard not to play over and over and over. I’m certain you’ll agree.

Play or Download THE ETTES – “Reputationâ€Â (from “Shake The Dustâ€Â CD)

How to shatter an afternoon drive.

As posted last week, Candace and I spent the weekend in and around Crossville TN (with my mom) visiting my aunt, who lives in a retirement village called Fairfield Glade.

Accomplished: (as predicted) A lot of fruitless fishing (I caught one GIANT sunfish). Two great hikes (one was the historic Fall Creek Falls), and the unfortunate (almost) witnessing of this accident:

https://tennessean.com/apps/pbcs.dll/article?AID=/20070615/NEWS09/70615095

We were about thirty cars behind the one that was struck by the motorcyclist. By the time we crawled up, jackets were placed over his destroyed head, but blood was everywhere, legs were pretzel-ed, people were out and about on cell phones, and the waffling driver in front of us had come to a complete stop, forcing the gruesome sight for several minutes. Not sure about you, but I don’t enjoy the intense negativity presented by a freshly dead accident victim.

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