A Hardboiled Classic and other flotsam…

The mystery/crime section never fails to amaze. Expect fewer and fewer posts as I lose myself in the pleasure reading of titles like The Sudoku Murders.

Spike’s new series The Kill Point seems to have Wire fans in mind, as it features no less than four players from THE GREATEST TELEVISION SHOW EVER, including Michael J. Williams (â€ÂOmarâ€Â). Also, catch this: It’s good.

What was in my PO Box today: Reissues of both The Young Marble Giants’ Colossal Youth and The Fire Engines’ Hungry Beat (a discography of sorts). And some crappy metal from Century Media.

Believe it or not, I’ve never purchased a copy of The Best American Mystery Stories…until the other day. The 2006 version, edited by cigar-eater (I’m guessing) Scott Turow, is saved by the incredible writing of Scott Wolven, Jeff Somers, William Harrison, and Joyce Carol Oates. I shall pay $0.86 a piece for installments from previous years.

 

The Deadbeat Poets “Notes From The Underground”

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The Deadbeat Poets
Pete Drivere, Terry Hartman, Frank Secich & John Koury

“NOTES FROM THE UNDERGROUND”
Now available at https://www.popdetective.com

The Deadbeat Poets were formed in Youngstown, Ohio in the summer of 2006. The band consists of veteran Ohio musicians with eclectic credentials: Frank Secich (Blue Ash, Club Wow, Stiv Bators Band), Terry Hartman (Backdoor Men, Napoleon In Rags, Terry & The Tornadoes), Pete Drivere (Infidels, Pretty Demons) and John Koury (Infidels, Slackjaw). Their debut album (which was recorded over the first few months of 2007 at Youngstown’s Ampreon Recorder) will be released on Pop Detective Records in July of 2007 and in late summer in Japan on Vivid Sound Records. Also, making guest appearances on the album are Bill “Cupid” Bartolin on guitar and Chris Leonardi on piano and organ.

Soon, you’ll be able to sit back and relax (pop the top and set the sail) as the Deadbeat Poets take you on a timely journey. To such places…. romantic places like Beaver Falls (via Mahoningtown) you’ll go. You’ll travel to the exotic northside of Youngstown, Cleveland, the depths of the Atlantic Ocean, Toronto, Geneva-On-The-Lake, New York, LA, London, the far reaches of outer space, Paris, Mt. Pilot, The Bering Sea, St. Paul and of course Buffalo, NY. You’ll meet fun lovin’, sex-crazed aliens in “The Truth About Flying Saucers”. You’ll hear the tale of the legendary Ray Robinson who once roamed the dark, back-country roads of Western, PA in “The Green Man”. You’ll encounter semi-romantic mountain men and their passions in “Ernest T” and ride along with Stiv Bators as he once terrorized the western world in “The Stiv Bators Ghost Tour”. You’ll find out the connection between Ernest Hemmingway and Gertrude Stein and French bidets in “Where Was I When I Needed Me?”. You’ll raise glasses and bottles with the lads in “No Island Like The Mind, No Ship Like Beer” and be sadly disappointed by gangsters and thieves as “The Goody Wagon” never arrives. If floating in a psychedelic flutter is your inclination then “What Part Of Cognitive Dissonance Don’t You Understand?” will probably be your cup of tea. Then again, you may find that after all of this …..well that “It’s Nothing” to you. Then again, you may start getting “A Funny Little Feeling” that you will enjoy the Deadbeat Poets.

AVAILABLE NOW! https://www.popdetective.com

“NOTES FROM THE UNDERGROUND”

Songs included are :

The Truth About Flying Saucers
(Hartman)
The Green Man
(Secich)
What Part Of Cognitive Dissonance Don’t You Understand?
(Hartman)
A Funny Little Feeling
(Secich)
No Island Like The Mind, No Ship Like Beer
(T. Hartman-L. Hartman)
The Goody Wagon
(Secich)
Where Was I When I Needed Me?
(Hartman)
Ernest T
(Secich)
The Stiv Bators Ghost Tour
(Secich)
It’s Nothing
(Secich-Bartolin)

More about the Deadbeat Poets & sound clips at:
https://www.myspace.com/deadbeatpoets

Barry Green –Papa Do

Barry Green –Papa Do/Boomerang –Decca F.13282 (1974 UK)

Barry Green is in fact Barry Blue and both sides of the single were co-written by Rubin (AKA Linsey De Paul). Papa Do is a fun commercial ditty, but with a nice fuzz part and engaging heavy pounding . Lynsey also released the song, but the ultimate killer version can be found on Cardinal Point‘s LP (Philips) where the performance is a dead ringer for Galahad’s Rocket Summer (Bell)

Click on title for an edit of Papa Do

MISS ALEX WHITE AND THE SPIRIT OF ’78 LA

The rightful heiress to the spirit of Neutron Bomb/Babylonian Gorgon Los Angeles punk of the late 70s probably doesn’t even know she’s directly descended from it, but oh my friends – she is. Chicago’s MISS ALEX WHITE AND THE RED ORCHESTRA now have their second excellent CD under their belts with the release of a new one this year called “SPACE & TIMEâ€Â on In The Red. For about the first eight or nine songs, it’s hands-down one of the best records of the year, then loses a little steam before finishing up in the Top 15 nonetheless. It’s a little more varied than the first CD of theirs – which I wrote about here – in the sense that tempos are all over the proverbial map & straddling all manner of punk styles. Kinda like a lot of those wacky Masque punks of Darby Crash’s day – your UXAs, your Metrosquads, your Howard Werths, your Controllers – even your early punk-era GO-GOs (check the bouncy girl-group pop of “She Wannaâ€Â if you don’t believe me). I saw them play a few of these songs live last year and knew it’d be a good record, but it’s even better than that. I’m going to post a couple for you here, but you might want to think about skipping that and clicking here instead.

Play or Download MISS ALEX WHITE & THE RED ORCHESTRA – “In The Snowâ€Â
Play or Download MISS ALEX WHITE & THE RED ORCHESTRA – “Future Talkâ€Â

17 Pygmies Rare LA showcase

You are hereby advised under threat of grave regret to come out and see 17 Pygmies in a rare live appearance as part of the International Pop Overthrow West Coast festival. Also on the bill, the delightful Prix!

August, 7 2007 at Spaceland
1717 Silver Lake Blvd., Los Angeles, 90026
Cost : $8.00

IPO Los Angeles
www.clubspaceland.com 323-661-4380
8:30 Io Perry
9:00 The Unbearables
9:30 17 Pygmies
10:00 The Red Button
10:30 Astra Heights
11:00 The Prix

Life In Berlin By The Numbers

As we all know, statistics lie, but sometimes not. While it’s true that I take a pretty dark view of life in Berlin, I was quite amazed at what I consider the accuracy of this survey, done by the European Commission’s Directorate-General of Regional Policy, measuring people’s happiness with the city they live in.

75 cities in the EU, plus Croatia and Turkey, were surveyed by Gallup-Hungary, and the results tabulated into some very nice graphs. Maybe it’s because the results match my prejudices, but I think this is a fasciating document.

Between 75 and 95 percent of the responses indicated that people were happy to live in the cities they lived in. First four places went to Groningen (NL), Krakow, Leipzig, and Alborg (DK). Berlin came in 57th, just below Rotterdam and Torino and just above Brussels, Warsaw, and Ankara. Even so, the results look like about 80% were happy.

Less positive were the responses to “It is easy to find a good job,” with Berlin scoring over 75% in “somewhat disagree” and “strongly disagree.” It’s 68th from the top in this, below Dortmund and Leipzig and above Kosisce (Slovakia) and Bialystock, Poland. It looks like only about 10% strongly or somewhat agreed with this statement. Given the local unemployment figures, this is hardly a surprise.

Also unsurprising was Berlin’s high rating in “It is easy to find good housing at a reasonable price,” what with the current real-estate glut. We wound up near the top in this one, number seven under Leipzig, Aalborg, Braga (Portugal), Dortmund, Oviedo (Spain) and Bialystock, and above Newcastle Upon Tyne and Oulu (Finland). At the bottom? Again no surprise; Paris, with close to 100% of the respondents somewhat or strongly disagreeing. Other bad values are Dublin, Luxemburg, and Bucharest.

Next up was “Foreigners are well-integrated,” and again Berlin dwells in the cellar, 73rd, above Stockholm and Malmö. A little over 50% disagreed here, and only a little over 25% seem to have agreed. On top? Cluj-Napoca, Romania; Miskolic, Hungary; Pietra Neamt, Romania; and Burgas, Bulgaria. I’ve never even heard of these places, to be honest, but I think it shows that the melange of cultures in these countries, absent the kind of tensions that tore the former Yugoslavia apart, plus the poverty that all inhabitants are likely to share, will bring people together, rather than apart. Certainly that was my experience in Blagoevgrad, Bulgaria, in the four or five days I spent there. Shortly after my arrival at the American University, where I did some journalism workshops, I was up on the roof of the building with two students waiting for my professor-friend’s class to end, and the dark, swarthy one turned out to be Bulgarian and the red-headed freckled one turned out to be Turkish, and they pointed to the distant mountains and said “That’s Macedonia over there, where people are killing each other over this. It just doesn’t make sense to us.” And, indeed, the rest of my time there bore that out splendidly. Berlin’s poverty in the middle of a nation of affluence, though, plus the well-documented urge to blame the Other, doesn’t bode well for this sort of unity.

“Air pollution is a big problem” is one where Berlin might have scored higher not very long ago, but here we wind up pretty much smack in the middle, with a little over 50% agreeing and about 30% disagreeing, wedged inbetween Ostrava (Czech Republic) and Glasgow. The continuing reduction of coal heating and (yes, Ostalgics, get over it) the disappearance of the Trabant have a lot to do with this, I’d say.

Next up is satisfaction with the public transportation system, and, flash strikes notwithstanding, Berlin’s ninth-place position only makes me wonder how great getting around top-rated Helsinki must be. Do they have stewardesses serving refreshments? Vienna, Rennes, Hamburg, Munich, Leipzig, Dortmund and…Frankfurt on Oder?… all beat us out, too, but all this says to me is Germany’s pretty good with this stuff. I’ve never had any problem getting around any German city I’ve been in, which is more than I can say for Copenhagen or London, which are well below Berlin.

“Green spaces such as parks and gardens” is another place I’d expect good numbers for Berlin. We allegedly have more green space per square kilometer than any other city in Europe, thanks in part to huge forests like the Grunewald and Berliner Stadtforst being included in the city limits. And oddly, we only score 22 in this, perhaps because the rest of the city’s so grim, but atop us are such hard-to-beat places as London, Vienna, Munich, Brussels, and Glasgow, who relentlessly promote their parks to their residents, which Berlin doesn’t really do. Athens, Naples, and Sofia (without doubt the ugliest city I’ve seen on this continent) are the cellar-dwellers here.

“I feel safe in this city” was one I was curious about, given the fact that there’s so little serious crime here, yet Berliners generally are paranoid beyond belief: do they lock the front door of your apartment building at 8? They used to where I lived, and it was a pain in the ass. Yet there we are at 47, although it looks like close to 80% agree with the statement, and something less than 20% disagree. But if you look at the chart, it seems that Europeans overwhelmingly feel safe, so the ranking isn’t so important until you get to the very bottom, with significant fear being registered in Bucharest, Athens, Sofia, Naples and especially Istanbul.

Given Germans’ hypochondriac tendencies, I wasn’t overly optimistic for the graph of people satisfied with the health care offered by hospitals, but here’s one where (knock on wood) I have absolutely no experience whatever. Berlin is at 28, which makes me feel better for all those folks who scream past in ambulances down Torstr. on their way to Charité.

And, finally, the one you’ve all been waiting for: “The city spends its resources in a responsible way.” A whopping 75% negative on this, a 71 chart placement above such models of fiscal rectitude as Sofia, Naples, Bucharest and Frankfurt on Oder. Only a very tiny number seem to strongly agree with this, and if you’re one of them, I suggest you get out of the house more often.

I certainly don’t have the training to decipher What It All Means in any truly scientific way, but I do love charts like this, and was just astonished at the sort of intuitive accuracy I observed here.

Anyway, I guess I should be off to Alborg to look for some excuse to live there. Naaah, too cold. Maybe Groningen? Naaah, I hate how densely-packed Holland is. Hmmm, wonder why Montpellier isn’t on this list…

Actually, I’m glad it isn’t. Don’t want the secret to get out before I can move there and find a nice apartment. And last I looked, I’m only $12,000 and change away from that…

Wow.

Been a while, huh? I promise to write more posts. I promise. My eleven readers deserve it. I’ve been busy.

Ramping up on the freelance front, I’ll have a small handful of reviews (three, to be exact) in the September and October issues of Spin Magazine. Might have something in Vice soon, and two large comedy-based features in either the August or September issue of Harp Magazine.

I made a crucial mistake in the current issue of Magnet Magazine. In my metal-themed installment of Where’s The Street Team, I referred to Death Angel’s Pepa brothers as “Latinoâ€Â when in fact, they are Filipino. Whoops. Perhaps I got confused, seeing as how Spanish is the dominate language spoken in the Philipines. Naturally, I was called out in the letters section. Magnet and Death Angel fans. Makes total sense.

Tonight, I’m writing a travel piece for the September issue of Memphis Magazine, even though I’ll be working from memory and it’s been three years since I’ve done any actual travelling pertinent to this feature.

A fourth remake of Invasion of the Body Snatchers? Appropriate that Nicole Kidman stars, as she did in the godawful remake of another great 70’s horror film, The Stepford Wives. The new Invasion is PG-13 (strike one), and if you care enough, check out both Philp Kaufman’s ‘78 version and Abel Ferrara’s Body Snatchers from ‘93. Both are great.

So let’s end by rating some Ferrara films.

Driller Killer (1979) – Hilarious. Essential if you need another Grade D horror fix.

Ms. 45 (1981) – See above.

I cannot pick out the two episodes of Miami Vice that Ferrara directed.

King of New York (1990) – When someone spoofs or riffs on Christopher Walken, this movie represents a good reason why. Good crime flick, though.

Bad Lieutenant (1992) – See it if you haven’t. So over-the-top, laughable, and tragic that it’s amazing this film didn’t make more of an impact in the long run. This scene should push you to the rental store. Most of the other memorable scenes are also available on YouTube.

Aside from The Funeral (1996), it goes a little downhill in recent years. Or maybe I’m just lazy.

Tom Snyder (1936-2007)



Anyway, my doctors assure me this is nothing to worry about, and I have to accept that, I guess. They say this kind of leukemia is not fatal, that people can live with it for thirty years…. I ain’t looking for thirty years, but fifteen more would be nice!

— Tom Snyder,
April, 2005
Alas, his doctors were wrong, as Tom Snyder passed away last night in San Francisco at the age of 71.

In 1973, I was bedridden for several weeks with a torn-up knee and, unable to find a comfortable position in which to sleep, plagued by insomnia. Tom Snyder on The Tomorrow Show became my late-night pal. His interview style was artful in its artlessness and, unlike other talking heads who pretended they knew everything, Tom was unafraid to let on when he just didn’t “get it.”

Just as David Letterman was Warren Zevon’s music’s best friend, Tom Snyder was Harlan Ellison’s writing’s best friend, inviting the writer on his show (and its various permutations) many, many times over the years. And while it’s these memories I’ll cherish most, I’ll never forget the good humor and class with which Snyder handled John Lydon and Keith Levine of Public Image Ltd. in 1980:

I loved the music of PiL, but Lydon and Levine came across as feckless dicks in the face of Snyder’s pure class.

I’ve missed Tom Snyder ever since he went off the air in 1999. Today, I miss him even more.

VAMPS VS. VORES

You want to hear two total killers from late in the first punk era? Right here, right now? OK, first I’ll grant access to THE VAMPS’ “Carving Knifeâ€Â, a great NY Dolls-like stomper from San Antonio in 1980. It missed all the Killed By Death comps somehow but it’s as raw & unhinged as anything on there. These guys opened for the Sex Pistols at “Randy’s Rodeoâ€Â down there – remember those scenes from “D.O.A.â€Â? Second up is “Amateur Surgeonâ€Â from Buffalo, NY’s THE VORES, a 1978 high-tempo scooter with some nutty lyrics about medical accidents. Both unheralded classics. Download them for your homemade “KBD alternatesâ€Â CD-R comp.

Play or Download THE VAMPS – “Carving Knifeâ€Â
Play or Download THE VORES – “Amateur Surgeonâ€Â

The Eggy- You’re Still Mine

The Eggy- You’re Still Mine/Hookey-Spark SRL 1024 (1969 UK)

The Eggy were formed by ex-Sorrows guitarist Roger Lomas and possibly included Pip Whitcher (also ex Sorrows). You’re Still Mine is an amazing Proto Glam/ Late Freakbeat number with incredible over the top Wah Wah guitar effects and a superb twin lead break. It bridges the 60s and 70s perfectly and is a top tune as well. The B Side Hookey is also great, reminding me of The Smoke at their best.
Roger Lomas would later re-appear with Renegade (A Little Rock ’N’ Roll/My Revolution on Dawn) and The Dodgers before taking on a producer’s role in the late 70s/80s.

Click on title for edits of You’re Still Mine and Hookey