Matchbox – Rod

Matchbox –Don’t Shut Me Out/ Rod –RAK 113 (1971 UK)

This is not the Rockabilly Revival outfit, but the sounds of Ex-Rupert’s People (Reflections of Charles Brown) members Rod Lynton and Steve Brendell soldiering on into the early 70s. Rod is in fact the B side of a pleasant up-tempo Bubblegum/ Pop number and is a strange beast indeed…Based around a rockin’ backbeat and pop vocals, they then added these weird oscillator/Theremin or Moog gurglings. The overall effect is bizarre and sounds like this was done more as a playful after-thought rather than through astute planning.

Click on title for edits of Rod and Don’t Shut Me Out

RIDICULOUS HARDCORE, PART 2: SIN 34

(Read Part One here). I don’t know what it is about SIN 34, and why I come back to their recordings every few years. They were perhaps the first speed/thrash/burn punk band that ever connected with me during my teenage late-night listening sessions with “Maximum Rock and Roll Radioâ€Â, even before Black Flag or Minor Threat. Generic-by-the-numbers early 80s LA hardcore, with the added curveball of female singer “Julieâ€Â, SIN 34 at times had this ability to leapfrog the genre & throw in some burning, stop-start hooks that got testosterone-fueled limbs flailing and bodies flying. I know that their name made it to Pee-Chees and Army surplus jackets even at my Northern California high school – but then again, so did “China Whiteâ€Â, “TSOLâ€Â and “The Adictsâ€Â. In SoCal, they had a much higher profile, due to band member Dave Markey’s involvement with WE GOT POWER fanzine and friendly connections with RED CROSS and Smoke Seven records. Only one 7â€ÂEP and one (quite lame, save for 3-4 tracks) LP made it out, but I’ve cherry-picked the band’s winners for you. Read a whole lot more about SIN 34 here and here.

Play or Download SIN 34 – “Nuclear Warâ€Â (from 1982 “Sudden Deathâ€Â compilation LP)
Play or Download SIN 34 – “Left Waitingâ€Â (from 1983 “Do You Feel Safe?â€Â LP)
Play or Download SIN 34 – “Forgive and Forgetâ€Â (from 1983 “Do You Feel Safe?â€Â LP)
Play or Download SIN 34 – “Notâ€Â (from 1983 “We Got Powerâ€Â compilation LP)

I don’t know

Nor do I have the energy tonight to fix the italics problem on this page. Like they say on Fire Island, “Get Used To It.â€Â

Is there anything, at this moment, more embarrassing than Dr. Cornel West’s rap album? YouTube his recent Real Time with Bill Maher appearance…also embarrassing.

Does this make me a racist? Or does it make you a racist for having the “issueâ€Â sensitivity to assign “racismâ€Â to my opinion?

A Book Review

In an effort to justify my failed attempts at pitching a review of this book to every single magazine in which I have a relationship, you now have this post to read. Get the book.

Joe Carducci

Enter Naomi: SST, L.A., and All That…..

Redoubt Press P.O. Box 276 Centennial, WYOM. 82055 (redoubtpress.com)

I will preface this review by stating that Carducci’s sorta-infamous Rock and the Pop Narcotic is the only lengthy piece of rock writing, and only non-fiction book, that I’ve read three times. I don’t agree 100% with RPN, but it still delivers personal inspiration, and has been a big influence on my writing. It was a book that awarded the proper amount of intellectualization (some say too much, but I disagree) and heart to metal and hard rock during a time (1990) when these forms were weathering an especially unfair phase of disinterest. If you haven’t read it, do so. You cannot borrow my copy. The book has gone through three printings. Rollins did a printing for his house in the mid-90’s, and Redoubt released the most recent version. Get it!!

There are Carducci works between Rock and the Pop…. and his brand new Enter Naomi: SST, L.A. and All That (Get your rundown here: www.joecarducci.com). Even so, this one will be endlessly compared to his previous epic. They are different animals. Instead of a highly-enjoyable, dense monster, Enter Naomi is an equally enjoyable, rather straightforward bio of three distinct subjects: Deceased photographer Naomi Peterson (she was essentially SST’s inhouse photog), SST Records, and the underground L.A. music scene from about 1975 up until around ‘86 (when Carducci moved away).

It’s sad book. It will hopefully encourage all of us to be better to our livers. Enter Naomi also proves that the “outsiderâ€Â of, say, 1981, underwent extinction long ago. Regardless of shady business dealings and an intimidating anti-social personality, the cloth Greg Ginn was cut from is nowhere to be found in the “undergroundâ€Â of 2007, if one can even find the underground in 2007.

I finished Enter Naomi in three while trying to read three other books. I spent long stretches staring at the photos.

Carducci deserves exposure and some book sales. In the face of publishing industry indifference and public’s (and publishing industry’s) poor taste in music books, Joe has toiled along.

That’s it. And that was a very loose interpretation of a “book review.â€Â  

 

 

Wig Wam –Naughty Naughty

Wig Wam –Naughty Naughty/ Have A Cuppa Tea –RCA 2243 (1972 UK)

Here’s another one to file under Glam Era Bubblegum Obscurity (GEBO)…It’s strangely under-produced by Phil Wainman and the arrangement by Pip Williams is an exercise in simplicity itself. The rugged chugging guitars really drive the song along and the tune features a mean hook and neat chord changes. The B side, Have a Cuppa Tea, is a cover of the Kinks’ song and is a bit pointless. The band were probably a one-off studio congregation, but the A side deserves its place in the Pantheon of no-hope-in-hell-hit-wonders…

Click on title for a full version of Naughty Naughty

CURSE OF THE BIRTHMARK – “WELCOME TO THE HARD TIMES, YOU’RE LATEâ€Â EP

This 2005, 5-song ear-pillager from San Francisco’s semi-active CURSE OF THE BIRTHMARK was the electro-zap my ass needed to get the foam coming out of the mouth again when I first heard it a little over a year ago. “Welcome To The Hard Times….You’re Lateâ€Â is the sort of dark, aggressive “industrial rockâ€Â I used to envision in the early/mid 80s whenever I’d read about TEST DEPT. or EINSTURZENDE NEUBAUTEN or whatever, whom invariably let me down. C.O.T.B. did not let me down; on the contrary, this EP is full of frothing, electronics-filled no wave guitar, some absolutely thumping drumming, and enough bleeding ear tones to keep you in the isolation chamber for hours afterward. There’s a rabid, mysterious churner at the end of Side 1 called “Too Many Ministersâ€Â that I have not been able to stop playing for a year. They put out one other 45 that’s also quite good, and I think they’ve maybe played one live show in the past 365 days. I couldn’t go – I think I had to wash my hair or something. See if you’re up to the challenge by clicking on the links below.

Play or Download CURSE OF THE BIRTHMARK – “Welcome To The Hard Times, You’re Lateâ€Â
Play or Download CURSE OF THE BIRTHMARK – “Show Yer Fangsâ€Â
Play or Download CURSE OF THE BIRTHMARK – “Too Many Ministersâ€Â
Play or Download CURSE OF THE BIRTHMARK – “Le Phantâ€Â
Play or Download CURSE OF THE BIRTHMARK – “Monster Imitates Carâ€Â

BANGS – “GETTING OUT OF HANDâ€Â DEMO

So it looks like the most popular post in the short history of this blog was the first BANGS single that I put up about a month ago, which warms the cockles of my dark heart. Perhaps we can best that with a related, and even more rare, love offering – an excellent demo version of “Getting Out of Handâ€Â, one recorded before their 1980 single, and a bonus photo of the band in miniskirts, stolen right off of the internet from this site. At some point in the near future I’ll get the 5-song IRS EP up for you as well. Enjoy.

Play or Download THE BANGS – “Getting Out of Hand (demo)â€Â

Zipper –Can Can

Zipper –Can Can/Laugh Laugh –Sirocco SIR 6001 (1976 French issue)

This is one of the other Zipper bands, NOT to be confused with Atkins/Morris or Fred Cole!
For your entertainment, I haven’t compressed the picture, so if you click on the image you can see it in full wide dorkscope…The cover nearly gives Frog a run for its money, as for the track itself…er…Barrel-house Glam anyone?

Click on title for a soundclip of Can Can

Blood Beach is better than the new Wes Anderson movie…

**I’m knocking out a little work, hanging out with the lady, and lazily paying attention to Blood Beach. The comfort food for the week? Late night (cable) or afternoon (local Memphis channels….edited) fare from childhood. Blood Beach kicks off my October run of rented, On-Demanded, or theatrically-attended (unlikely) silliness. Even for this era, even for 9th rate gore (!!!!), it comes as a minor surprise that Burt Young and John Saxon were talked into this one. Oh good, the dog died. Did Burt Young’s character (â€ÂSgt. Roykoâ€Â) get transferred to L.A. from Philly or NY?

“We need a character actor with a thick, Northern, street-corner-rube accent.â€Â

Royko to a tall, Black cop: “You’re the problem with this world.â€Â

Royko to room of cops: “This would have never happened in Chicago.â€Â

Well, he’s right.

“We found it!!! We found it!!! We found the guy’s wiener!!!â€Â

**I’m also here to offer an public challenge to Wes Anderson:

Would it be possible to NOT make a Wes Anderson movie? I couldn’t be less excited about The Darjeeling Limited. Everything one needs to know about the film can be absorbed by looking at promo stills or the movie’s poster. I’d like to note that this image also appears when “The Darjeeling Limitedâ€Â is image-searched through Google. All vital elements of The Wes Anderson Package are in place: Quirkiness, privilege, “exoticâ€Â locale, sibling complexity, romantic misunderstandings, white. Did Slate beat me to this opinion?

 

 

Zipper –Gettin’ It On

Zipper –Gettin’ It On / Good Morning –Telefunken U 56333 (1974 German issue)
Tony Atkins and Gerry Morris strike again with these two left-of-field Glam Stompers. The A side is not as straightforward as first seems with its out there production, similar to Galahad’s Rocket Summer. The production on Good Morning is even more over the top and approaches near Experimental-Trans –Progressive -Glam with layers of backward guitars and snare effects. What a team!
BTW, this is not the Life of Riley mob, nor the band that issued Can Can (which reminds me, I should upload the cracking French Pic Sleeve of that one…). There’s also another Zipper on Youngblood from around the same time, but I can’t confirm any Atkins/Morris involvement there.

Click on title for edits of Getting’ It On and Good Morning