Bless My Soul

As I sit here, pondering what ponderers usually ponder and listening to the radio in a rare moment of non-CD music enjoyment, I have discovered something really cool: soul music is coming back. Now, you might say to yourself, “That Nerd’s crazy. Soul music never left.” and you’d be right. But, it did vanish for a long time as rap, techno and other forms of synthesized dance music took over.

Over the past few years, however, there has been quite a renaissance of what can only be called The Funk.

I first felt soul was coming back when I heard Joss Stone’s first album. To hear a British teenager sing with such soul made me feel there was something bubbling underground I hadn’t heard about yet. That soul queen Betty Wright produced Stone’s album – that she would even be given a chance to do that for an artist on a major label – made the feeling intensify. Of course, there is a big Northern soul movement in the UK – Northern meaning US-based soul stars, usually obscure at that – but there has been a Northern soul scene in Britain since the early ’70’s so I knew that wasn’t it.

After the success of Stone came a lot of career resurrections for various soul heavyweights of the past: Wright as a hit producer, Al Green reunited with Willie Mitchell for two great CDs, Solomon Burke put out a marvelous CD on Anti produced by T-Bopne Burnett, Bettye Lavette put out two great CDs, the late Eddie Hinton has been rediscovered, obscure soul titan Howard Tate was found and has had albums put out, Soul group Black Merda has been making great new music, Don Covay released a fine disc and many more. All this has happened since the turn of the millenium.

New artists have been plying the soul trade as well, aiming for Sam Cooke most of the time. Earl Thomas, James Hunter, Ellis Hooks have all been cast as Cooke-alikes – aiming for the suaveness and retor sounds Cooke made famous.

There have also been a plethora of archive releases from new labels specializing in vintage soul. Labels like The Numero Group, Ubiquity, Light In The Attic and many others. Rappers have even gotten into the soul game including Madlib with his Stone’s Throw label, specializing in modern variations of classic soul grooves. Not to mention the blogs and websites galore dedicated to the music.

It seems a new day is dawning in the world of soul and I couldn’t be happier about it. Once again music with heart, soul and meaning is rising to the forefront and I couldn’t be happier.

And as usual, you’ll be reading about the best of it in my blog.

How is your soul?

The Music Nerd knows…..

It’s Gotta Have A Hooks

As I sit here still suffering from computer woes, I have to tell you about a great little CD I heard a few weeks ago by the young soul artist Ellis Hooks.

It’s called Godson of Soul and it came out on the Evidence label last year. I ran into it a few weeks ago during one of my frequent record store CD hunting expeditions and it quickly became one of my favorite CDs.

Hooks is a relatively young (late 20s) Southern born gentleman who has the uncanny ability to channel Sam Cooke and Al Green whenever he wants to. That’s right: he plays vintage soul of the highest order but does it in-the-now, baby. This ain’t old sessions from an unknown found and released – this is the freshy fresh done with the old school flava!

Old rock hand and (I am sure) friend of co-blogger Gary Pig Gold (yes, Gary – Intercourse is what I am talking about – the album, that is!) Jon Tiven and his wife Sally have produced all of Hooks’ albums including this one and done an excellent job of capturing the old Stax and Hi Records’ sounds. Tiven himself is worth a few columns and his soul tributes on Razor and Tie featuring Gary Pig (among many others) paying props to Don Covay and Arthur Alexander are delightful.

But Hooks is what I am writing about today. By the way, search out his other three records. Most are on Evidence but I believe his debut from 1993 is out only as an import. I have searched them out in the past few weeks and they are all equally great.

To see a new artist go after the old sound and be unashamed about it is refreshing and wonderful as hell. Artists like Hooks and Joss Stone are giving me faith in the music business again. A bonus with Hooks is he can write some hellacious lyrics and with his good looks and talents there is no reason he shouldn’t be able to put the puzzle together and hit it really, really big. I believe he just needs an “in” right now – to do some work or a duet with some established artist on a “big” album. He could do it on his own, but let’s face it – he’s fighting all of the scum in the music business.

If you are a fan of old soul like Green and Cooke and would like to hear what they did done on a contemporary level without all of the Michael McDonald/Taylor Hicks/Michael Bolton cheesiness, check out Ellis Hooks – you won’t be sorry.

The Music Nerd Knows……..