<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="https://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="https://wellformedweb.org/CommentAPI/"
	xmlns:dc="https://purl.org/dc/elements/1.1/"
	xmlns:atom="https://www.w3.org/2005/Atom"
	xmlns:sy="https://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="https://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Robin Wills&#8217; Purepop &#8211; Lost In The Grooves</title>
	<atom:link href="/category/lost-in-the-grooves-2/blogs-k-z/robin-wills-purepop/feed/" rel="self" type="application/rss+xml" />
	<link>/</link>
	<description></description>
	<lastBuildDate>Sun, 02 Dec 2007 23:21:16 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	
	<item>
		<title>The Passengers Ã¢â‚¬â€œSomething About You (I donÃ¢â‚¬â„¢t Like)</title>
		<link>/2007/12/02/the-passengers-%e2%80%93something-about-you-i-don%e2%80%99t-like/</link>
					<comments>/2007/12/02/the-passengers-%e2%80%93something-about-you-i-don%e2%80%99t-like/#respond</comments>
		
		<dc:creator><![CDATA[rss]]></dc:creator>
		<pubDate>Sun, 02 Dec 2007 23:21:16 +0000</pubDate>
				<category><![CDATA[Robin Wills' Purepop]]></category>
		<guid isPermaLink="false"></guid>

					<description><![CDATA[The Passengers Ã¢â‚¬â€œSomething About You (I donÃ¢â‚¬â„¢t Like)/Two Lovers Ã¢â‚¬â€œPrivate pressing (1979 UK) I met these guys at the time outside the CBS building in Soho Square just as they were signing to Epic. They had pressed up this single privately in order to create a buzz and it worked as both tracks were later &#8230; <a href="/2007/12/02/the-passengers-%e2%80%93something-about-you-i-don%e2%80%99t-like/" class="more-link">Continue reading<span class="screen-reader-text"> "The Passengers Ã¢â‚¬â€œSomething About You (I donÃ¢â‚¬â„¢t Like)"</span></a>]]></description>
										<content:encoded><![CDATA[<p><a href="https://bp1.blogger.com/_XFRgIkT-Ayc/R1MhyVizlAI/AAAAAAAAAOs/bJJXSRXAMz8/s1600-R/Passengers+1.jpg"><img id="BLOGGER_PHOTO_ID_5139488748420174850" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; CURSOR: hand" alt="" src="https://bp1.blogger.com/_XFRgIkT-Ayc/R1MhyVizlAI/AAAAAAAAAOs/D6JEUuwY8-A/s200/Passengers+1.jpg" border="0" /></a></p>
<div><strong><span style="color:#cc33cc;">The Passengers Ã¢â‚¬â€œSomething About You (I donÃ¢â‚¬â„¢t Like)/Two Lovers Ã¢â‚¬â€œPrivate pressing (1979 UK)</span></strong></div>
<div><span style="color:#33ff33;">I</span><span style="color:#33ff33;"> met these guys at the time outside the <strong>CBS</strong> building in Soho Square just as they were signing to Epic. They had pressed up this single privately in order to create a buzz and it worked as both tracks were later released on the faux-independent <strong>Blue Inc.</strong> and also on <strong>Epic</strong> proper. It looks like they were uncertain as to which song was to be the A side when they pressed it up, but in my book, there was no contest as <strong>Something About you</strong> is a powerful Punk/ Power Pop number of the highest caliber. To me it sounds like <strong>The Members</strong> infused with a top Pop tune and featuring a great rockinÃ¢â‚¬â„¢ piano part such as <strong>Nicky Hopkins</strong> would lay down on those early <strong>Kinks</strong> sides.</p>
<p></span><span style="color:#ff0000;">Click on title for an edit of <strong>Something About You</strong></span></div>
<div><strong><span style="color:#cc33cc;">As a dubious marketing exercise, I will also be listing this single on ebay </span><a href="https://search.ebay.co.uk/_W0QQsassZpurepop1uk">https://search.ebay.co.uk/_W0QQsassZpurepop1uk</a> <span style="color:#cc33cc;">this evening. It&#8217;s the last single I will be listing until January -Thanks!</span></strong></div>
]]></content:encoded>
					
					<wfw:commentRss>/2007/12/02/the-passengers-%e2%80%93something-about-you-i-don%e2%80%99t-like/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Pete Dunton Ã¢â‚¬â€œTaking Time</title>
		<link>/2007/11/29/pete-dunton-%e2%80%93taking-time/</link>
					<comments>/2007/11/29/pete-dunton-%e2%80%93taking-time/#respond</comments>
		
		<dc:creator><![CDATA[rss]]></dc:creator>
		<pubDate>Thu, 29 Nov 2007 22:29:27 +0000</pubDate>
				<category><![CDATA[Robin Wills' Purepop]]></category>
		<guid isPermaLink="false"></guid>

					<description><![CDATA[Pete Dunton Ã¢â‚¬â€œTaking Time/ Still Confused Ã¢â‚¬â€œRCA 42501 (1973 French issue) Pete was the drummer With Freakbeat faves The Flies and Please. He was also in a late line-up of Gun before forming the Proggy T2.This single came out in the UK on Rockfield and the production by Dave Edmunds is pretty spectacular. Dave was &#8230; <a href="/2007/11/29/pete-dunton-%e2%80%93taking-time/" class="more-link">Continue reading<span class="screen-reader-text"> "Pete Dunton Ã¢â‚¬â€œTaking Time"</span></a>]]></description>
										<content:encoded><![CDATA[<p><a href="https://bp0.blogger.com/_XFRgIkT-Ayc/R08fR1jgHLI/AAAAAAAAAOk/azl6c4rdt9c/s1600-h/Pete+Dunton.jpg"><img id="BLOGGER_PHOTO_ID_5138360091147246770" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; CURSOR: hand" alt="" src="https://bp0.blogger.com/_XFRgIkT-Ayc/R08fR1jgHLI/AAAAAAAAAOk/azl6c4rdt9c/s200/Pete+Dunton.jpg" border="0" /></a></p>
<div><span style="color:#ffcc66;"><strong>Pete Dunton Ã¢â‚¬â€œTaking Time/ Still Confused Ã¢â‚¬â€œRCA 42501 (1973 French issue)</strong></span></div>
<div><span style="color:#3333ff;">Pete was the drummer With Freakbeat faves <strong>The Flies</strong> and <strong>Please</strong>. He was also in a late line-up of <strong>Gun</strong> before forming the Proggy <strong>T2</strong>.<br />This single came out in the UK on<strong> Rockfield</strong> and the production by <strong>Dave Edmunds</strong> is pretty spectacular. <strong>Dave</strong> was in the middle of his<strong> Spector</strong> recreations in the <strong>Rockfield </strong>barn at the time and the Welsh wizard pulls out all the stops on this single. Swamped in flange and chorus, <strong>Taking Time</strong> literally explodes during the instrumental breaks full of psyched out Banjo and unmistakable <strong>Dave Edmunds</strong> guitar interjections. The B side <strong>Still Confused</strong> sounds like <strong>Badfinger</strong> on mushrooms with a nice understated vocal performance from <strong>Pete Dunton</strong>. </span></div>
<p></p>
<div><span style="color:#ff0000;">Click on title for edits of <strong>Taking Time</strong> and <strong>Still Confused</strong></span></div>
]]></content:encoded>
					
					<wfw:commentRss>/2007/11/29/pete-dunton-%e2%80%93taking-time/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Change Ã¢â‚¬â€œWildcat/ Yaketty Yak, Smacketty Smack</title>
		<link>/2007/11/27/change-%e2%80%93wildcat-yaketty-yak-smacketty-smack/</link>
					<comments>/2007/11/27/change-%e2%80%93wildcat-yaketty-yak-smacketty-smack/#comments</comments>
		
		<dc:creator><![CDATA[rss]]></dc:creator>
		<pubDate>Tue, 27 Nov 2007 01:51:37 +0000</pubDate>
				<category><![CDATA[Robin Wills' Purepop]]></category>
		<guid isPermaLink="false"></guid>

					<description><![CDATA[Change Ã¢â‚¬â€œWildcat/Hold On Ã¢â‚¬â€œEMI 2354 (1975 UK) Change Ã¢â‚¬â€œYaketty Yak, Smacketty Smack/When The Morning Comes Ã¢â‚¬â€œOrange OAS 210 (1973 UK)This review definitely asks more questions than it answersÃ¢â‚¬Â¦These two records seem to feature the same band, but they donÃ¢â‚¬â„¢t sound at all alike. Wildcat is firmly in Brother Susan/ Slade Glam mode while Yaketty Yak, &#8230; <a href="/2007/11/27/change-%e2%80%93wildcat-yaketty-yak-smacketty-smack/" class="more-link">Continue reading<span class="screen-reader-text"> "Change Ã¢â‚¬â€œWildcat/ Yaketty Yak, Smacketty Smack"</span></a>]]></description>
										<content:encoded><![CDATA[<p><a href="https://bp2.blogger.com/_XFRgIkT-Ayc/R0tD7VjgHJI/AAAAAAAAAOU/G2KoriTF-9E/s1600-h/Yaketty+Yak.jpg"><img id="BLOGGER_PHOTO_ID_5137274486623575186" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://bp2.blogger.com/_XFRgIkT-Ayc/R0tD7VjgHJI/AAAAAAAAAOU/G2KoriTF-9E/s200/Yaketty+Yak.jpg" border="0" /></a><br /><a href="https://bp3.blogger.com/_XFRgIkT-Ayc/R0tD7ljgHKI/AAAAAAAAAOc/-eWx1DEpZ2E/s1600-h/Wildcat.jpg"><img id="BLOGGER_PHOTO_ID_5137274490918542498" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://bp3.blogger.com/_XFRgIkT-Ayc/R0tD7ljgHKI/AAAAAAAAAOc/-eWx1DEpZ2E/s200/Wildcat.jpg" border="0" /></a></p>
<div><strong><span style="color:#cc33cc;">Change Ã¢â‚¬â€œWildcat/Hold On Ã¢â‚¬â€œEMI 2354 (1975 UK)</span></strong></div>
<div><strong><br /><span style="color:#cc33cc;">Change Ã¢â‚¬â€œYaketty Yak, Smacketty Smack/When The Morning Comes Ã¢â‚¬â€œOrange OAS 210 (1973 UK)</span><br /></strong><br /><span style="color:#ff9900;">This review definitely asks more questions than it answersÃ¢â‚¬Â¦These two records seem to feature the same band, but they donÃ¢â‚¬â„¢t sound at all alike. <strong>Wildcat</strong> is firmly in <strong>Brother Susan</strong>/ <strong>Slade</strong> <strong>Glam</strong> mode while <strong>Yaketty Yak, Smacketty Smack</strong> is a lovely pop tune to suit an afternoon of mild S&amp;M activities. Both singles have <strong>Sigmund(s)son </strong>and<strong> Helgason</strong> credited as writers (<strong>Wildcat</strong> adds <strong>Rolfe</strong> Ã¢â‚¬â€œCould that be <strong>Barry Rolfe</strong> who recorded <strong>Look The Business</strong>?), so I would assume a Scandinavian connection. The <strong>EMI</strong> single is produced by <strong>Emil D. Zoghby</strong> and to confuse matters even further, I picked up a single by <strong>Chance</strong> (although credited to <strong>Change</strong> on the back cover) called <strong>Wash My MemÃ¢â‚¬â„¢ries</strong> (Pink Elephant PE 22.736 Ã¢â‚¬â€œH) also produced by <strong>Emil</strong>. That single is rather ghastly, but again could this be the same band? Hopefully our Nordic friends can perhaps provide some information here?</p>
<p></span><span style="color:#ff0000;">Click on title for edits of <strong>Wildcat </strong>and <strong>Yaketty Yak, Smacketty Smack</strong></span> </div>
]]></content:encoded>
					
					<wfw:commentRss>/2007/11/27/change-%e2%80%93wildcat-yaketty-yak-smacketty-smack/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
			</item>
		<item>
		<title>House Of Lilly Ã¢â‚¬â€œ Turn Around</title>
		<link>/2007/11/21/house-of-lilly-%e2%80%93-turn-around/</link>
					<comments>/2007/11/21/house-of-lilly-%e2%80%93-turn-around/#respond</comments>
		
		<dc:creator><![CDATA[rss]]></dc:creator>
		<pubDate>Wed, 21 Nov 2007 21:05:24 +0000</pubDate>
				<category><![CDATA[Robin Wills' Purepop]]></category>
		<guid isPermaLink="false"></guid>

					<description><![CDATA[House Of Lilly Ã¢â‚¬â€œ Turn Around/ Situations Ã¢â‚¬â€œEurodisc 12805 (1973 French Issue)House of Lilly were apparently a Swiss band, but Turn Around is a cracking Punk-edged performance that rocks hard without ever falling into Hard Rock histrionics or Prog indulgences. The only slight blemish is the weak organ solo, but the lead guitar that follows &#8230; <a href="/2007/11/21/house-of-lilly-%e2%80%93-turn-around/" class="more-link">Continue reading<span class="screen-reader-text"> "House Of Lilly Ã¢â‚¬â€œ Turn Around"</span></a>]]></description>
										<content:encoded><![CDATA[<p><a href="https://bp3.blogger.com/_XFRgIkT-Ayc/R0SBYVjgHII/AAAAAAAAAOM/iiJNj5j6mDY/s1600-h/House+of+Lilly.jpg"><img id="BLOGGER_PHOTO_ID_5135371730212101250" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; CURSOR: hand" alt="" src="https://bp3.blogger.com/_XFRgIkT-Ayc/R0SBYVjgHII/AAAAAAAAAOM/iiJNj5j6mDY/s200/House+of+Lilly.jpg" border="0" /></a></p>
<div><span style="color:#ff99ff;"><strong>House Of Lilly Ã¢â‚¬â€œ Turn Around/ Situations Ã¢â‚¬â€œEurodisc 12805 (1973 French Issue)</strong><br /></span><br /><span style="color:#33ccff;"><strong>House of Lilly</strong> were apparently a Swiss band, but <strong>Turn Around</strong> is a cracking Punk-edged performance that rocks hard without ever falling into Hard Rock histrionics or Prog indulgences. The only slight blemish is the weak organ solo, but the lead guitar that follows is positively blistering. Their use of English language was nothing if not creativeÃ¢â‚¬Â¦CanÃ¢â‚¬â„¢t make it all out but there are witches flying about and the singer proclaims at one point: Ã¢â‚¬Å“<em>I am The Devil and my breath will blow you up</em>Ã¢â‚¬Â. His last line ends with:<em> </em>&#8220;<em>My&#8230;.. <strong>WILL FUCK YOU UP</strong></em>&#8220;, but I&#8217;m not too sure as to what he was referring to. The B side is OK, but has a flute Ã¢â‚¬â€œgo throw it in the lake boy and letÃ¢â‚¬â„¢s have more cheese induced delirium!<br /></span><br /><span style="color:#ff0000;">Click on title for full version of <strong>Turn Around</strong></span></div>
]]></content:encoded>
					
					<wfw:commentRss>/2007/11/21/house-of-lilly-%e2%80%93-turn-around/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Singles For Sale</title>
		<link>/2007/11/20/singles-for-sale-3/</link>
					<comments>/2007/11/20/singles-for-sale-3/#respond</comments>
		
		<dc:creator><![CDATA[rss]]></dc:creator>
		<pubDate>Tue, 20 Nov 2007 21:15:20 +0000</pubDate>
				<category><![CDATA[Robin Wills' Purepop]]></category>
		<guid isPermaLink="false"></guid>

					<description><![CDATA[Hi While await requests for new reviews (if not the default setting will be House Of Lilly), I have put some singles up on ebay and you can expect up to 100 singles over the next few weeks. You can find them here: https://search.ebay.co.uk/_W0QQsassZpurepop1uk]]></description>
										<content:encoded><![CDATA[<p><span style="color:#33ccff;"><strong>Hi</strong></span></p>
<p><span style="color:#33ccff;"><strong>While await requests for new reviews (if not the default setting will be <span style="color:#ff9900;">House Of Lilly</span>), I have put some singles up on ebay and you can expect up to 100 singles over the next few weeks.</strong></span></p>
<p><span style="color:#33ccff;"><strong>You can find them here:</strong></span></p>
<p><a href="https://search.ebay.co.uk/_W0QQsassZpurepop1uk">https://search.ebay.co.uk/_W0QQsassZpurepop1uk</a></p>
]]></content:encoded>
					
					<wfw:commentRss>/2007/11/20/singles-for-sale-3/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Smiley</title>
		<link>/2007/11/19/smiley/</link>
					<comments>/2007/11/19/smiley/#respond</comments>
		
		<dc:creator><![CDATA[rss]]></dc:creator>
		<pubDate>Mon, 19 Nov 2007 23:52:17 +0000</pubDate>
				<category><![CDATA[Robin Wills' Purepop]]></category>
		<guid isPermaLink="false"></guid>

					<description><![CDATA[Thanks to Duggi, the bass player from Smiley, we now know more about the band and the fascinating fact that they nearly became The Creation Mark IV! The original review was posted on September 11th 2007, but I have uploaded the tracks again here for convenience sake. From the man himself, who also sent the &#8230; <a href="/2007/11/19/smiley/" class="more-link">Continue reading<span class="screen-reader-text"> "Smiley"</span></a>]]></description>
										<content:encoded><![CDATA[<p><a href="https://bp0.blogger.com/_XFRgIkT-Ayc/R0IFMFjgHHI/AAAAAAAAAOE/zvH8g33btRc/s1600-h/Smiley.jpg"><img id="BLOGGER_PHOTO_ID_5134672230363438194" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://bp0.blogger.com/_XFRgIkT-Ayc/R0IFMFjgHHI/AAAAAAAAAOE/zvH8g33btRc/s320/Smiley.jpg" border="0" /></a></p>
<div><span style="color:#ff9900;">Thanks to <strong>Duggi</strong>, the bass player from <strong>Smiley</strong>, we now know more about the band and the fascinating fact that they nearly became <strong>The Creation</strong> Mark IV!</span></div>
<div><span style="color:#ff9900;">The original review was posted on September 11th 2007, but I have uploaded the tracks again here for convenience sake.</p>
<p>From the man himself, who also sent the <strong>Smiley</strong> photo.</p>
<p></span><span style="color:#33cc00;">Ã¢â‚¬Å“Maybe you can make out the name <strong>Creation</strong> written on floorÃ¢â‚¬Â¦We were going to go out as <strong>The</strong> <strong>Creation</strong> and adopt their image/music&#8230;it all kinda fell apart for <strong>Smiley</strong>Ã¢â‚¬Â¦ We signed a 10 year contract with <strong>Shel Talmy</strong>/ <strong>Shelbush</strong> organisation, who promised to release two singles per year, but it never happened. While we were playing at <strong>Top Ten Club</strong> in Hamburg ,a record scout <strong>Paul Murphy</strong> spotted us and we met with the then music director of <strong>BASF</strong> in Germany&#8230;<strong>Ralf Arni</strong> (think this right spelling) who wrote the song &#8220;<strong>Tulips from Amsterdam</strong>&#8221; (<strong>Max Bygraves</strong>!!!). They wanted to sign us under a fantastic recording deal (well was then), however The<strong> Shel Talmy Organisation</strong> wouldn&#8217;t let us leave, and we were cast into the wilderness&#8230;no recording possibilities&#8230;the band decided to make money we would have to change and be a cabaret band, (something I personally hated) so I left the band and they carried on for around another yearÃ¢â‚¬Â<br /></span><br /><span style="color:#ff9900;"><strong>Smiley</strong> line up: <strong>John Ryan</strong> -vocals, <strong>Billy Fogg</strong> &#8211; drums, <strong>Peter Richardson</strong> &#8211; Guitar, <strong>Robert (Bob) Garner</strong> &#8211; Guitar, <strong>Douglas Dickson</strong> Ã¢â‚¬â€œBass</p>
<p></span><span style="color:#ff0000;">Click</span><span style="color:#ff0000;"> on title for edits of <strong>I Know What I Want</strong> and <strong>Penelope</strong></span></div>
<p></p>
<p><strong></strong></p>
<p></p>
<p><span style="color:#ff9900;">Thanks<strong> Duggi</strong>!</span></p>
<p></p>
<div></div>
]]></content:encoded>
					
					<wfw:commentRss>/2007/11/19/smiley/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Return From Utrecht (part 3)</title>
		<link>/2007/11/18/return-from-utrecht-part-3/</link>
					<comments>/2007/11/18/return-from-utrecht-part-3/#comments</comments>
		
		<dc:creator><![CDATA[rss]]></dc:creator>
		<pubDate>Sun, 18 Nov 2007 03:31:14 +0000</pubDate>
				<category><![CDATA[Robin Wills' Purepop]]></category>
		<guid isPermaLink="false"></guid>

					<description><![CDATA[Once again, Phew! Just back from 2 days of walking up and down the huge hall at the Utrecht Record Fair, picking up singles along the way. I Came back with 57 singles, some real cracking discoveries in this lot&#8230; Above you can see a Swedish copy of Son Of My father. Now, I know &#8230; <a href="/2007/11/18/return-from-utrecht-part-3/" class="more-link">Continue reading<span class="screen-reader-text"> "Return From Utrecht (part 3)"</span></a>]]></description>
										<content:encoded><![CDATA[<p><a href="https://bp1.blogger.com/_XFRgIkT-Ayc/Rz-VAFjgHGI/AAAAAAAAAN8/nAP7g5mr_vw/s1600-h/Englandshit.jpg"><img id="BLOGGER_PHOTO_ID_5133985928949275746" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://bp1.blogger.com/_XFRgIkT-Ayc/Rz-VAFjgHGI/AAAAAAAAAN8/nAP7g5mr_vw/s320/Englandshit.jpg" border="0" /></a></p>
<div><span style="color:#33cc00;">Once again, Phew!</span></div>
<p></p>
<div><span style="color:#33cc00;">Just back from 2 days of walking up and down the huge hall at the <strong>Utrecht Record Fair</strong>, picking up singles along the way. I Came back with 57 singles, some real cracking discoveries in this lot&#8230;</span></div>
<p></p>
<div><span style="color:#33cc00;">Above you can see a Swedish copy of <strong>Son Of My father</strong>. Now, I know we had rely on Israel to beat the Russians for a chance to get to the European finals, but we&#8217;re not really that bad, or&#8230;are we? More probably it was an interesting comment by our Swedish friends on the state of the economy at the time and the three day week.</span></div>
<p></p>
<div><span style="color:#33cc00;">Here is a rundown of the pick of the bunch. You&#8217;re all welcome to make requests for the next reviews and sound clips from this lot&#8230;</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Hard Horse -Let It Ride</strong> </span></div>
<p></p>
<div><strong><span style="color:#cc33cc;">Chris Hodge -We&#8217;re On Our Way</span></strong></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Pete Dunton -Making Time</strong> ( late Pop/psych number with a great Dave Edmunds production)</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>House of Lilly -Turn Around</strong> (incredible rocking Swiss!!! single from &#8217;73)</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Zingara -Mary Lee</strong> (pretty horrible first single, nothing like the great Girl Girl Girl)</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Trifle -Devil Comin&#8217;</strong> (7.45!)</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Frame -Keep Those Blues On The Run</strong> (good Glam/pop 2-sider)</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Blue Rock -Bye Bye Johnny</strong> (B side is more interesting)</span></div>
<p></p>
<div><strong><span style="color:#cc33cc;">Left Side -Mamma Mia</span></strong></div>
<p></p>
<div><strong><span style="color:#cc33cc;">Shakane -Birmingham</span></strong></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Spunky Spider -You Won&#8217;t Come</strong> &#8211;<strong>YES, FINALLY</strong>!!!!</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Pat Boone!!!-Little Honda</strong> (Pat goes Surf, Terry Melcher/ Bruce Johnston B side)</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>HMK -Delirious</strong> ([Perhaps <strong>Gary Holton</strong>&#8216;s greatest moment)</span></div>
<p></p>
<div><strong><span style="color:#cc33cc;">The Panics -Superwoman</span></strong></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Santa Maria -Elle</strong> (French band from &#8217;71 -absolutely killer fuzzed up psych/Pop B side)</span></div>
<p></p>
<div><strong><span style="color:#cc33cc;">Black Swan -Da Ga De Li Da</span></strong></div>
<p></p>
<div><strong><span style="color:#cc33cc;">Rocky Underground -Groovy</span></strong></div>
<p></p>
<div><strong><span style="color:#cc33cc;">Lemming -Good Morning</span></strong></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Kincade -Jenny Jenny</strong> (<strong>John Carter</strong>)</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Edgar Broughton Band -Apache Drop Out</strong> ( forgot just how incredibly bizzare and brilliant this is )</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Hot Rod Formula -Heavy Chevy</strong> (no car noises and a bit too discotheque for me, great sleeve)</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Buzz -Mony Mony</strong> (the <strong>Buzz</strong> who did <strong>The Rock roller coaster</strong>, Great punked out B side)</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>BoogaLoo Band -Cadillac</strong> (The <strong>Vince Taylor</strong> number, similar to the <strong>Renegades</strong>&#8216; arrangement)</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Teddy Palmer And The Rumble Band -Teddy Bear</strong> (exhuberant Glammed Up version)</span></div>
<p></p>
<div><span style="color:#cc33cc;"><strong>Bryan Evans -Hold Tight!</strong> (late Glam version of the Dave Dee, Dozy, Beaky Mick And Titch number)</span></div>
<p></p>
<div><span style="color:#cc33cc;">6 different <strong>Teens</strong> singles,!</span></div>
<p></p>
<div><span style="color:#cc33cc;">plus more spares/ upgrades and a few dodgy singles!</span></div>
<p></p>
<div></div>
]]></content:encoded>
					
					<wfw:commentRss>/2007/11/18/return-from-utrecht-part-3/feed/</wfw:commentRss>
			<slash:comments>3</slash:comments>
		
		
			</item>
		<item>
		<title>Guess where I&#8217;m going???</title>
		<link>/2007/11/15/guess-where-im-going/</link>
					<comments>/2007/11/15/guess-where-im-going/#respond</comments>
		
		<dc:creator><![CDATA[rss]]></dc:creator>
		<pubDate>Thu, 15 Nov 2007 23:22:11 +0000</pubDate>
				<category><![CDATA[Robin Wills' Purepop]]></category>
		<guid isPermaLink="false"></guid>

					<description><![CDATA[Yep, here we go again&#8230;I&#8217;ll try and report back on Sunday]]></description>
										<content:encoded><![CDATA[<p><a href="https://bp3.blogger.com/_XFRgIkT-Ayc/Rzy4eVjgHFI/AAAAAAAAAN0/D1AOrfGTIe8/s1600-h/banner-4-bl.jpg"><img id="BLOGGER_PHOTO_ID_5133180506617158738" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://bp3.blogger.com/_XFRgIkT-Ayc/Rzy4eVjgHFI/AAAAAAAAAN0/D1AOrfGTIe8/s200/banner-4-bl.jpg" border="0" /></a></p>
<div><span style="color:#33ccff;"><strong>Yep, here we go again&#8230;I&#8217;ll try and report back on Sunday</strong></span></div>
]]></content:encoded>
					
					<wfw:commentRss>/2007/11/15/guess-where-im-going/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Rescue Co. No.1 Ã¢â‚¬â€œI Want To Save You</title>
		<link>/2007/11/15/rescue-co-no-1-%e2%80%93i-want-to-save-you/</link>
					<comments>/2007/11/15/rescue-co-no-1-%e2%80%93i-want-to-save-you/#respond</comments>
		
		<dc:creator><![CDATA[rss]]></dc:creator>
		<pubDate>Thu, 15 Nov 2007 00:52:08 +0000</pubDate>
				<category><![CDATA[Robin Wills' Purepop]]></category>
		<guid isPermaLink="false"></guid>

					<description><![CDATA[Rescue Co. No.1 Ã¢â‚¬â€œI Want To Save You/ Amanda Ã¢â‚¬â€œJam 14 (1972 UK) Arnold, Martin &#38; Morrow (Go Go Thunder, Butterscotch etcÃ¢â‚¬Â¦) are behind this fine slab of orchestral Glammy Psych/Pop. Rescue Co. No.1 had a plethora of singles on different labels, and this is one of the 3 singles they released on the Jam &#8230; <a href="/2007/11/15/rescue-co-no-1-%e2%80%93i-want-to-save-you/" class="more-link">Continue reading<span class="screen-reader-text"> "Rescue Co. No.1 Ã¢â‚¬â€œI Want To Save You"</span></a>]]></description>
										<content:encoded><![CDATA[<p><a href="https://bp3.blogger.com/_XFRgIkT-Ayc/Rzt8GYbZ9ZI/AAAAAAAAANs/XVLE6JDbvIA/s1600-h/Rescue+co.jpg"><img id="BLOGGER_PHOTO_ID_5132832649397269906" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; CURSOR: hand" alt="" src="https://bp3.blogger.com/_XFRgIkT-Ayc/Rzt8GYbZ9ZI/AAAAAAAAANs/XVLE6JDbvIA/s200/Rescue+co.jpg" border="0" /></a> <strong><span style="color:#ff9900;">Rescue Co. No.1 Ã¢â‚¬â€œI Want To Save You/ Amanda Ã¢â‚¬â€œJam 14 (1972 UK)</span></strong></p>
<p><span style="color:#3366ff;"><strong>Arnold, Martin &amp; Morrow</strong> (<strong>Go Go Thunder,</strong> <strong>Butterscotch</strong> etcÃ¢â‚¬Â¦) are behind this fine slab of orchestral <strong>Glammy Psych/Pop</strong>. <strong>Rescue Co. No.1</strong> had a plethora of singles on different labels, and this is one of the 3 singles they released on the <strong>Jam</strong> imprint. ItÃ¢â‚¬â„¢s probably my favourite <strong>Rescue</strong> single of the lot, but you can also check out <strong>Its Only Words</strong> posted May 28th 2007. The lush yet sharp arrangement and production is simply staggering and it all sounds a bit like <strong>The Move</strong> accompanied by <strong>The London Symphony Orchestra</strong> playing an unreleased <strong>Hello</strong> tuneÃ¢â‚¬Â¦I&#8217;m sure youÃ¢â‚¬â„¢ll enjoy this!<br /></span><br /><span style="color:#ff0000;">Click on title for a full version of <strong>I Want To Save You</strong>.</span></p>
]]></content:encoded>
					
					<wfw:commentRss>/2007/11/15/rescue-co-no-1-%e2%80%93i-want-to-save-you/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Real McCoy Ã¢â‚¬â€œ I Get So Excited</title>
		<link>/2007/11/12/real-mccoy-%e2%80%93-i-get-so-excited/</link>
					<comments>/2007/11/12/real-mccoy-%e2%80%93-i-get-so-excited/#comments</comments>
		
		<dc:creator><![CDATA[rss]]></dc:creator>
		<pubDate>Mon, 12 Nov 2007 20:44:05 +0000</pubDate>
				<category><![CDATA[Robin Wills' Purepop]]></category>
		<guid isPermaLink="false"></guid>

					<description><![CDATA[Real McCoy Ã¢â‚¬â€œ I Get So Excited/ SomebodyÃ¢â‚¬â„¢s Taken Maria Away Ã¢â‚¬â€œPye N17618 (1968 UK) The Real McCoy come up trumps with this KILLER cover of The Equals tune. It starts off as a real solid and driving performance and then all hell breaks loose when the track gets engulfed by majestic swirling phasing. Most &#8230; <a href="/2007/11/12/real-mccoy-%e2%80%93-i-get-so-excited/" class="more-link">Continue reading<span class="screen-reader-text"> "Real McCoy Ã¢â‚¬â€œ I Get So Excited"</span></a>]]></description>
										<content:encoded><![CDATA[<p><a href="https://bp3.blogger.com/_XFRgIkT-Ayc/RzXUwStDZ9I/AAAAAAAAANk/GWsHbNkGrxQ/s1600-h/Real+McCoy.jpg"><img id="BLOGGER_PHOTO_ID_5131241276578162642" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; CURSOR: hand" alt="" src="https://bp3.blogger.com/_XFRgIkT-Ayc/RzXUwStDZ9I/AAAAAAAAANk/GWsHbNkGrxQ/s200/Real+McCoy.jpg" border="0" /></a> <strong><span style="color:#33ccff;">Real McCoy Ã¢â‚¬â€œ I Get So Excited/ SomebodyÃ¢â‚¬â„¢s Taken Maria Away Ã¢â‚¬â€œPye N17618 (1968 UK)</span></strong></p>
<div><span style="color:#ff99ff;"><strong>The Real McCoy</strong> come up trumps with this <strong>KILLER </strong>cover of <strong>The Equals</strong> tune. It starts off as a real solid and driving performance and then all hell breaks loose when the track gets engulfed by majestic swirling phasing. Most records sounded this way anyway on <strong>Radio Luxemburg</strong> anyhow, but they certainly went the whole hog as the phasing is there for most of the track. <strong>Real McCoy</strong> were Irish and seemed to have specialized in covering key <strong>Bubblegum</strong> tracks of the time, but always adding an edge Ã¢â‚¬â€œcheck out the versions of <strong>Round The Gum Tree</strong> and <strong>Quick Joey Small</strong> for further examples of this. </span></div>
<p></p>
<div><span style="color:#ff99ff;">Note: You can find all the tracks above on the <strong>Round The Gum Tree</strong> UK Bubblegum compilation that Sanctuary put out a couple of years back.</span></div>
<p></p>
<div><span style="color:#ff0000;">Click on title for a full version of<strong> I Get So Excited</strong></span></div>
]]></content:encoded>
					
					<wfw:commentRss>/2007/11/12/real-mccoy-%e2%80%93-i-get-so-excited/feed/</wfw:commentRss>
			<slash:comments>3</slash:comments>
		
		
			</item>
	</channel>
</rss>
