7. Tom Pacheco

I wrote about Tom Pacheco a couple of months ago over at Mere Words. Back in 1974, Pacheco was one of the artists Paul struggled to sign to Mercury Records. While Paul was unsuccessful, he did help Pacheco land a record contract at RCA, where he recorded his first two solo albums. Until I brought it to his attention in March, Pacheco was unaware that Paul had reviewed his debut album, 1976’s Swallowed Up in the Great American Heartland.

Pacheco, who himself is known to wax political now and then, says, “One thing was true: Paul did not care much for political songs.” He told the critic back in the Seventies: “Paul, sometimes you’ve got to write those things. You have to. Even if they’re only going to be good for two years, you still have to do them once in a while.”

One wonders what Paul would think of Pacheco’s “When You’re Back on Your Ranch in Texas,” a lovely anti-Bush number that manages to invoke the war in Iraq, what’s left of New Orleans, international diplomacy, the separation (or not) of church and state, the national debt, 9/11, and global warming while at the same time humanizing the target of the song’s haunting vitriol.

Copyright 2007 by Kevin Avery. All rights reserved.

7. Tom Pacheco

I wrote about Tom Pacheco a couple of months ago over at Mere Words. Back in 1974, Pacheco was one of the artists Paul struggled to sign to Mercury Records. While Paul was unsuccessful, he did help Pacheco land a record contract at RCA, where he recorded his first two solo albums. Until I brought it to his attention in March, Pacheco was unaware that Paul had reviewed his debut album, 1976’s Swallowed Up in the Great American Heartland.

Pacheco, who himself is known to wax political now and then, says, “One thing was true: Paul did not care much for political songs.” He told the critic back in the Seventies: “Paul, sometimes you’ve got to write those things. You have to. Even if they’re only going to be good for two years, you still have to do them once in a while.”

One wonders what Paul would think of Pacheco’s “When You’re Back on Your Ranch in Texas,” a lovely anti-Bush number that manages to invoke the war in Iraq, what’s left of New Orleans, international diplomacy, the separation (or not) of church and state, the national debt, 9/11, and global warming while at the same time humanizing the target of the song’s haunting vitriol.

Copyright 2007 by Kevin Avery. All rights reserved.

And Then…

As if the weekend weren’t bad enough — and it’s looking less bad as I’ve billed out three or four months’ rent in work — I had a real shock on Monday.

As many of you know, I’ve been trying to sell a book based on my adventures as an expat. By the end of last year, it had been through three agents who were awful: first there was the agent who turned out not to be one, then another who held onto it for six months without reading it and only responded when I went to New York to talk to him (a trip which, in most respects, was a total disaster), then one who thought it was a novel (among other weird tics which disqualified her).

A friend suggested a guy who was a former student of his, and I sent it to him next. Twenty-four hours later, he wrote back that it wasn’t the kind of book he could sell. Fair enough; no agent knows all the markets out there. He wrote me that he’d been idly thinking of relocating to Berlin because Manhattan had gotten so expensive, and I suggested he read the blog here for some snapshots of what he’d be getting into. He wrote back and said I’d thoroughly put the kibosh on that idea. He also said he’d just had lunch with a publisher who told him he’d be willing to pay [large amount of money] for a book on [subject], and that it would be perfect for a younger version of [noted scholar].

I wrote him back and said that although I wasn’t young, and I certainly wasn’t [noted scholar], this was a subject I knew a lot about, and I’d welcome the opportunity to take a crack at it. In return, he e-mailed me several proposals which had resulted in advances of over a million dollars for each one. That was more than we’d talked about, but hey, it was indicative of a certain level of quality. I studied them and again I thought, I can do this. So I did.

Not off the top of my head, of course. I bought several books, big ones, and read them. I pored over documents, and confidentially sought help from people I knew and trusted. They, in turn, made very helpful suggestions. I did more research, watching films and talking to others. And I started to write.

It took two and a half months, but at last I had something which, although I felt it needed work, I couldn’t improve upon without some professional feedback. It was 35 pages long, detailed, filled with data, scrupulously researched. On February 15 of this year, I sent it off to him. He replied immediately: he had a pile of stuff to go through, and it would take him probably a week to get back to me. No problem, I said; I wanted his undivided attention.

Just before I went to SXSW, at the beginning of March, I was at a bookstore and there, prominently displayed, was a book on the same subject. I didn’t have the money to buy it, but I did thumb through it to see what was in it. As I’d suspected, it was very much the predictable approach, dull and unremarkable. I jotted down the author’s name and when I got home I fired off an e-mail to the agent, telling him the book existed, and how mine was different — and, I believed, superior — to this one. He asked how he could get hold of me in America, and that was that.

I didn’t hear from him the entire time I was in the States. When I got back, I wrote him — it was now the end of March — asking him when I could expect to hear from him. He said he’d read the proposal and get back to me. At the beginning of April, I asked him again if he’d read it and he said “I PROMISE to read it this weekend.”

A couple of weeks later, I got an e-mail from him asking if I’d heard of this other book. I reminded him I’d sent him an e-mail at the beginning of March. He replied that he was at the London Book Fair and his brain wasn’t working. I figured I’d wait til he got back and then write him again.

The London Book Fair ended on April 18. I waited and waited, meanwhile doing other work to pay what bills I could and keep my own brain active. Finally, I decided it was time to move. On Monday of this week, I wrote and said look, it’s time to get this thing going. I’m losing momentum, I’m getting new ideas all the time, and I want to get to work. He wrote back almost immediately, saying he’d decided the other book would do for the moment and he’d lost interest in the project and wasn’t going to pursue it.

Without even so much as reading my proposal. The one he’d encouraged. The one I spent two and a half months on and waited another three months for him to read.

Almost six months of my life, in other words, down the drain.

There’s nothing I can do about this. What he did was wrong, what he did was unethical, but I have no recourse whatever. And, in a profession based on trust, so much for his “PROMISE.”

I spent the next couple of days feeling like I’d been kicked by a horse. I’d already given up on the expat book after yet another agent I’d sent it to said he didn’t understand what it was — but wasn’t interested in my explaining it. I began rewriting the proposal based on what I’d learned from the other project and then just gave up. I’d spent over two years on it, and was sick of it.

But now I’m without a book project, and magazine work really isn’t happening. As I’ve said before, none of the writers I know have any work. It’s nothing personal except as it affects me personally.

Yes, I own the mammoth book proposal. Yes, I have the names of other agents. Before I send it out again, though, I’m going to have to get that other book, read it, and develop a counter-argument on why mine is better. I’m not even sure I really want to do it at this point; it’s not a particularly pleasant subject, and it would entail my maintaining a presence in Berlin part-time.

Some week, huh?

We have the Ford family. What do you have?

This post is for non-regional readers.  

Yes, there’s the snappy, likeable but confusing Harold Jr., but the remaining members of his family make for an illiterate and corrupt addition to my local news on an almost nightly basis. I hope that the book is epic and done right.

Please read about and listen to the ridiculous rant that Ophelia Ford barfed out earlier this week. Funny, I get the same thing yelled in my face when seeking help at a T-Mobile outlet. Anemia? Sure, whatever spins your way, but it also seems that Mizz Ford suffers from a bad case of C.P.T., and proves that her true calling may have been the JC Penney returns counter.

The evidence is in, so I’m not afraid to ask it: Is it possible for an African American to rise to political rank in Tennessee without becoming unbelievably corrupt? Again, remove Harold Jr. from the equation, and the answer is a resounding “noâ€Â. I’d love to read someone’s defense of this trend. Lay it on me. Our Mayor? Holy Moses!! This man suggested the SELLING OF OUR PARKS as a solution to the city’s debt problem, and that’s Willie Herrington on a good day. Edmond Ford? John Ford? These nuts regularly run people off of the road, sexually harass interns and underlings, threaten people with bodily harm, take bribes, publicly cheat on their spouses….the list goes on and on. The head of our power company (Memphis Light Gas and Water)??? He allowed a Ford family member to lapse on his bill….to the tune of $16,000.00!!! If you are a Wire fan, let it be known that Tennessee’s (and primarily Memphis’) political issues are almost identical to the ones fictionalized on that show.

Are white politicians any better? Of course not, but we don’t have white politicians (except for Warren Zevon fanatic Sen. Steve Cohen), so I run with the available material. When I come to power, however that may happen, I will sentence the Ford family to a year of ruling Olympia, WA.

THE LONE SURFER AND HIS SUPER PALS!

Remember the early 90s surf revival boom? Sure ya do. There was this fella Mike Lucas here in the SF Bay Area doing his darndest to help it along, vis-à-vis a great instrumental surf combo called the PHANTOM SURFERS, some quasi-legit LP releases of old & rare 60s surf monsters, and various one-off projects like this one, THE LONE SURFER AND HIS SUPER PALS. Far as I know it, the band wasn’t really a “bandâ€Â in the conventional sense of the word, more a conglomeration of pals from then-current acts like THE MUMMIES and THE TRASHWOMEN, among others, with Lucas at the helm.

There was one small-batch 45 of revved-up, reverb-dosed surf crunch from them, pressed up in 1993. It was called “Church Key/Horror Beachâ€Â, and it was recorded live at San Francisco’s Chameleon Club. I happened to be in attendance that night, but if memory serves me correctly, I left the premises before they got on as headliners (or perhaps as the mop-up act), as I missed the best part of the night. That was when the band started taunting a pal of mine, one Michael Ashby, who happened to have hair down past his shoulders and was thusly regaled as a “hippieâ€Â. As the tale was told to me, Ashby bravely and verbally fought back for a while as things became more heated, before finally being coaxed to the stage and actually PAID TO LEAVE THE CLUB by the band, for the crime of being a benevolent hippie in San Francisco. Different times, hunh? He actually left the club a few dollars richer, whereupon he came to the place we were drinking that night and told us the story (and hopefully bought us a beer with his new earnings). Much of their repartee is captured on this 45, posted here for your listening pleasure (there’s also a photo of Ashby being paid off on the cover of the single!).

Play or Download THE LONE SURFER AND HIS SUPER PALS – “Church Keyâ€Â

6. Rock and Roll Hall of Fame

On March 12th, the Rock and Roll Hall of Fame honored Paul Nelson. In an In Memoriam presentation dedicated to those significant figures in the music industry who passed away in 2006, Paul was twelfth among the litany of names both famous (Buck Owens, Pink Floyd’s Syd Barrett, James Brown) and not so famous (blues musician Sam Myers, Denis Payton of the Dave Clark Five, publicist Ronnie Lippin) whose contributions were recognized.

As a music journalist, much of Paul’s writing was of the moment and consequently lost to back issues of assorted magazines and newspapers. In March, however, with the worldwide airing (via TV and Internet) of the Hall of Fame induction ceremony, this great writer finally received at least some of his due.

6. Rock and Roll Hall of Fame

On March 12th, the Rock and Roll Hall of Fame honored Paul Nelson. In an In Memoriam presentation dedicated to those significant figures in the music industry who passed away in 2006, Paul was twelfth among the litany of names both famous (Buck Owens, Pink Floyd’s Syd Barrett, James Brown) and not so famous (blues musician Sam Myers, Denis Payton of the Dave Clark Five, publicist Ronnie Lippin) whose contributions were recognized.

As a music journalist, much of Paul’s writing was of the moment and consequently lost to back issues of assorted magazines and newspapers. In March, however, with the worldwide airing (via TV and Internet) of the Hall of Fame induction ceremony, this great writer finally received at least some of his due.

Copyright 2007 by Kevin Avery. All rights reserved.

6. Rock and Roll Hall of Fame

On March 12th, the Rock and Roll Hall of Fame honored Paul Nelson. In an In Memoriam presentation dedicated to those significant figures in the music industry who passed away in 2006, Paul was twelfth among the litany of names both famous (Buck Owens, Pink Floyd’s Syd Barrett, James Brown) and not so famous (blues musician Sam Myers, Denis Payton of the Dave Clark Five, publicist Ronnie Lippin) whose contributions were recognized.

As a music journalist, much of Paul’s writing was of the moment and consequently lost to back issues of assorted magazines and newspapers. In March, however, with the worldwide airing (via TV and Internet) of the Hall of Fame induction ceremony, this great writer finally received at least some of his due.

Copyright 2007 by Kevin Avery. All rights reserved.

6. Rock and Roll Hall of Fame

On March 12th, the Rock and Roll Hall of Fame honored Paul Nelson. In an In Memoriam presentation dedicated to those significant figures in the music industry who passed away in 2006, Paul was twelfth among the litany of names both famous (Buck Owens, Pink Floyd’s Syd Barrett, James Brown) and not so famous (blues musician Sam Myers, Denis Payton of the Dave Clark Five, publicist Ronnie Lippin) whose contributions were recognized.

As a music journalist, much of Paul’s writing was of the moment and consequently lost to back issues of assorted magazines and newspapers. In March, however, with the worldwide airing (via TV and Internet) of the Hall of Fame induction ceremony, this great writer finally received at least some of his due.

Copyright 2007 by Kevin Avery. All rights reserved.

6. Rock and Roll Hall of Fame

On March 12th, the Rock and Roll Hall of Fame honored Paul Nelson. In an In Memoriam presentation dedicated to those significant figures in the music industry who passed away in 2006, Paul was twelfth among the litany of names both famous (Buck Owens, Pink Floyd’s Syd Barrett, James Brown) and not so famous (blues musician Sam Myers, Denis Payton of the Dave Clark Five, publicist Ronnie Lippin) whose contributions were recognized.

As a music journalist, much of Paul’s writing was of the moment and consequently lost to back issues of assorted magazines and newspapers. In March, however, with the worldwide airing (via TV and Internet) of the Hall of Fame induction ceremony, this great writer finally received at least some of his due.

Copyright 2007 by Kevin Avery. All rights reserved.