The Sea Is Not An Ashtray 1.1

Back home, yet still relaxing. Exhausted. 

Some highlights. Don’t expect much tonight.

1. We met the lady that invented The Swiffer. She sold it to Proctor and Gamble.

2. Rented scooters in Key West. Recommended. That’s the only time that I will ever ride a scooter. The Hemingway House is worth it. Short and cheap.

3. The best cabbies in the world? Nassau.

4. No more cruises for a while.

Check the new issue of Harp for my pieces on both Scharpling/Wurster and David Cross. See the new issue of Vice for a few humorous record reviews.

 

STEPPING TALK : “ALICE IN SUNDERLANDâ€Â 7â€ÂEP

One of the great under-the-floorboard artifacts of the late 70s flowering of UK bedroom post-punk is this four-song EP from Camden’s STEPPING TALK. Low-key and aimless to a fault, it illustrates perfectly that special rainy, damp, cold leftist/labour D.I.Y. sound that encapsulates barely-pre-Thatcher Britain in 1979. As I understand it, the band were drinking pals with the early SCRITTI POLITTI, with whom they share that shambling, agitprop-infused approach. The “Alice in Sunderlandâ€Â EP employed the two-concurrent vocals trick popular at the time, where one guy sings and a girl tells a totally unrelated story on top of him. Weird horns float in, out & around a thumping but lackadaisically-played bass. The excellent “Common Problemsâ€Â sounds as if the band, attempting but failing to play in unison for most of the song, had a piece of carpet pulled from under them midway through & scrambled to keep playing in spite of it. The form and construction of these little set pieces owe something to jazz, but more likely there were a very deliberate attempt to pull off something jazz-like by playing particular instruments in sequences exactly backward of what one would expect from the rock music of the day. The instrumental “John’s Turtlesâ€Â is the most experimental of the bunch, and sounds like a strange & frightening tribute to some peculiar British-created white man’s dub. It’s a really cool period piece from an era in which it seemed like 20 of these warped, provincial slices of indie vinyl came out every week in the UK and US.

Play or Download STEPPING TALK – “Alice in Sunderlandâ€Â (Side A, Track 1)
Play or Download STEPPING TALK – “Health & Safetyâ€Â (Side A, Track 2)
Play or Download STEPPING TALK – “Common Problemsâ€Â (Side B, Track 1)
Play or Download STEPPING TALK – “John’s Turtlesâ€Â (Side B, Track 2)

INTRODUCING….THE NOW-DEFUNCT BRISTOLS

Hello yeah, it’s been awhile. I’d like to turn you onto an extant combo from the UK called THE BRISTOLS. Sure, I’d heard of them as well and always figured they were one of many HEADCOATS knockoffs playing marginal if catchy garage rock. (I believed this beause a Headcoat, one Bruce Brand, was also a Bristol). It was only when I was turned onto lead singer Fabienne Delsol’s excellent solo spy-girl surfbeat record from this past year, “No Time For Sorrows” that I decided to dig further, and hot dog, this is probably my favorite no-longer-new band of the hour. Here, don’t let me tell you about them, let’s hear what their label has to say:

Fabienne Delsol & Liam Watson’s garage supergroup featuring amongst its ranks Bruce Brand (Milkshakes/Headcoats), Owen Thomas (Graham Coxon Band/Cee Bee Beaumont), Parsley (The Adventures of Parsley / Dutronc / Dee Rangers), and the glorious vocal talents of Miss Fabienne Delsol.

They released two full length albums on Damaged Goods and three singles.They released their first single on Hangman’s Daughter in 1994 followed by a split single with Japans Thee Michelle Gun Elephant a year later on Vinyl Japan. Then they released two singles and albums on Damaged Goods before calling it a day in 2003.

After the split Fabienne Delsol has gone solo and released one album so far, ‘No Time For Sorrows’ (produced by Liam Watson at Toe Rag) and is currently working on her follow up due for release in 2007.

THE BRISTOLS’ music is exuberant, simple as hell, fuzzed-out and stripped-down girl pop, the kind that makes a ye ye fan like myself swoon. Check out these two killers from their back catalog, and then order yourself up the new compilation of their stuff that recently came out.

Play or Download THE BRISTOLS – “The Way I Feel About You”
Play or Download THE BRISTOLS – “Questions I Can’t Answer”

What is my problem?

I have no excuse for my poor posting frequency.

Tony Wilson, founder of Factory Records and subject of 24 Hour Party People, just died.

On Monday morning (8/13), I leave on a cruise that will stop off in the Bahamas and Key West. My birthday is the 15th. B-day on a cruise. Look for a blow-by-blow of this experience in the next issue of Chunklet.

Yes, The Wire is the greatest TV show ever. I’ve had two run-ins with The Wire today. Sadly, I was reading a Pitchfork interview with Patton Oswalt, and he gave major props to the show. Check out his latest album; it’s the tits. Do not check out his music recommendations, as they fall into the standard alt-comedian fare (TV on the Radio, the Alarm Clocks reissue…one of the worst 60’s psych interests ever, and well, I forgot). He does make fun of the “I don’t own a TV/TV is garbage/TV is bad for societyâ€Â people – something I can always get behind. Patton also gives props to Tom Scharpling’s Best Show on WFMU, though I doubt he’d speak to me for over five minutes, even after finding out that I spent ‘01 to ‘06 contributing to the show.

So next week is going to be thin. The computer rooms/libraries on cruise ships can be a real hassle.

A quick guide to cruise writing:

Klosterman: Boring (I might actually read IV)
David Foster Wallace: Great

August: The Silly Season

Most depressing event of recent weeks: For a while the dancer and I were splitting a lottery ticket each week, figuring that, with our respective occupations, the chances of making money doing what we do and the chances of making money on the lottery were just about even. Of course, we never even got close to winning anything and eventually we stopped.

That doesn’t keep me from occasionally feeling like I should throw a couple of Euros away, though, and a few weeks back a really powerful urge came over me. But every time I’d stop at the newsstand where we used to buy our tickets, I’d take a close look at my cash-on-hand and decide against it. The pot was — for Berlin, where the lottery jackpots are nothing next to what people in the States see — quite high. But I decided not to.

Then, I noticed a sign in the window. Someone had won €39,900 and change there. It took every bit of logic I had at my command to convince myself that if I had played, that someone would not have been me.

(Of course, that’s not really the most depressing event of recent weeks, but I’ve decided to keep the really depressing stuff off of here for the time being, since there’s nothing to be done about it, as far as I can tell.)

* * *

Thanks to my eagle-eyed former college roommate JZ off in the wilds of Los Angeles for spotting a couple of news items which will be in the dog-bites-man category for anyone living here.

The first one notes that “German workaholics may be suffering from a lack of sex, according to a university study published Friday.” The story went on to say that “A survey of 32,000 men and women by researchers at the University of Göttingen found over 35 percent of those reporting unsatisfying sex lives tended to use hard work as a diversion.” Which, of course, explains all those Beamten with their desks piled high with rubber-stamps, who, I have long decided, are only allowed to mate among themselves, because it’s the only way they can perpetuate their species. It’s not like anyone wants a job like that.

The second one tells the sad story of a young Berlin woman named Dora, a professional model who is apparently the face of Deutsche Telekom’s Call & Surf Comfort promotion. Dora, it will surprise absolutely no one to learn, has been waiting three months for Telekom to set up a telephone line in her home, and, in despair, she turned to the media, publicly giving them one week (which’ll be the beginning of next week) before going to another provider. The Reuters story says “A Deutsche Telekom spokesman could not be reached for comment,” although you could really leave off the last two words there and it’d be just as accurate. One bit of advice, though, Dora: if my friends’ experiences are anything to go by, you won’t be any happier with Alice, whose own spokesmodel has, I hope, fired her agent.

* * *

The doorbell rings. I buzz the person in. Nope, it’s not FedEx or UPS with a package, it’s yet another person with an incomprehensible accent jamming little bits of paper into the mailboxes as fast as he can. What a way to make a living.

Nobody who’s lived here for the past ten years is going to believe this, but when I first came to Berlin in October, 1988 for a visit, the city’s first pizza-delivery service had just started up. Now, this isn’t to say that there weren’t places that’d pack up a pizza to go, but you had to go get it. (I remember a place that I think was called Four Brothers, run by four guys from Philly down in Zehlendorf who mustered out of the Army and opened a place to serve American food, specializing in pizza and fried chicken. Long gone now, of course.)

I remember this because, in my jet-lagged haze, I came upon the guy who was sharing the apartment I was staying in carefully perusing a thin brochure he’d gotten in the mailbox. “I’m deciding which pizza to get,” he said. “It’s not very good, but they bring it to you!” Dang, I thought, this country must be behind the times. Just a few weeks earlier, I’d house-sat for a friend in New York and practically had to use a shovel to get the Chinese menus out of her mailbox and get to the mail I was saving for her. Early on, there were only a couple of companies doing this, one of which got busted for its inordinately-expensive (DM 50) “Pizza Colombiana” which included a gram of cocaine. (I actually saw the menu for this place, which just had a telephone number, and I don’t think you would have had to be Sherlock Holmes to have cracked this case).

But the reason I bring this up is because the vast majority of the guys who stuff mailboxes these days are advertising appliance repair services, and well before pizza menus, these little cards were ubiquitous, numbering up to four or five a day. And I’ve been wanting to ask for a while: does anyone know anyone out there who’s actually used the services on one of these cards? Wouldn’t you ask a friend or someone you trusted instead of just picking up one of the thousands of cards you’ve gotten in your mailbox over the years (two reside in my box at this very moment) and calling some random stranger?

It’s August, with so little happening that these are the kinds of things you think about…

Victory Records = Idiots….color me surprised. And let’s fight.

This is old, but worth reading. Idolator continues to be one of the only music sites that doesn’t irritate the shit out of me.

This has also been around for a while, but shows a type of non-fiction that I’d like to see more of. Eugene’s book, a project that will see the light of day in November (cuz Harper Collins read this piece and approached him….THAT’S how you get a book deal, and he deserves it), will be based on this feature. Maybe all of the pussies are starting to get to me.

I’m not so hot at fighting. If action needs to be taken, I’d rather hit someone with a chair. Over the past three years, I’ve challenged at least four musicians to a fight, in print, and in my Magnet column “Where’s The Street Team.â€Â I find it funny. Some people just need to be punched, like Anton from the Brian Jonestown Massacre, who anyone could take down, or Liam Lynch (actually, I think I wrote that he needed to be “hit in the back of the neck with a roll of quartersâ€Â), who I probably wouldn’t hit but might personally tell him he’s a merchant of shit re: movies and music.

IT’S A MARATHON, NOT A SPRINT

I guess a few months ago some too-lazy-to-write-critically switch flipped inside and I started exclusively posting mp3s here at Detailed Twang, saving myself from having to exhaustively describe the rockin’ in favor of letting the music do the talkin’. Did you know that since the January 27th, 2007 post we’ve almost exclusively posted mp3s, sometimes up to 4-5 times per week? Did you know that every song from that date forward is still available for download? Did you know that every one of these handpicked treasures totally rules? So that I may take a break this week in favor of trying to learn the ropes at my new place of employment (don’t fret, alcoholics, Hedonist Beer Jive‘s still posting – that’s even easier to pen than this one), here are a few favorites you might have missed:

TWISTED ARTPUNK OF FINLAND
DEMOLITION DOLL RODS
CLAW HAMMER
LA DRUGS
FUCKIN’ FLYIN’ A-HEADS
THE NIGHTS AND DAYS 1
THE NIGHTS AND DAYS 2
THE GORLS
SCIENTISTS
TWO 60s GIRL POP KNOCKOUTS
DIG DAT HOLE
OLLA
MARZIPAN
RED CROSS BORN INNOCENT DEMOS

The world of music magazines that you haven’t read…

Uh…did I mention that Grandma’s Boy was funny?

I stare at a lot of magazine racks. What stares back? Countless mid-level publications with innocuous titles. It’s as if the internet never happened. WRONG!! The internet did happen, it just killed the zine world. What’s left is a glut of glossies with respective readerships comparable to any zine from the mid-90’s. One can count on boring graphics, boring interviews (interviews are always boring, trust me, I written plenty of boring ones) with boring bands, and boring record reviews. Just imagine if Pitchfork was exploded into a hundred print magazines.

Of course, I’m not referring to the magazines that I write for. They’re awesome. They’re also the only magazines that I actively read, because I get comp copies. My favorite music mag, though, is one that I no longer write for. I wrote for Decibel Magazine, issues 2 and 3, but after a few months of unreturned e-mails and rejected pitches (I still try every two months or so, just for shits and giggles), my name disappeared from the masthead (funny note: it remained by mistake in the masthead for issues 4 and 5). Still, I continue to get comp copies, and I read most of each issue. AND…..I enjoy 50% of that “most.â€Â That’s a pretty good hit rate for this relationship between myself and a mid-level music glossy, especially one that couldn’t find room for my sizeable talents. And I’m sure that’s what it was, an space issue. I mean, no one can write a crappy, marginal metalcore review quite like me (Eugene of Oxbow had some funny things to say about writing for Decibel…scroll down).

Overall, Decibel writers remain a more caustic, humorous lot than what’s usually available in this insular bubble (made even more insular by the fact that Decibel covers “extremeâ€Â music, or rather, metalcore, death metal, grindcore, flimsy “artâ€Â metal, and the thrash revival). It’s miles above Revolver, which maintains a average IQ of 71 from cover to cover and remains stuck in 1998. Decibel gives way too much space to over-intellectualizing “intenseâ€Â pretty-boy boneheadedness like The Red Chord, As I Lay Dying, A Life Once Lost (and any band that could share its name with the title of a made-for-Lifetime drama) plus other garbage that’s one dinner away from Hot Topic fodder. Outside of this, I manage to read enough entertaining writing to briefly expand my “to steal from Soul Seekâ€Â list.

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