FLESH EATERS LIVE ON AIR, DECEMBER 1982

I guess if you asked I’d tell you my favorite all-time band is probably THE FLESH EATERS. I never saw the 1978-83 version live myself, I’m afraid – it was a couple years later that I got wise to their majesty, and it’s been two decades-plus since that time & I still think no band has ever touched them for personification of sheer all-out, fire & brimstone raw power. The number of “rarities” out there from them are fairly few & far between (thankfully), since three of their four LPs have made it to CD in the intervening years. Still MIA is the masterpiece “Forever Came Today” LP and a couple of odds & ends. One thing I own & treasure is a live December 1982 radio show the band did not long after the release of that album on KPFK-FM in Los Angeles. The 15-song set features songs from all four of their albums, including the “Hard Road To Follow” LP that hadn’t come out yet. The band are in total howling metal/punk/teeth-gnashing rare form on this particular evening, and man o man how I wish I could’ve seen them. I reckon this is as close as we’ll get – here are three whoppers from that night for your listening pleasure.

TWO TRANSATLANTIC CUTIES

Finally figured out how to host mp3s on my site, so hey, welcome to a new era in DETAILED TWANG‘s evolution. I figure that this’ll either be the total death knell of the site, or the free, quasi-illegal appleseeds that bring the kids back every week. We’ll see. When I envisioned putting up some files a few months ago, I figured like everyone with a halfway decent mp3 blog that I’d try and reveal stuff that you probably haven’t heard before, and/or stuff that’s so out of print or tough to track down that you’ll be friggin’ stoked to finally be hearing it. I then thought about two 60s girl-group killers I discovered this past year, and how I’d like to teach them to the whole world. Here goes.

First up is “White Levis” by THE MAJORETTES, courtesy of DJ Chris Owen, a pal and a connoisseur of recorded musical wisdom. I heard him play this at gigs not once but twice, and both times bounded over to the “disc jockey booth” to ask who-the-f***-is-that?? I honestly can’t tell you when it’s from, but I know that it’s a sly knockout of a song. Stupid saccharine fun from the sixties. I hope you like it. Better still is 1963’s “Papa t’es Dans L’Coup” by French singer SHEILA, which may not clasify as a rarity per se, since it was sorta featured in the campy French comedy “Eight Women” a few years ago. Here’s a YouTube link of her video for it, featuring some of the worst dancing and lip-syncing of all time. Both tracks are among the best 60s girl-pop smashes in my narrow world. We’ll see what else we paste up here for ya next time. Enjoy!

Download THE MAJORETTES – “White Levis” 45
Download SHEILA – “Papa t’es Dans L’Coup” 45

(click on these links above, then download from the page the links take you to – or just play the songs there first)

How Green Was My Week

Over the years, it’s become something of a tradition: a visit to Green Week at the mammoth ICC convention center, perfect for combatting those mid-January blues. It’s a huge celebration of food, a Berlin tradition ever since the end of World War II, with countries from around the world and all of the German states showing their wares.

But I think I’m over it.

I hadn’t been in a couple of years, so this time I guarded my cash reserves so I could go there and, I hoped, pick up some cool stuff I couldn’t get anywhere else, which is something that’s always happened before. It was going to take a little more cash than usual; in the past, I’d either had a press pass or had friends in the restaurant business who were overwhelmed by freebie tickets from their suppliers. After all, the real reason for this event is so that German wholesale grocers and restaurant suppliers could make contacts with the agricultural export and processed food export divisions of other countries, although we normal consumers could always get something unusual to eat and sometimes bargains to bring back home.

Olive oil, for one thing. Back when quality olive oil was hard to find in this city, Green Week gave you the opportunity to sample oil from the entire Mediterranean, with Greece, and particularly Crete, selling a wide range of oils. My bet, though, was always the guy from Tunisia who showed up with oil from the same farm on which he grew the grapes for his (not very good) wine. Tunisia is Italy’s dirty little secret: “Italian” olive oil only has to contain a limited percentage of grown-in-Italy oil to be so labelled. The rest is almost always made up of high-quality, low-price Tunisian stuff. Thus, I could buy a half-liter of pure Tunisian oil for five Euros, thereby saving myself about 15 Euros for a fancy label.

Another regular stop was the Irish stand, where I not only knew a couple of the people working there, but I could also pick up some actual Cheddar cheese with flavor. Yeah, it was Kerrygold, from some huge mega-corporation, but after the orange rubber which passes for Cheddar in Berlin, it was pure heaven, and never lasted very long.

Then there’d be serendipity: the year some Mexicans gave me a bunch of jalapeno and serrano chiles because they couldn’t give them away to the Germans and were happy to see someone who knew what they were and appreciated them. The year I suddenly realized, in the middle of the exhibition hall, that I was out of coffee and almost immediately came upon the Cameroonian stand, which sold me some stuff that turned out to be delicious. There was the intensely smoky (and never again seen) sauna ham from Finland, the hair-raising and sweat-inducing Estonian mustard, the year the Portugese were unloading cans of tuna in olive oil for 19 cents. Before the pasta ladies started showing up at the Thursday market at Hackescher Markt (before there was a Thursday market at Hackescher Markt, for that matter), it was a source for high-end Parmesan cheese, and the guy always talked me into buying a salame soaked in Barolo wine, which could turn an ordinary pizza truly extraordinary.

But this year: nothing.

Well, almost nothing. The Tunisians had long ago stopped bringing wine and olive oil, and concentrated on herbs and crappy handcrafts, but this year, that same olive oil (with a much-improved label) was there, and was dutifully scored. As was almost-authentic Cajun sausage (under the name Knoblauch Knacker) from the Wattwurm Wurst guy, who shows up at various markets — although not, alas, in Berlin — around this part of the country. But something basic has changed in the way this thing is presented to the public, and not in a good way at all.

Part of the problem is alcohol. Green Week has always had a large contingent of vendors of beer and wine — indeed, it’s impossible to imagine a German food show without big displays of German beer and wine, with the former, at least, being done around bars dispensing the sponsor’s product. And, of course, people drink it and become what the American alcohol industry calls “overserved.” National stands always offer some sort of local schnapps, too, and people drink those on top of the beer. Late in the day at Green Week can be pretty nasty, especially in the men’s bathrooms. But if you wanted something else, there was a wide range of stuff to eat. There was far less of that this time, and people were far more drunk at 3 in the afternoon than I’d ever seen them. And on a Tuesday, at that. (Always avoid Green Weekends). No doubt, behind the Albanian vodka, there were Albanian export guys selling Albanian lamb to German restaurant suppliers. But boy, was there a lot of alcohol.

Another part of the problem, sad to say, is Germany. The Republic of Malaysia, which is spending millions this year promoting its cuisine, a promotion I’d love to get in on, was absent. Fortunately, I had a real live Malaysian to consult on this, and he told me that the government gave up. “The Germans hated the food.” Well, I can understand that: it wasn’t Chinapfanne, that gooey, malodorous concoction so many Germans think is what people eat in that (broadly defined) area of the world. The Malaysians made the mistake of offering actual Malaysian food instead of Malaysiapfanne, and got rejected. Meanwhile, I stood by the Vietnamese stalls, which were cooking up Chinapfanne of some sort while waiting to hook up with a friend who was at the show and was going to meet me there, and I finally recognized the component of the dish that makes it smell so bad: overcooked cabbage. Germans, of course, have no problem with overcooked cabbage.

But it goes beyond the Malaysians and their hurt feelings. Other nations were missing as well. Israel, purveyor of loads of the vegetables and fruits in our markets during the winter, was absent, as, thank heavens, were their stinky Pfanne. Ireland, where I’d usually beg off a steak sandwich one of my pals was ready to cook up for me, and where I’d really hoped to stock up on some white sharp cheddar: missing, although Guinness was represented by two bars. France, which is usually promoting beef (which Germans barely eat), cheese (but not the higher-end stuff, just the heavily-processed fake Brie and so on you find in our supermarkets), oysters (which R in season!), and downmarket wines (wine “tastings” with an eye towards getting you to subscribe to regular deliveries are a big scam at Green Week): pas la. The United States of America, for heaven’s sakes, which was usually willing to embarrass itself by a hotdog-and-doughnut stand, another place selling Samuel Adams beer, a wine-subscription guy selling Californa wine, and, uh, some company in Wisconsin that made pots and pans: outta here.

My take on this is that the world’s exporters have more or less given up on Germany as a market for quality stuff. Of course, I didn’t need to go half-way across town and spend 12 Euros to get into the ICC to postulate this: all I’d need to do would be to visit the “upmarket” food floor at Kaufhof in Alexanderplatz, but spending three hours on the floor of Green Week brought it home. The people who buy for the German mass market haven’t yet discovered what I know to be a sizeable contingent of younger (ie, 30-40-year-old) consumers with more refined (or, let us at least say, less crass) tastes which are making inroads even here in impoverished Berlin. So they buy what they’ve always bought, and feed the masses with booze and Pfanne and stuff that looks just like traditional German food but which is jacked up with MSG (that’s E 621 for you label readers, or Natriumglutamat). Meanwhile, the jungle telegraph among my friends passes along news of a new store where you can get some good things that were hitherto unavailable, a new restaurant that is good enough that it probably won’t make it, a mail-order house which ships to Germany. In fact, I’ll be posting some of this stuff as soon as the info reaches critical mass.

But Green Week? Nein, danke. Und…schade.

I barely remember how to do this. Anyway, life/bu…

I barely remember how to do this. Anyway, life/busy/stuff is keeping me elsewhere for the time being. However, I must unabashedly recommend Children of Men. This movie, this movie, this movie. The imagery was gorgeous, smart-alecky Christ-story, but the story itself, a near-primeval mythographic story about the trip through hell to deliver the pregnant woman who will save humanity into the hands of safety, resonated throughout me as though I were a bell being struck. The world it takes place in, a future England that is like Iraq as the last outpost of civilization (rather than the cradle), is a horrific vision of xenophobia, homeland security, the breakdown of government functions (see the trash strewn everywhere), terrorist factions, and authoritarian crackdowns. The message was crystal clear and as old as, well, the story: what is coming will seem like the end of everything, but there’s always room for hope. The movie’s verisimilitude is so raw that you’ll find yourself gasping at the end of the action sequences (two, prominently, are single-takes, which is a wow of a realization), unaware that you’d been holding your breath. I wept and I laughed, and the movie still has a hold on me, days later.

WOODEN SHJIPS TAKE FLYTE

Some old folks may remember the early hype & interest around the band PAVEMENT around 1989-90. They’d put out two strange, semi-experimental frazzled pop/noise 45s on two tiny independent labels & then a cleaner but still whomping 10â€ÂEP called “Perfect Sound Foreverâ€Â. Yet they’d never shown their face in a live venue, and all most of us knew about them was they there were two mystery dudes from Stockton, CA named “SMâ€Â and “Spiral Stairsâ€Â and an older drummer/producer who sorta tagged along with them. When they finally announced a live show, in San Francisco around late 1990 or so, a lot of us were pretty friggin’ excited to see what they’d be like. Sadly, they were simply awful live, and I remember leaving four or five songs in – and this at a time when I never left shows early to catch up on sleep. I never dared see them live again, but I’d imagine they turned into something marginally decent, given the band’s burgeoning reputation long after I’d lost interest.

No such critical fate is likely to befall San Francisco’s WOODEN SHJIPS after their debut show this past Monday at SF’s Café Du Nord. The Shjips, who last year put out two of the most exciting slices of raw vinyl power I’ve heard in ages (hard, dark, stretched-out psych with heavy doses of Suicide, Velvet Underground and Thirteenth Floor Elevators as reference points), are at a similar figurative point that Pavement were 17 years ago, but all signs point to them being the better band. First, they didn’t dick around. Three songs, over and out. Sure, each one was about 8-10 minutes long, and featured layer upon layer of droning, building, weaving guitar feedback & deep-lid astral navigation, while being firmly rooted in the proto-punk canon. In fact, did I say something about “raw powerâ€Â? Their third song, “Death’s Not Your Friendâ€Â, the only one they played from the records, flat-out apes the riff from THE STOOGES’ “Raw Powerâ€Â , but it’s done in such an understated way it only dawned on me when I watched it pummeled into the ground live for ten minutes. Second, without knowing these guys at all personally, you just hear things in their sound that you don’t hear elsewhere – e.g., it’s not all referential, recycled BS from marginal musicians with great record collections. If it was I wouldn’t be nearly as pumped about ‘em as I am. Just listen to their second 45, “Dance, California/Cloud Over Earthquakeâ€Â . I hear biker rock, experimental 60s soundtrack work, the Velvets – and yet I wouldn’t be surprised if you heard stuff wholly unrelated to any of these touchpoints, they’re just critical markers for unimaginative bloggers like me.

The net effect after 3 songs was a host of frothing rock fans who were half out for blood for such a “shortâ€Â set & half stoked that they’d been left so rabidly wanting more, and surprised that the band were so on fire their very first show. I was greeted with the news that the Wooden Shjips are set to play at least two more local shows in the next couple months (one opening for Roky Erickson –their Myspace page indicates there are also some Austin, TX shows coming up) and I guess I’ll have to chain myself to them now, the way I did with certain bands in the eighties when I was 20 years old. In the process, by overhyping my new favorite band I’ll undoubtedly contribute to “the Pavement effectâ€Â, helping dozens of their current fans out the door and on to new sensations. Anything I can do to help, fellas!

Chamber Strings Reunion Looms

It’s taken ’bout A Month of Sundays, but the soaring orchestral pop genius of the Chamber Strings is about to make its return to the Chicago stage. To celebrate, Glorious Noise has posted part one of a three-part short video documentary about the band, focusing on the early years after Kevin Junior came off the road with Epic Soundtracks.

Celebrate this magnificent return by scaring up tickets for their show at the Double Door on Saturday January 20, or you can sample or purchase both Chamber Strings albums or the earlier Rosehips disc through our partners at Maryatt Music.

Rosehips – Soul Veronique in Parchment

Chamber Strings – Gospel Morning

Chamber Strings – A Month of Sundays

A warm welcome back to one of our favorite underappreciated bands, who may not stay underappreciated for long.

3 MORE FILMS I SAT DOWN IN THE DARK & WATCHED FOR YOU

LITTLE MISS SUNSHINE – This film seems to alternately loved and loathed, and I guess I was sorta reluctant to see it in the theaters given the high preponderance of folks in the latter camp. I didn’t need to worry – it was a mostly funny, well-made indie-by-the-numbers comedy with some strong performances from Toni Colette and the always-great Allan Arkin, as well as from the little girl whose beauty-pageant dreams kick the road-movie, dysfunctional family shenanigans into high gear. I can see why this was the hit of Sundance last year because, while being unique in its content, it hued so closely to the structure & feel of past wacky indie comedies that it figured the audiences there would go bananas for it. Solid film, definitely worth a rental. B.

THE OH IN OHIO – On the other hand, this one was a total monstrosity. Staring the once-reliable Parker Posey as an uptight executive who can’t bring herself to climax with her husband or solo, the film is a shapeless, unfunny, poorly-acted mess. I knew we should have turned it off when Danny Devito showed up. His scenes with Posey near the film’s end (they hook up! Right!) are stunningly tone deaf and badly written, and when the thing ends it does so with a total thud. This film is the final proof I needed that Posey, who I & everyone else loved early in her career, really isn’t much of an actress when you get right down to it – she’s great in certain roles (usually when she gets to be a clueless, shrill bitch), but everything else I’ve watched her in lately has had total diminishing returns. This one’s the worst of her sorry 21st Century lot by far. D-.

SUMMER IN BERLIN (pictured above) – They have this great “Berlin & Beyondâ€Â film festival in San Francisco every year, and this was the opening night release. It’s about two Berlin-based women trying to figure out how to move their lives beyond the rote and day-to-day, and maintain their deep & very personal friendship as they do so. One, Karin, is a 39-year-old single mom with a serious drinking/depression problem; the other is a smoking-hot, thong-wearing twentysomething who cleans bedpans by day and hits on the fellas by night. I thought the film did a good job capturing their relationship and what happened to it when a man entered the life of the younger woman; that said, there was a lot of hackneyed dialogue and a few scenes that absolutely perplexed me as to why they weren’t cut. “Summer in Berlinâ€Â might get a wider general release – I guess it was good enough – but I’ll venture to say it probably won’t. It was what I like to call a “film festival filmâ€Â in every sense of the phrase. C.

Tamalada

Tamales in Berlin? Impossible. Well, not entirely. There was a Mexican woman who showed up at the first Karneval der Kulturen and handed out tamales to promote her new tamale-making business, and dissolved in tears after the Germans first accepted them, then threw them in the street because they couldn’t bite through the corn-husks. Never occurred to them to unwrap them, I guess. But — wise woman that she was — she soon gave up the business.

Late last summer, though, a friend from Texas announced he was coming over, and I asked him if he could bring some stuff over for me, including some cornmeal. Instead of cornmeal, I got a four-pound sack of masa harina, the treated cornmeal you make tortillas from. Oops! But when I mentioned this to RFM, he mentioned he was going to California and could pick up some corn husks and any other stuff I might need to make tamales with. Just the ticket! He dutifully bought a few thousand of them, and I researched a recipe, coming upon this one, which, with some tweaking, looked like it would do the trick.

Finding a time and a place that was convenient to all took a bit of doing, but on Sunday, he, his friend Kristen, and I showed up at the dancer’s place (she’s got the only kitchen big enough to do this) and got down to some serious tamale making. Actually, I showed up first to get five pounds of pork roast and two chickens boiling and returned some hours later to find them boiled and cooled off. I proceeded to shred nearly the whole meat-mountain by hand, which was essential; as we discovered, the strings of meat are like shreds of tobacco to be rolled into a tamale/cigarette.

Next, I heated the meat-seasoning paste on the stove and cooled it some. By this time Mike and Kristen had showed up, and it was time to get to work. First, Mike kneaded the spice-paste into the meat:

Next, I stirred more spices into the dry masa, added some oil, and then we whisked in the broth with an electric mixer. All this while, the corn husks had been soaking in the sink, so we were ready to go. Here’s the wet fixins:

Learning not to overfill them, learning to roll them correctly, and learning to fold them carefully wasn’t easy, as you can see from the wide variety of shapes they wound up in:

As it turned out, Kristen was extremely proficient at making perfect tamales:

Her secret was to really roll them back and forth in the husk, just as you shape a cigarette in a cigarette paper. She can probably roll something that looks like a Camel with one hand. Anyway, we took the first batch and steamed them while we were rolling the next batch: we had two pots and two steaming baskets we could use, which was fortunate because it sped things up well. The recipe said to steam them for two hours, which seemed excessive and — fortunately, because we were starving by now — was. About 30 minutes proved to be enough to firm up the gloppy masa and heat the meat all the way through, and before long we were attacking them like the ravenous beasts we were: the smell had long since permeated the kitchen.

They don’t look so good, but if you could smell this photograph, you’d know that looks aren’t everything:

After dinner, we realized there was a lot of meat left over, so we whipped up another bowl of masa and continued rolling. This last batch we didn’t bother to steam, and I produced a box of Zip-Loc bags and proceded to pack tamales, six to a bag, ready to freeze. We each wound up with three bags apiece, each as heavy as a brick. Kristen shows off part of her take:

Quite a project, and physically exhausting, but I’d happily do it again. Once, that is, I’m through eating the ones I have.

THE CRAZY WORLD OF MODERN KIDS’ TELEVISION

My wife & I were the sort of annoying pre-parents who made all sorts of proclamations about how closely we’d be regulating our son’s TV viewing, how he’d be limited to 30 minutes a day, how we’d drop everything to read to him when he got bored, all that crap that everyone who hasn’t had a kid yet promises themselves and others. When the reality of child-rearing hit in 2003 – well maybe a year and a half later, when he had formed into something more than a blob on the blanket on the floor – it became obvious that television was a godsend, a magical device that instantly gave the parent the opportunity to eat dinner in peace, to wash dishes, to even read the paper for a friggin’ change. Hey, 30 minutes is nothing – another show couldn’t hurt, right? And maybe another after that? “Sesame Street”‘s an hour – surely we can get a bunch done during that time? Wow, it works! And he’s digging it, too.

What has helped calm us both is the fact that 38 years after the first episode of “Sesame Street” aired in 1969, there is actually an abundance of quality educational, instructive, sunny, not-too-annoying shows out there for the preschool set. When I counsel myself about his mind rotting from the TV he’s watching, I look at the actual product on the tube, and it’s truly hard for me to see where the damage would be coming from. See, we have a Tivo, a lifechanging device that you can get for fifty bucks & then another 12 bucks a month after that. That allows us to pre-screen the shows for the ones without commercials, store up the ones we approve of, and dole them out as we see fit. We also still keep the TV viewing to about an hour in the morning and another hour in the evening, always with us supervising in the room & sometimes watching with him (and of course, all rules such as those are made to be broken). My son totally goes berzerk when we watch a rare “live” show with commercials, and freaks out that his show just abruptly stopped for ads, which he has zero concept of; he also can’t fathom why he can’t immediately watch another episode of, say, “The Backyardigans” when the one he’s watching has ended – because on the Tivo we can just keep them rolling as long as we’ve stored ’em up, and have the lack of parental discipline to cut him off.

There are a handful out there that truly impress me besides “Sesame Street”, which is still the gold standard. I actually enjoy the Disney Channel’s “Little Einsteins”, an animated show with revolving “rescue”-type adventures by a cast of four preschoolers on a red rocket – a white boy, a girlie girl, a tomboy, and a wisecracking African-American boy. Each show is scored by a famous composer – Grieg and Tchaikovsky seem to be the default choices – and features the paintings of an artist such as Van Gogh. To hear my son routinely command me to walk “adagio” or “allegro” is something to behold, particularly when I have to ask him what those words mean. I also approve of “The Backyardigans” (four suburban African-American hippos with names like Uniqua and Tyrone invent backyard adventures like ice treks, volcano climbing and pirate shennanigans before Mom calls them in for their snacks); “Zoom” (on PBS, almost exactly like the one I worshipped when I was a 1970s kid, minus my first crush Julie); “Arthur” (a little trying at times but always a good “lesson” to be had); and “Charlie & Lola” (a British import, drawn in this great animated cut-&-paste style that’s a blast to look at and actually kind of funny besides).

Must to avoid are of course “Barney” (simply horrifying, and so dumbed-down it defies description to even a two-year-old), “The Wonder Pets”, “Bob The Builder” (awful) and “The Wiggles”, which I know some people swear by but which drives me bananas. The fact that it’s “rock-and-roll” themed does nothing for me in the least. And my kid thinks it blows too. I still am struck by how generally good the good ones are, though. I have no doubt they’re challenging his mind, reinforcing concepts of reading & counting beyond what we already do ourselves, and giving this only child examples of how kids deal with conflict or problems, and the rewards or punishments that come from proceeding correctly. I think they finally figured out the secret recipe for quality kids TV a few years back, just as adult TV seems to be undergoing a fantastic renaissance right now as well, and I’m glad it’s peaking right when my kid’s inquisitiveness is as well. Respectful disagreement welcomed.

PS – Apologies to any readers who are bummed out that I even indirectly wrote about my kid, something I promised I wouldn’t do when I started this blog. I know it’s not punk in any way, shape or form, and I promise to tackle deep underground subcultures like Fuck Off Records, the films of Jodorowsky, and Spock/Kirk erotica in future posts.

First Crumbs of Oh-Seven

Good-bye to all that. Well, not good-bye, but here’s the stack with just about every CD I played in 2006 in it, from which I drew the last two posts. Exceptions are the box sets and the discs I’ve used for radio pieces, which got filed elsewhere. As impressive as this stack is, it’s not nearly as large as you’d think, especially once you subtract the many CDs with similar spines you see in there, which are CDs burned from downloaded Indian classical music, which I played a lot of this year, for some reason.

Sometime in the next couple of days, these will be filed away and a new stack will start.

* * *

Now, here’s a campaign I can get behind! On Jan. 21, there’ll be a vote as to whether to re-name a part of Kochstr. Rudi-Dutschke-Str. For those of you who don’t know who he was, there’s a decent bio of the charismatic left-wing rabble-rouser who later became a committed Green here in German. The really edgy thing about this proposal is the segment’s propinquity to the Springer Verlag building, where Germany’s right-wing press lord printed lies about the youth culture of the ’60s and fostered the climate that saw Dutschke take three bullets to the head during a demonstration. He lived, but he was never the same again, and died after an epileptic seizure in his bathtub in 1979, aged 39. I’m not eligible to vote, but I’d be proud to if I could. Dutschke was the kind of thoughtful West Berlin politico this city needed more of, which, I guess, is why he was eventually driven to exile in Denmark.

* * *

I thought I’d seen the end of stupid brand-names with the Puky bicycles and the SMEG refrigerators, but no: visiting some website the other day, I saw an ad from Neckermann, a big German mail-order house, for their hip new line of footwear: Re-Ject Sneakers. Uhhh, guys? Sneakers are supposed to be a prestige item, not something for losers. Try again.

* * *

Okay, it’s a cliche to talk about what the search engines are looking for when they hit your blog, but ever since someone in Turkey found me by searching for “fried tits,” I’ve done my best to check out what’s going on out there. I guess the search for “Berliner luft cake recipe” was pretty odd; I’ve never understood the obsession with the air here, and why it’s supposed to be so special, but there really are songs about the “Berliner Luft.” But a cake? I wouldn’t touch it!

Still, this all fades into normality in the face of the person about a week ago who landed here after Googling “Mayonnaise spread on one’s lawn to attract the zombies.”

Not that I’m going to try that, understand.

* * *

And finally, one nice addition to the neighborhood that I discovered while walking around on New Year’s Day: a new Nike! This is good because a number of her pieces have disappeared: the three identical women doing yoga, which was the first of hers I saw, the one outside Cafe Burger, and the fat girl by Friedrichstr. station, among others. I found another in Kreuzberg that I haven’t shot yet, but it may no longer be there, because it had signs of having been attacked from below by a crowbar, and I found a couple yesterday in a part of Prenzlauer Berg I hadn’t visited in about a year that I’m going back up to shoot soon. But, not very far from the mad installation Invalid Beach on Invalidenstr. here’s Nike’s new year present: