THE TIME FLYS : “REBELS OF BABYLON” CD

I wussed out on the record release party last Friday but rest assured this thing’s brand new – the second full-length from 21st Century punk rock’s primary exponents. These guys somehow just make it all sound so easy, no straining to be heard, no over-the-top stupidity, just a totally hotwired, glamarama middle point between “The New York Dolls In Too Much Too Soon” and THE INFANTS‘ “Giant Girl In The 5th Grade” (hey, you know, that’s a song we should post here soon...). The TIME FLYS, when they’re on, can make the tired garage punk subgenre seem ballsy & fucking alive again – witness this one’s “This Is Stoner Rock” (wha…?) and “Romance + Violence”, two songs as good as any you’re going to hear this year. Part of the reason I like them so much is they’ve still retained this can’t-barely-play sound that threatens to send each song sputtering into pure noise (“Romance + Violence” almost falls apart at least twice), and yet their chops are loud & fast & wild, just like they are live – and I’ve seen them a good half a dozen times and hope to at least double that amount in 2007. This one’s even better than “Fly”, so take it from a brother and get that wallet in your back pocket now — and see these fellass + gal if they ever come to your town.

Steve Noonan – S/T CD (Collectors Choice)

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On his 1968 Elektra debut, Noonan comes off like a chilly Apollonian antidote to Tim Buckley’s gathering Dionysian storms. Both singers have precise tenor voices they apply to ambitious folk-influenced art songs and a sort of sadly regal air, though Buckley had significantly greater control over the recording process when he was at Elektra, and generated more of a funk. On “Back Alley Dream Street Song,” you can almost hear producer Paul Rothchild (who took his name off the finished work) goading the artist into a Buckley impression, but maybe this was just the local folk-rock style for Orange County kids in the late sixties. Noonan was a high school pal and songwriting partner of Jackson Browne, then in his Nico-backing phase. The album features several solo Browne compositions alongside Noonan’s collaborations with Greg Copeland, including his minor hit for the Nitty Gritty Dirt Band, “Buy For Me The Rain.” Though a slight effort, there are some very pretty moments.

HATS OFF TO THE TWISTED ARTPUNK OF FINLAND

My three personal connections to the nation of Finland are my former Nokia cell phone; my favorite of the San Jose Sharks’ two goalies, Vesa Toskala; and the sprinkling of wacked-out avant-punk I have from Finland in my record collection. To me, a trip to Helsinki or Oulu would be to visit the furthest stretches of imagination, even more so than my visits to the faraway land of Sweden in 2002. Finland to me is cold, distant, dark, scary and full of hard Baltic liquor, but then again, I’ve never been there. It might be a total upscale, yuppified place. I do know that some of the wildest & weirdest records I’ve ever heard come from there. Take “Ma Vihaan” by RUTTO, for instance. Rutto are this total off-the-rails hardcore band from 1983, with this shrieking, instantly-falling-apart shitstorm of a sound that is just candyfloss to my ears. Their “Ei Paluuta” 7″EP is a ballistic, Black Flag-ish classic, and their “Ilmastoitu Painajainen” single from 1984 only slightly less so.

Then there’s THE SILVER. A late 70s lost pajama party stab in the dark, so retarded and fried it makes 1/2 Japanese from the same era sound totally sane & with-it. Yes, “Do You Wanna Dance” is the Beach Boys/Ramones classic. You’ll never hear it the same way again. Finally, the first Finnish band to win my heart – of course I’m talking about LIIMANARINA. Bizarre, low-fidelity, glue-sniffing “snot folk” played at top volume, with the de rigeur Finnish stream of vowels slurred & screamed over the top. This one (“Turistit”) is from their first 7″EP which I believe came out in 1989 or 1990. Amazing, destroying, a burnout classic, and all that. Ignore that Drag City record they did and find their singles – they’re great!!!

Download RUTTO – “Ma Vihaan”
Download THE SILVER – “Do Ya Wanna Dance”
Download LIIMANARINA – “Turistit”

(click on these links above, then download from the page the links take you to – or just play the songs there first)

There’s not enough gloom in the world to convey wh…

There’s not enough gloom in the world to convey what the loss of Molly Ivins means to this state and this country. She was a gadfly in the best sense of the world, a truly witty person who could lay bare political childishness and hypocrisy with a couple of well-placed words, all delivered with so much warmth and humor that only a withered fig would could refrain from laughing. I don’t know whether she loved or hated her clear predecessor H.L. Mencken, who had a similar way with words but fell on the other end of the political scales, but I hope she loved him. I know she loved Ann Richards, another witty Texas woman with a Texas-sized personality. Here’s what she wrote in her obituary for Governor Richards:

She was so generous with her responses to other people. If you told Ann Richards something really funny, she wouldn’t just smile or laugh, she would stop and break up completely. She taught us all so much — she was a great campfire cook. Her wit was a constant delight. One night on the river on a canoe trip, while we all listened to the next rapid, which sounded like certain death, Ann drawled, “It sounds like every whore in El Paso just flushed her john.”

From every story I’ve heard and from the meager two times I got to meet her, all of this could apply to Molly Ivins, too.

Salon has been kind enough to compile a few choice quotes, including:

On the recent campaign: “It’s like having Ted Baxter of the old ‘Mary Tyler Moore’ show running for president: Gore has Ted’s manner, and Bush has his brain.” (Fort Worth Star-Telegram, 10/25/2000)

On George Bush Sr.: “Calling George Bush shallow is like calling a dwarf short.” (Mother Jones, February 1990)

“The next person who refers to David Duke as a populist ought to be Bushururued, as they now say in Japan, meaning to have someone puke in your lap.” (Mother Jones, May/June 1992)

On Ronald Reagan: “You have to ignore a lot of stuff in order to laugh about Reagan – dead babies and such — but years of practice with the Texas Lege is just what a body needs to get in shape for the concept of Edwin Meese as attorney general. Beer also helps.” (Progressive, March 1986)

(Responding to the Reagan warning that “The Red Tide will lap at our very borders.”) “These sneaky bastards from Nicaragua — there’s 3 million of ’em down there, there’s only 16 million Texans, and they’ve got us cornered between the Rio Grande and the North Pole.” (Progressive, May 1986)

“I have been collecting euphemisms used on television to suggest that our only president is so dumb that if you put his brains in a bee, it would fly backwards.” (Progressive, August 1987)

On Texas: “I dearly love the state of Texas, but I consider that a harmless perversion on my part, and discuss it only with consenting adults.” (Fort Worth Star-Telegram column, March 1, 1992)

On H. Ross Perot: “It’s hard to envision a seriously short guy who sounds like a Chihuahua as a charismatic threat to democracy, but it is delicious to watch the thrills of horror running through the Establishment at the mere thought.” (Time, June 1992)

Here’s a lovely obituary in the NY Times, full of bon mots that you, dear reader, should steal and use often. The Nation, sadly but predictably, is a bit drier, but gives you a scope of the struggles that defined her life. And last, but certainly not least, The Texas Observer, the famous lighthouse in the fog of Texas politics that Ivins edited for 6 years back in the 70s, is chock full of information, with articles, some wonderful tributes, and pictures of Ivins at work and play. She asked that people not waste their money on flowers for her, but donate to the Observer instead. This is the woman who dubbed our President “Shrub” and said of his father that “real Texans do not use ‘summer’ as a verb.” That’s worth at least $10, right?

News! From the blog that promises you the rare gl…

News! From the blog that promises you the rare glimpse into the life of some guy.

My stack of to-be-read books currently includes:

  • The Believer Back Issue Bundle Jumble: 10 back issues for $20 (I’ve read some issues in bits and pieces when I’ve had time);
  • Thomas Pynchon’s Against The Day;
  • John Banville’s The Sea; and
  • Elizabeth Green-Musselman’s Nervous Conditions.

I’m trying to finish my manuscript for Shoot Out The Lights by the end of the month. We’ve also entered into my busiest season at work. Consequently, I am tired.

My son’s 2nd birthday was this past weekend and it was delightful. We gave him a play kitchen that he adores, some age-appropriate legos, and a Huffy tricycle that refused to stay upright (so back to the store it went). He also got some cowboy boots from his Aunt Jen, a Leapfrog doll from his grandparents, and some wonderful books from some of his friends. Yay!

Oh, yeah. eMusic downloads this month included:

  • Jens Lekman – Oh You’re So Silent Jens
  • Charles Mingus Presents Charles Mingus
  • El-P – High Water
  • Deerhoof – Friend Opportunity
  • a bunch of Deerhoof contributions to compilation albums
  • cLOUDDEAD – Ten
  • cLOUDDEAD – Dead Dogs Two EP
  • The Woggles – Wailin’ With The Woggles
  • The Mountain Goats – We Shall All Be Healed
  • Red House Painters – Red House Painters (II)
  • Tortoise – s/t
  • The Spinanes – Imp Years
  • Love Tractor – This Ain’t No Outer Space Ship
  • Acid Mothers Temple – Starless and Bible Black Sabbath
  • Rhys Chatham – A Crimson Grail (for 400 guitars)

If you know me and decide to sign up for eMusic, please tell ’em I recommended it to you. I like free downloads!

Frankly, I’m Beginning to Doubt My Commitment to Sparkle Motion

Not sure when it happened that I started looking back more than I look ahead.

It used to be when, when, when–I was sure that the best was in front of me and I would get there eventually, now I’m not sure. And for this I blame Thomas Pynchon.

Gravity’s Rainbow was the fundamental turning point in my literary edumacation. It turned reading a book into a process of self-flaggelation, humiliation and ultimately, snide elitism (since I could then boast that I’d finished the damn thing).

Okay, maybe not. It really is a grand book, filled with the kinds of inside jokes (in German), rollicking belly laughs and totally inappropriate sexual encounters which I value so highly.

So, why has Pynchon’s newest sent me into such a tailspin of self-doubt? After all, I confidently skimmed through much of Vineland and can’t remember if I’ve even finished Mason & Dixon, after slavishly reading all of his earlier work. Could it be that I’m not sure I have what it takes to read such a book anymore?

So, here in this personal echo chamber of a blog, I am calling myself out–I’m going to read Against the Day–and I’m going to detail my painful progress back to the self-respecting (nay, self-loving) intellectual snootiness that filled so much of my early twenties with loneliness and (most likely) adult acne.

And I’m happy to report that I have opened the book, and it starts out, promisingly enough, with hot-air balloonists on some kind of mission, stopping at the Chicago World’s Fair, the one detailed in The Devil in the White City.

So, progress so far: 10 days — 15 pages

Fuck you, Pynchon. You haven’t killed me yet.

The Sadies – Tales of the Ratfink original soundtrack CD (Yep Roc)

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These 26 instro tracks, each named for an international rock venue, represent the fruits of the long collaboration between the versatile Canadian genre-hoppers and Ed “Big Daddy” Roth documentarian Ron Mann. I’ve not seen the film, but these concise, fuzzy and sometimes silly tracks certainly evoke the trashy spirit of 1960s kar kulture, with side trips to the spaghetti west and Turkish cartoonland, and saved Mann the not inconsiderable headache of clearing twenty-plus vintage surf tracks with licenses owned by cranky old dudes.

Back in Bleck by Johnny Ryan (Fantagraphics)

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Blecky Yuckerella is a nasty little girl with five o’clock shadow living in a world of rubes who inevitably get smeared with Blecky’s snot, poop, gas or barf in four panels or less. The underground weekly strip star is so sincere and delighted with her own grotesquerie that she’s kind of lovable, and you can probably say the same about creator Johnny Ryan. This second hideous compilation features Maakies parodies, some of the cutest testicles in comix, and Black Power Quisp, a cereal that tastes like Kill Whitey.

Steve Wynn and the Miracle 3 – …tick…tick…tick CD (Down There)

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Here’s some belated praise for yet another deeply satisfying suite of impassioned, unpretentious American rock and roll from one of our most understated master craftsmen. From the Dream Syndicate days through his current band, Steve & company can always be counted to forge these perfect organic structures built of manic guitar lines, instantly familiar riffs, surging rhythms and crescendos that demand you hit the repeat button almost before they fade to fuzz. “Came on like a force of nature,” Steve muses in the exquisitely minimalist “Freak Star,” and it could be a snatch of critical autobiography, because these songs feel as necessary and elemental as a sudden windstorm, or the rolling waves that threaten to absorb the narrator of “The Deep End.” We’re damn lucky to have them.

Eat, Think, Gossip

While I was in the States in October, I was lucky enough to acquire a copy of this book, The United States of Arugula by David Kamp

, which I’d been wanting to read for some time. Foodie-ism, if I may be forgiven the term, is an interesting cultural phenomenon, and hardly restricted to the United States, although the degree of it there and the swiftness with which it arrived can be unnerving. Furthermore, this book ties in with a couple of others which have been getting a lot of discussion recently, most notably Bill Buford’s Heat, and Michael Pollan’s The Omnivore’s Dilemma, , the former of which I’ve read, the latter not. I did, however, read Pollan’s great article on “nutritionism” on Sunday, and suddenly a bunch of stuff came together in my head. Now let me see if I can disentangle it.

Kamp’s story begins with pioneers like James Beard, Julia Child, and Craig Claiborne, each of whom had an individual way of awakening postwar Americans towards the possibilities of what they put on their tables. Beard’s approach was that of the hearty bon-vivant, a man’s man who wasn’t afraid to mess it up in the kitchen to produce good-tasting, all-American food, and who was particularly adept at that manliest of all pursuits, outdoor cooking — although he could also whip out a mean loaf of bread. Child and Claiborne, on the other hand, were lucky enough to come onto the scene just as America’s Francophilia was initiated by Jacqueline Kennedy’s love of French food and put into high gear by the restaurant at the French Pavillion of the 1964-65 World’s Fair on Flushing Meadows on Long Island. Child had taken cooking lessons in Paris while her husband was employed there and came back to the States determined to turn Americans onto this amazing cuisine. Claiborne, for his part, was reviewing restaurants for the New York Times and got to watch the phenomenon grow, eventually hooking up with one of the chefs who’d worked at the Fair, Pierre Franey, to make the Times’ food section the template for all other American newspapers’.

But the story really becomes important when the idea of eating well leaves the expensive restaurants and democratizes by merging — in California, of course — the impulse for fine cooking with the search for perfect ingredients, which latter was an inevitable product of the hippie-driven natural foods movement. The central figure for this was — and, really, still is — Alice Waters of Berkeley’s Chez Panisse restaurant, and the early chaos of that revolutionary place is a story which meets Kamp’s skills head-on. The intrigue, the musical beds, the drug use, and above all the titanic egos on display are perfect fodder for his Vanity Fair sensibility. Still, he never loses sight of the Big Picture, which was that ultimately this was a very, very successful movement, one which soon expanded past the California borders and into other states, and also expanded past the restaurant business into producers like Celestial Seasonings and Ben & Jerry’s and — especially — into the grocery business through America’s Whole Foods chain (which started in a building near my house in Austin which is now a laundromat).

The book’s momentum is such that you’re just swept away by the stories, and the skillful way Kamp joins them all together. The Food Network! Iron Chef! The Zagat Survey! Mark Miller! Tony Bourdain! It really is a great read. Except…

Except three really important figures in my own telling of this story are missing, two entirely, and one mentioned in passing for something I don’t consider his most important contribution to the story. And, in a really, really backhanded way, this also reflects on Pollan’s essay. Let me take these three missing persons in roughly chronological order.

First is Edna Lewis. who died last February at the age of 90. Mrs. Lewis was, unlike anyone else I can find in Kamp’s book, black, and she learned how to cook the traditional way from the traditional sources. Untraditionally, however, she left for New York at the age of 16, and, after a short time as a domestic, became known as a cook. She ruthlessly pursued that career, doing private catering work and finally taking over the kitchen at Barney Josephson’s Cafe Society in Greenwich Village, a hangout for all manner of lefties and jazz fans. She worked in several other restaurants, gave cooking lessons, and kept up her catering business, and in 1972, put out her first cookbook, The Edna Lewis Cookbook. Four years later came The Taste of Country Cooking

, which made her reputation. I finally caught up with her (in a manner of speaking) in the late ’80s, when she was brought in as executive chef to help rescue Brooklyn’s fabled Gage & Tollner steakhouse. I remember going there with a group which included two German friends who loved to cook, and on the way out, one of them bought one of her cookbooks — one I already had — at the cashier. “You won’t be able to make any of that back home,” I warned her. “I don’t care,” she said. “Anyone who takes this much care knows things I don’t know, and they’re things I can turn to my own uses. This is a very wise woman.” And she nailed it.

Edna Lewis was fanatical about two things: paying attention and having the perfect ingredients. Observing what you were doing while you were doing it so that it became part of you was obviously something she’d picked up from her mentors. And having perfect ingredients, although it was considered eccentric when she first came into the public’s notice, is now a sine qua non of any good cooking. It wasn’t so much that Mrs. Lewis brought Southern cooking north, but that she brought what she considered Southern practice public. And yet, she is ignored in Kamp’s book.

The second figure is Raymond Sokolov, mentioned in passing as the guy who replaced Craig Claiborne as the Times‘ restaurant reviewer. Which he was, at the beginning of his career. He also became, through his books and his column in, of all places, Natural History magazine, one of the first to make the point that there were a lot of native American ingredients and foodways which were vanishing thanks to Big Agriculture and the Interstate highway system. I’m not even sure his 1981 book, Fading Feast: A Compendium of Disappearing American Regional Foods is still in print. While writing other books, including a cook’s apprentice narrative which pre-dated Buford’s Heat by a couple of decades, The Saucier’s Apprentice

, which also serves as a practical guide to classic French sauces. But it was his sounding the klaxon about the “fading feast” which puts Sokolov in line for mention in this book, because people heard the alarm and responded to it, which has at least as much to do with the current greenmarket revival as Alice Waters and the guys in Union Square. (Due diligence: I worked under Sokolov during the years I was a cultural correspondent for the Wall Street Journal Europe, and had dinner with him once or twice, and although he can be a tough editor, I really like the guy).

The third missing figure here is one you can link to from the list over there on the side of the page: John Thorne. Thorne is far more of an outsider than the other two, but once again, I consider him important to the American food story for his doggedness in seeking out historical precedents and attempting to reproduce classic bygone dishes at a time when this was something very few were doing, as well as his non-gor-may attitude, and, most importantly, his ability to render that attitude and the reasoning leading up to it in absolutely crystal-clear prose. Thorne’s never been in much of a position to deal with classic French cuisine, having spent his formative cooking years in rural Maine and, now, in Massachusetts, but his was the absolutely perfect recipe for cornmeal pancakes I cooked this past Sunday morning and when I heard he was investigating Louisiana Cajun and Creole cuisine for his book Serious Pig

, I was happy to pass on to him all the knowledge — and recipes — I had. (He wound up quoting me). I’m happy to have noticed that, after a slight interruption, he seems to be publishing the Simple Cooking newsletter again, and you could do yourself no bigger favor if you like to cook — and, just as importantly, if you want to read some of the best-written, best-thought-out writing on food and foodways — than to send the Thornes money for a year’s subscription.

What all three of these figures have in common is what breakaway cookbook author Eric Gower calls “mindfulness,” a being-there-in-the-moment approach to the not-so-simple acts of cooking and eating. This kind of mindfulness is at the core of the approach Pollan is suggesting in his long essay — and about as far away from the celebrity-driven honky-tonk of the second half of Kamp’s book as you can get. It’s also, I’m utterly convinced, at the heart of healthy, sane living, something I may not always achieve, but not for the lack of these exemplars’ lessons. In short, I’m glad I read Kamp’s book, for the scandal and for his attempt to structure a story which didn’t seem to want to sit still. But I do think it’s necessary to point out that that’s not all there is to the story.