This guy didn’t win the Pitchfork poster contest???? Click the “conster posterâ€Â link.
It’s here, if you don’t feel like reading.
This guy didn’t win the Pitchfork poster contest???? Click the “conster posterâ€Â link.
It’s here, if you don’t feel like reading.
Among the pearls buried on an unduly unheralded late 80s compilation of “driving bands from
I saw the band one time only, at an all-day free festival/alcoholiday of Trigon Records acts in
One of my favorite tracks of the past year is “Reputationâ€Â from an LA mersh-garage act called THE ETTES. They say that they are a cross between “Nancy Sinatra + The Stooges + Thee Headcoats + Thee Headcoatees + The Strokes + The Sonics + The Rolling Stones + Compulsive Gamblers + Patsy Clineâ€Â. Well there’s at least a few ringers in there, aren’t there? So I got the CD and I wasn’t particularly thrilled by it – but I’ll admit I probably need to give it another spin or two before reflexively chucking it. But “Reputationâ€Â is a wowzer. Loud, over-amped multitracked vocals, a killer set of riffs, SIMPLY SAUCER-ish “space soundsâ€Â, and all knocking by in under two minutes. A great one, one that it’s hard not to play over and over and over. I’m certain you’ll agree.
I’m going to give it another chance. I have an ulterior motive. It would be in my best interest to know it up and down before I level any criticism. You know, my usual style.
As posted last week, Candace and IÂÂ spent the weekend in and aroundÂÂ Crossville TN (with my mom) visiting my aunt, who lives in a retirement village called Fairfield Glade.
Accomplished: (as predicted) A lot of fruitless fishing (I caught one GIANT sunfish). Two great hikes (one was the historic Fall Creek Falls), and the unfortunate (almost) witnessing of this accident:
https://tennessean.com/apps/pbcs.dll/article?AID=/20070615/NEWS09/70615095
We were about thirty cars behind the one that was struck by the motorcyclist. By the time we crawled up, jackets were placed over his destroyed head, but blood was everywhere, legs were pretzel-ed, people were out and about on cell phones, and the waffling driver in front of us had come to a complete stop, forcing the gruesome sight for several minutes. Not sure about you, but I don’t enjoy the intense negativity presented by a freshly dead accident victim.
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My colleague Bob Mehr probably won his Sopranos bet (dead Tony) by default of David Chase’s laziness (though I’ve since decided that I like the entire episode). We’ve since switched our topic of discussion to the latest ultra-pathetic example of the faux-everything campaign supported by what some people consider the “underground.â€Â
Please, if you find Dan Deacon to be entertaining or original, please post a comment or two in his defense.
Subject: Double D. Baby
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I was awakened around 8 am yesterday by a call from a friend in Prague, announcing that a friend of his, from Texas originally, would be coming to Berlin later in the day. After the call was over, I went back to sleep. I had a lot of work to do, and wanted to be fresh.
By the time I had had my coffee and was checking e-mails, the friend-of-a-friend had written me, and we went back and forth until we had a meeting set up later in the evening in Friedrichshain, where he was staying. Then it was time to get to work: totally rewriting a sample page of a brochure for a school here so it wouldn’t be so stuffy and yet would appeal to the right kind of students.
This, it developed, took a couple of hours, but I figured if the school green-lighted the project I’d have made a significant score. And I’d find out: the woman in charge was leaving for vacation at the end of the day. So after I’d whipped it into shape and e-mailed it to her, I realized I’d be stupid to sit around the house waiting to hear from her, so I strapped on the trusty Nikon and went in search of the Acid Icon artist’s other work.
It was just past Rosenthaler Platz, on the south side of Torstr. but proved maddeningly difficult to photograph, as you can see:
This gives a hint of the colors, especially in the face, but it obscures the majority of the piece.
This, on the other hand, gives an idea of the scale of the piece. The only proper way to photograph this would be from inside the industrial courtyard, unfortunately. Still, there are a couple of clues here. First, it’s copyright by Super Blast, which explains the SB on the other icon’s field. Second, the idiosyncratic spelling of “Maschine” makes it pretty certain the artist is German. And the mysterious inscription “Thanks to Play Station” doesn’t, I hope, mean that Super Blast was part of that lame promotion of a few weeks back. If so, there’s nothing overt in either image that indicates it.
I grabbed another couple of shots as I headed back home — the defaced Ronald McDonald, which I added on my post about the McDonald’s closing a couple of weeks ago, and a shot for bowleserised’s all-things-pony blog, The Ponyhof. She and I then spent an amusing couple of hours trying to figure out how to download the goddam photos from Gmail.
Finally, since it was getting towards 5 and I knew just how fast Germans depart the office on Friday, I called the school, only to discover that I’d been in competition with some other writers and the school had gone for one who had a degree. Because naturally, making your living by writing for over 40 years doesn’t mean that you know a thing about language. I wasn’t even particularly surprised, since I know how much store Germans — and, I suspect, Europeans in general — put in such things. Hell, I’d have graduated from college if I’d understood the weird experimental educational project they’d put me in. Or not, I don’t know. (It doesn’t matter now: the damn place is closing).
So the next order of business was to eat some dinner and head off to the bar to meet this guy, which I did. The new tram line by my house makes it easy to get to the hip! edgy! district of Friedrichshain, where every second person is from America and nobody’s much over 30. Trouble is, the new tram line, like all the tram lines in my neighborhood, are closed for the next couple of weeks for track work. Thus, I was wedged into a bus that was loaded well beyond its legal limit with drunken teenagers and ferried most of the way across town, where we were dumped to meet the part of the tramline that was running. Then I got there and there was a sign on the bar that there was a private party going on.
This turned out to be because apparently the place is officially not open for business, so I won’t identify it further, but at any rate the Texan finally made his appearance and we talked for a while until the trust-fund hipster vibe got to me and I realized that I’d be repeating the same arduous journey back home, so I said good-bye and caught the tram.
Boy, did I feel smart: by the time the (mostly empty) bus pulled up at the terminus at Nordbahnhof, I could see lightning flashing in the sky, and by the time I was half-way down my block, tiny raindrops were intermittently hitting my skin. I opened a nightcap beer, sat and read with the windows open as gentle rain started to fall, and then went to bed.
Now, I don’t know about you, but thunderstorms, for me, are like the best sleeping-pills ever invented. I think it’s the rapid drop in air pressure that does it, and I was asleep in no time.
The beer, however, wasn’t, so after lying there listening to a really bad storm pounding down, I got up to recycle it. Although all the lights were out, I could see that the entire bathroom floor was slick with water. Worse, it was copiously studded with dark lumps. Yes, folks, the sewer had backed up, the toilet had overflowed, and my bathroom was covered with the Waste of Others.
German mop technology, I’m sorry to say, isn’t very good. All I have is a so-called Wischmop, a primitive thing with semi-absorbent cloth shreds which need to be wrung out every couple of seconds. Over the next 90 minutes, until after 3 am, I was angrily swabbing, pushing the, um, souvenirs, against the wall, and praying not to get cholera, typhoid, hepatitis A, or some other dread disease. When things were somewhat under control, I took a long, hot shower and collapsed back in bed, where I remained until 10:30.
Why the city of Berlin’s sewers are so bad, I can’t say, although you’ve got to admit that a city so broke that it’s begging other police departments for their cast-off uniforms probably can’t maintain them. This kind of thing has happened before, but it’s never escaped the toilet before, and I was genuinely glad upon rising to note that there wasn’t much of a smell. I spent my early afternoon swabbing the bathroom down with Mr. Clean (Mr. Proper over here) and a healthy dose of Clorox (DanKlorix), and, while it dried, went off to buy some coffee.
Some time ago, I lamented the demise of the Malongo Coffee boutique at Galleries Lafayette here, where you could buy superb whole-bean coffee cheaper than at Starbucks or Einstein or Balzac or any of the other similar “quality” coffee joints. Well, in the past few weeks, they’ve returned as a presence at the bakery counter there. The prices have risen so that it’s no longer €4 for 250g, but more like €5, so they’re on par with the others (except Starbucks, which is €6), but I can once again make my famous blend and breakfasts here at the house are far more enjoyable.
Walking home, I made sure to avoid Friedrichstr., which has apparently been entered in an international competition for auto and pedestrian inaccessibility, and instead made my way over to Museum Island. At Bebelplatz, there was a book fair going on, and if I’d stayed til 4, I could have met Rolf Hochhuth and punched the old man out for awakening an interest in Germany in the teenaged me, but instead I wanted to get home. Walking up Tucholskystr. I saw yet another horror: a Hollywood Boulevard-style star, with a Vanity Fair logo, for Damien Hirst sunk in the sidewalk outside a gallery. Yet another there-goes-the-neighborhood moment — and Brangelina have yet to move in, as far as I know.
I was contemplating the messages the past 24 hours had brought when the doorbell rang. A young woman in a Deutsche Post uniform handed me a large, soft package of the sort I never get. It was postmarked Montpellier. In it was a huge towel, with Languedoc.com embroidered on one corner. I was puzzled until I realized I’d won it weeks ago in this contest, which I play when I’m bored in hopes of winning. (Yeah, I know the page doesn’t work all that well and most of the “clue” links don’t work: it’s French, for heaven’s sake!)
And it occurred to me: the students are leaving Montpellier right now. The apartments will be available all summer. Once again it’s time to strike.
Now to raise the €12,500 I need to do it with.
I would be remiss if I didn’t mention that the greatest modern philosopher, Richard Rorty, passed away a couple of days ago. Slate has collected a few of his colleagues’ eulogies of the man. Please read them and think on how wonderful it is that his friends and admirers could have included not just the noxious Richard Posner and the difficult-but-angelic Stanley Fish, but also the beatific Jurgen Habermas and Brian Eno. Rorty made a better person of me, and hopefully you, too.
In our fEEDTIME post a few weeks ago, some mention was made of three tracks from the incredible late 70s Australian punk band X. I said I’d post ‘em – here they are. Here’s what I wrote about the tracks in 2003:
If you ask me, the best pre-1980 Australian punk rock ever recorded was NOT necessarily by the SAINTS. nor the PSYCHO SURGEONS, nor the LEFTOVERS, nor RADIO BIRDMAN — but by X. The Australian X, of course. The past decade has seen them garner some deserved attention, mostly for the low-profile Amphetamine Reptile reissue of their raw, spastic debut LP “X-Aspirations” (also known by some as simply “Aspirations“). I think they actually topped that monster with their amazing earliest recordings, though: the three tracks “Home Is Where The Floor Is”, “Hate City” and “TV Cabaret Roll” that were posthumously cobbled together on the Aberrant Records‘ “Why March When You Can Riot?” compilation. If these tracks had been put out as a 45, you’d be seeing it on numerous “best punk records of all time” lists, certainly on mine (note: these were put out on a 45 a couple years ago on a US label, now out of print, I’m afraid). We’re talking barreling, steamrolling punk rock, but minus the “snotty” vibe and the over-the-top antics that mark some other richly heralded Aussie punk of the era. Not particularly well recorded, mind, but you never cared about that much, right? About the closest equivalent I can think of would be a kindly
Play or Download X – “