True West – Hollywood Holiday Revisited CD (Atavistic)

True West always lurked a bit in the background during the early ’80s heyday of the Paisley Underground scene, though guitar fiends gravitated to their twin leads and rural Television vibe. This expando reissue/remaster of the band’s album and a half (“Hollywood Holiday” EP, “Drifters” LP and unreleased Verlaine-produced demos) reveals an angst-ridden act that in retrospect sounds a lot closer to post-punk than garage, with thick, tribal drum patterns and distant howls in the mix. The songwriting is hit and miss, too often showcasing a sparkling hook wrapped in droning verses, but the title track and cover of “Lucifer Sam” are efficient, sinister gems. With Drifters, the band moved farther from the retro realm into artsy guitar pop, rangy yet precise. The package includes reminiscences from guitarist Russ Tolman and a history from Bay Area psych scholar Jud Cost.

Delirious

I’ve got this camera click, click, clickin’ in my head.
—ELVIS COSTELLO,
“I’m Not Angry”

Although it doesn’t appear until the end credits, Elvis Costello’s classic 1977 spitfire anthem serves as one of the best movie theme songs—theme in every sense of the word—of recent years. Jealousy, voyeurism, paranoia, acceptance, rejection, denial, the potential for violence, the recognition that it’s all so damn unfunny that it becomes funny—Costello’s song has it all, and so does the fine film to which it’s now been wed.

Director and writer Tom DiCillo’s Delirious, which had a special screening last night in Manhattan at the Angelika, works effectively on so many different levels that it gives new meaning to the term cross-genre. At once a comedic and dramatic Midnight Cowboyish character study of downtrodden friendship, it’s also a love story, a meditation on fame (those who have it vs. those who want it), and a potential stalker flick. Despite its vastly disparate characters, shifts in tone, and wildly divergent plot lines, the movie hangs together remarkably well. Its debts to Michael Powell’s Peeping Tom and Martin Scorsese’s Taxi Driver aside, Delirious is the best movie about wanting to be famous since that other great Scorsese paean to obsessive behavior, 1983’s The King of Comedy. (Both Scorsese films starred Robert De Niro, who receives mention several times in Delirious.)

“Sometimes I see too much,” says Steve Buscemi’s Les Gallantine (even his name is a worthy successor to Rupert Pupkin and Travis Bickle) to Michael Pitt’s Toby Grace. What he doesn’t see is how his chosen profession—that of paparazzi—with each click of his shutter takes something away from his subjects. He proudly displays on his apartment wall two long-range photos of Elvis Costello (who effectively appears as himself in the movie) as if they were big-game trophies.

Following last night’s screening, Tom DiCillo spoke about the making of Delirious, which he spent the last six years bringing to fruition. He couldn’t say enough good things about his star Steve Buscemi, who delivers what might well be the best performance of his career (right up there with his starring role in DiCillo’s 1995 indie classic, Living in Oblivion).

One thing DiCillo couldn’t stress enough about his new film and whether or not it succeeds: “Tell your friends about it.” Indeed, in a movie marketplace where big-name films boast advertising budgets larger than what it cost DiCillo to make his movie (he had to reduce his budget from five million dollars down to three million), word of mouth is more important than ever.

DiCillo told The New York Times last week: “‘Look at the movies people are watching…. They’re about nothing. You invest nothing.'”

Not so with Delirious.

Time Off Well Spent

Hmm, looks like my new job has been keeping me from posting. But a lovely 2-week vacation to “Old Europe” has given me a chance to actually read some books.

First of all, I have come to completely and utterly adore the writing and general tender-tough pose of Anthony Bourdain. So I spent the last couple of weeks tearing through Kitchen Confidential, The Nasty Bits and A Cook’s Tour. I have to say that I probably enjoyed the writing most in The Nasty Bits–it’s a more recent compilation–but KC is a really, really cool book. I’ll throw some quotes in here later, but for one thing, his books make me want to see farflung places and things. And they make me glad that he’s out there representing us Americans.

But the more earth-shattering event was that I’ve finally read Phillip Roth. My friend Peter has been haranguing me for months to do so, and the appearance of Everyman on the shelf of the WH Smith in the Eurostar Terminal in London seemed to be all the harbinger I needed. I don’t know where or when I had decided that my life was rich enough without Mr. Roth’s writings, but god was I wrong. Full of bleak, funny, sexy, spot-on observations, it’s a tiny little morsel of a book that has more life in its scant 150 pages than most “great” novels have in three times the length.

What is my problem?

I have no excuse for my poor posting frequency.

Tony Wilson, founder of Factory Records and subject of 24 Hour Party People, just died.

On Monday morning (8/13), I leave on a cruise that will stop off in the Bahamas and Key West. My birthday is the 15th. B-day on a cruise. Look for a blow-by-blow of this experience in the next issue of Chunklet.

Yes, The Wire is the greatest TV show ever. I’ve had two run-ins with The Wire today. Sadly, I was reading a Pitchfork interview with Patton Oswalt, and he gave major props to the show. Check out his latest album; it’s the tits. Do not check out his music recommendations, as they fall into the standard alt-comedian fare (TV on the Radio, the Alarm Clocks reissue…one of the worst 60’s psych interests ever, and well, I forgot). He does make fun of the “I don’t own a TV/TV is garbage/TV is bad for societyâ€Â people – something I can always get behind. Patton also gives props to Tom Scharpling’s Best Show on WFMU, though I doubt he’d speak to me for over five minutes, even after finding out that I spent ‘01 to ‘06 contributing to the show.

So next week is going to be thin. The computer rooms/libraries on cruise ships can be a real hassle.

A quick guide to cruise writing:

Klosterman: Boring (I might actually read IV)
David Foster Wallace: Great

Good Writing Writ Large

There is a problem with writers. If what a writer wrote was published and sold many, many copies, the writer thought he was great. If what a writer wrote was published and sold a medium number of copies, the writer thought he was great. If what a writer wrote was published and sold very few copies, the writer thought he was great. If what the writer wrote never was published and he didn’t have enough the money to publish it himself, then he thought he was truly great. The truth, however, was there was very little greatness. It was almost nonexistent, invisible. But you could be sure that the worst writers had the most confidence, the least self-doubt.

— CHARLES BUKOWSKI,
Women

François Camoin made a similar observation in a Writers at Work workshop in Park City back in 1988, noting that those fledgling writers who sweated and stuttered and apologized as they handed in their work were, as a rule, better writers than those who proudly and unflinchingly proclaimed their word-processed scribbles as masterpieces.

Over the years, I’ve discovered the same to be true. The best writers treat writing the way a truly devout person treats religion: something practiced, not boasted about; lived, not preached.

August: The Silly Season

Most depressing event of recent weeks: For a while the dancer and I were splitting a lottery ticket each week, figuring that, with our respective occupations, the chances of making money doing what we do and the chances of making money on the lottery were just about even. Of course, we never even got close to winning anything and eventually we stopped.

That doesn’t keep me from occasionally feeling like I should throw a couple of Euros away, though, and a few weeks back a really powerful urge came over me. But every time I’d stop at the newsstand where we used to buy our tickets, I’d take a close look at my cash-on-hand and decide against it. The pot was — for Berlin, where the lottery jackpots are nothing next to what people in the States see — quite high. But I decided not to.

Then, I noticed a sign in the window. Someone had won €39,900 and change there. It took every bit of logic I had at my command to convince myself that if I had played, that someone would not have been me.

(Of course, that’s not really the most depressing event of recent weeks, but I’ve decided to keep the really depressing stuff off of here for the time being, since there’s nothing to be done about it, as far as I can tell.)

* * *

Thanks to my eagle-eyed former college roommate JZ off in the wilds of Los Angeles for spotting a couple of news items which will be in the dog-bites-man category for anyone living here.

The first one notes that “German workaholics may be suffering from a lack of sex, according to a university study published Friday.” The story went on to say that “A survey of 32,000 men and women by researchers at the University of Göttingen found over 35 percent of those reporting unsatisfying sex lives tended to use hard work as a diversion.” Which, of course, explains all those Beamten with their desks piled high with rubber-stamps, who, I have long decided, are only allowed to mate among themselves, because it’s the only way they can perpetuate their species. It’s not like anyone wants a job like that.

The second one tells the sad story of a young Berlin woman named Dora, a professional model who is apparently the face of Deutsche Telekom’s Call & Surf Comfort promotion. Dora, it will surprise absolutely no one to learn, has been waiting three months for Telekom to set up a telephone line in her home, and, in despair, she turned to the media, publicly giving them one week (which’ll be the beginning of next week) before going to another provider. The Reuters story says “A Deutsche Telekom spokesman could not be reached for comment,” although you could really leave off the last two words there and it’d be just as accurate. One bit of advice, though, Dora: if my friends’ experiences are anything to go by, you won’t be any happier with Alice, whose own spokesmodel has, I hope, fired her agent.

* * *

The doorbell rings. I buzz the person in. Nope, it’s not FedEx or UPS with a package, it’s yet another person with an incomprehensible accent jamming little bits of paper into the mailboxes as fast as he can. What a way to make a living.

Nobody who’s lived here for the past ten years is going to believe this, but when I first came to Berlin in October, 1988 for a visit, the city’s first pizza-delivery service had just started up. Now, this isn’t to say that there weren’t places that’d pack up a pizza to go, but you had to go get it. (I remember a place that I think was called Four Brothers, run by four guys from Philly down in Zehlendorf who mustered out of the Army and opened a place to serve American food, specializing in pizza and fried chicken. Long gone now, of course.)

I remember this because, in my jet-lagged haze, I came upon the guy who was sharing the apartment I was staying in carefully perusing a thin brochure he’d gotten in the mailbox. “I’m deciding which pizza to get,” he said. “It’s not very good, but they bring it to you!” Dang, I thought, this country must be behind the times. Just a few weeks earlier, I’d house-sat for a friend in New York and practically had to use a shovel to get the Chinese menus out of her mailbox and get to the mail I was saving for her. Early on, there were only a couple of companies doing this, one of which got busted for its inordinately-expensive (DM 50) “Pizza Colombiana” which included a gram of cocaine. (I actually saw the menu for this place, which just had a telephone number, and I don’t think you would have had to be Sherlock Holmes to have cracked this case).

But the reason I bring this up is because the vast majority of the guys who stuff mailboxes these days are advertising appliance repair services, and well before pizza menus, these little cards were ubiquitous, numbering up to four or five a day. And I’ve been wanting to ask for a while: does anyone know anyone out there who’s actually used the services on one of these cards? Wouldn’t you ask a friend or someone you trusted instead of just picking up one of the thousands of cards you’ve gotten in your mailbox over the years (two reside in my box at this very moment) and calling some random stranger?

It’s August, with so little happening that these are the kinds of things you think about…

Requiem for an almost gentleman

Lee Hazlewood died over the weekend in Henderson, NV, of cancer. His was one of the most extraordinary voices in pop, both for its literal gravelly depths and its psychological nuances. He was subversive and playful and an extraordinarily hard worker, and we’re somewhat less today for having lost him.

Recommended listening: Trouble Is a Lonesome Town, Lee Hazlewoodism Its Cause and Cure, Nancy and Lee, Requiem for an Almost Lady.

Victory Records = Idiots….color me surprised. And let’s fight.

This is old, but worth reading. Idolator continues to be one of the only music sites that doesn’t irritate the shit out of me.

This has also been around for a while, but shows a type of non-fiction that I’d like to see more of. Eugene’s book, a project that will see the light of day in November (cuz Harper Collins read this piece and approached him….THAT’S how you get a book deal, and he deserves it), will be based on this feature. Maybe all of the pussies are starting to get to me.

I’m not so hot at fighting. If action needs to be taken, I’d rather hit someone with a chair. Over the past three years, I’ve challenged at least four musicians to a fight, in print, and in my Magnet column “Where’s The Street Team.â€Â I find it funny. Some people just need to be punched, like Anton from the Brian Jonestown Massacre, who anyone could take down, or Liam Lynch (actually, I think I wrote that he needed to be “hit in the back of the neck with a roll of quartersâ€Â), who I probably wouldn’t hit but might personally tell him he’s a merchant of shit re: movies and music.

IT’S A MARATHON, NOT A SPRINT

I guess a few months ago some too-lazy-to-write-critically switch flipped inside and I started exclusively posting mp3s here at Detailed Twang, saving myself from having to exhaustively describe the rockin’ in favor of letting the music do the talkin’. Did you know that since the January 27th, 2007 post we’ve almost exclusively posted mp3s, sometimes up to 4-5 times per week? Did you know that every song from that date forward is still available for download? Did you know that every one of these handpicked treasures totally rules? So that I may take a break this week in favor of trying to learn the ropes at my new place of employment (don’t fret, alcoholics, Hedonist Beer Jive‘s still posting – that’s even easier to pen than this one), here are a few favorites you might have missed:

TWISTED ARTPUNK OF FINLAND
DEMOLITION DOLL RODS
CLAW HAMMER
LA DRUGS
FUCKIN’ FLYIN’ A-HEADS
THE NIGHTS AND DAYS 1
THE NIGHTS AND DAYS 2
THE GORLS
SCIENTISTS
TWO 60s GIRL POP KNOCKOUTS
DIG DAT HOLE
OLLA
MARZIPAN
RED CROSS BORN INNOCENT DEMOS