August: The Silly Season

Most depressing event of recent weeks: For a while the dancer and I were splitting a lottery ticket each week, figuring that, with our respective occupations, the chances of making money doing what we do and the chances of making money on the lottery were just about even. Of course, we never even got close to winning anything and eventually we stopped.

That doesn’t keep me from occasionally feeling like I should throw a couple of Euros away, though, and a few weeks back a really powerful urge came over me. But every time I’d stop at the newsstand where we used to buy our tickets, I’d take a close look at my cash-on-hand and decide against it. The pot was — for Berlin, where the lottery jackpots are nothing next to what people in the States see — quite high. But I decided not to.

Then, I noticed a sign in the window. Someone had won €39,900 and change there. It took every bit of logic I had at my command to convince myself that if I had played, that someone would not have been me.

(Of course, that’s not really the most depressing event of recent weeks, but I’ve decided to keep the really depressing stuff off of here for the time being, since there’s nothing to be done about it, as far as I can tell.)

* * *

Thanks to my eagle-eyed former college roommate JZ off in the wilds of Los Angeles for spotting a couple of news items which will be in the dog-bites-man category for anyone living here.

The first one notes that “German workaholics may be suffering from a lack of sex, according to a university study published Friday.” The story went on to say that “A survey of 32,000 men and women by researchers at the University of Göttingen found over 35 percent of those reporting unsatisfying sex lives tended to use hard work as a diversion.” Which, of course, explains all those Beamten with their desks piled high with rubber-stamps, who, I have long decided, are only allowed to mate among themselves, because it’s the only way they can perpetuate their species. It’s not like anyone wants a job like that.

The second one tells the sad story of a young Berlin woman named Dora, a professional model who is apparently the face of Deutsche Telekom’s Call & Surf Comfort promotion. Dora, it will surprise absolutely no one to learn, has been waiting three months for Telekom to set up a telephone line in her home, and, in despair, she turned to the media, publicly giving them one week (which’ll be the beginning of next week) before going to another provider. The Reuters story says “A Deutsche Telekom spokesman could not be reached for comment,” although you could really leave off the last two words there and it’d be just as accurate. One bit of advice, though, Dora: if my friends’ experiences are anything to go by, you won’t be any happier with Alice, whose own spokesmodel has, I hope, fired her agent.

* * *

The doorbell rings. I buzz the person in. Nope, it’s not FedEx or UPS with a package, it’s yet another person with an incomprehensible accent jamming little bits of paper into the mailboxes as fast as he can. What a way to make a living.

Nobody who’s lived here for the past ten years is going to believe this, but when I first came to Berlin in October, 1988 for a visit, the city’s first pizza-delivery service had just started up. Now, this isn’t to say that there weren’t places that’d pack up a pizza to go, but you had to go get it. (I remember a place that I think was called Four Brothers, run by four guys from Philly down in Zehlendorf who mustered out of the Army and opened a place to serve American food, specializing in pizza and fried chicken. Long gone now, of course.)

I remember this because, in my jet-lagged haze, I came upon the guy who was sharing the apartment I was staying in carefully perusing a thin brochure he’d gotten in the mailbox. “I’m deciding which pizza to get,” he said. “It’s not very good, but they bring it to you!” Dang, I thought, this country must be behind the times. Just a few weeks earlier, I’d house-sat for a friend in New York and practically had to use a shovel to get the Chinese menus out of her mailbox and get to the mail I was saving for her. Early on, there were only a couple of companies doing this, one of which got busted for its inordinately-expensive (DM 50) “Pizza Colombiana” which included a gram of cocaine. (I actually saw the menu for this place, which just had a telephone number, and I don’t think you would have had to be Sherlock Holmes to have cracked this case).

But the reason I bring this up is because the vast majority of the guys who stuff mailboxes these days are advertising appliance repair services, and well before pizza menus, these little cards were ubiquitous, numbering up to four or five a day. And I’ve been wanting to ask for a while: does anyone know anyone out there who’s actually used the services on one of these cards? Wouldn’t you ask a friend or someone you trusted instead of just picking up one of the thousands of cards you’ve gotten in your mailbox over the years (two reside in my box at this very moment) and calling some random stranger?

It’s August, with so little happening that these are the kinds of things you think about…

Jabberwock & Disturbance –Sneakin’ Snaky


Jabberwock – Sneakin’ Snaky/Fortune Teller –MCA 264 (1977 UK)
Disturbance – Sneakin’ Snaky/Fortune Teller –MCA 566 (1980 UK)

Sneakin’ Snaky is one of those out-of-nowhere songs and performances. It’s part PRAM/New Wave with a touch of The Small Faces (the Artful Dodger vocals). The song builds nicely until the chorus kicks in…and what a chorus it is! It will sweep you along and is so damn catchy that it will never leave you. The version released later by Disturbance is simply a remix with added keyboards. It’s also great, but the Jabberwock mix is more powerful and just has the edge

Jabberwock were Neil Harrison (ex-Driftwood, k/gtr/v), Giz Van de Kleut (b), Chris Reeves (v/gtr, ex-Rock Candy), Pete Jennings (k, ex-Cressida) and an un-named session drummer. Chris Reeves was also playing with The Dyaks; Van de Kleut and Pete Jennings also took part in a May 1978 recording session intended for a second Dyaks single. Neil Harrison issued solo singles 78-79 (?). The group had split before the 1980 release of the remixed versions of the two tracks. Chris Reeves then recorded with Mystere Five’s and released a solo single (assisted by Peter Jennings) on the Y label.

Thanks to Steve at Lowdown Kids for the background info

Click on title for edits of the Jabberwock and Disturbance versions

Requiem for an almost gentleman

Lee Hazlewood died over the weekend in Henderson, NV, of cancer. His was one of the most extraordinary voices in pop, both for its literal gravelly depths and its psychological nuances. He was subversive and playful and an extraordinarily hard worker, and we’re somewhat less today for having lost him.

Recommended listening: Trouble Is a Lonesome Town, Lee Hazlewoodism Its Cause and Cure, Nancy and Lee, Requiem for an Almost Lady.

Victory Records = Idiots….color me surprised. And let’s fight.

This is old, but worth reading. Idolator continues to be one of the only music sites that doesn’t irritate the shit out of me.

This has also been around for a while, but shows a type of non-fiction that I’d like to see more of. Eugene’s book, a project that will see the light of day in November (cuz Harper Collins read this piece and approached him….THAT’S how you get a book deal, and he deserves it), will be based on this feature. Maybe all of the pussies are starting to get to me.

I’m not so hot at fighting. If action needs to be taken, I’d rather hit someone with a chair. Over the past three years, I’ve challenged at least four musicians to a fight, in print, and in my Magnet column “Where’s The Street Team.â€Â I find it funny. Some people just need to be punched, like Anton from the Brian Jonestown Massacre, who anyone could take down, or Liam Lynch (actually, I think I wrote that he needed to be “hit in the back of the neck with a roll of quartersâ€Â), who I probably wouldn’t hit but might personally tell him he’s a merchant of shit re: movies and music.

IT’S A MARATHON, NOT A SPRINT

I guess a few months ago some too-lazy-to-write-critically switch flipped inside and I started exclusively posting mp3s here at Detailed Twang, saving myself from having to exhaustively describe the rockin’ in favor of letting the music do the talkin’. Did you know that since the January 27th, 2007 post we’ve almost exclusively posted mp3s, sometimes up to 4-5 times per week? Did you know that every song from that date forward is still available for download? Did you know that every one of these handpicked treasures totally rules? So that I may take a break this week in favor of trying to learn the ropes at my new place of employment (don’t fret, alcoholics, Hedonist Beer Jive‘s still posting – that’s even easier to pen than this one), here are a few favorites you might have missed:

TWISTED ARTPUNK OF FINLAND
DEMOLITION DOLL RODS
CLAW HAMMER
LA DRUGS
FUCKIN’ FLYIN’ A-HEADS
THE NIGHTS AND DAYS 1
THE NIGHTS AND DAYS 2
THE GORLS
SCIENTISTS
TWO 60s GIRL POP KNOCKOUTS
DIG DAT HOLE
OLLA
MARZIPAN
RED CROSS BORN INNOCENT DEMOS

The world of music magazines that you haven’t read…

Uh…did I mention that Grandma’s Boy was funny?

I stare at a lot of magazine racks. What stares back? Countless mid-level publications with innocuous titles. It’s as if the internet never happened. WRONG!! The internet did happen, it just killed the zine world. What’s left is a glut of glossies with respective readerships comparable to any zine from the mid-90’s. One can count on boring graphics, boring interviews (interviews are always boring, trust me, I written plenty of boring ones) with boring bands, and boring record reviews. Just imagine if Pitchfork was exploded into a hundred print magazines.

Of course, I’m not referring to the magazines that I write for. They’re awesome. They’re also the only magazines that I actively read, because I get comp copies. My favorite music mag, though, is one that I no longer write for. I wrote for Decibel Magazine, issues 2 and 3, but after a few months of unreturned e-mails and rejected pitches (I still try every two months or so, just for shits and giggles), my name disappeared from the masthead (funny note: it remained by mistake in the masthead for issues 4 and 5). Still, I continue to get comp copies, and I read most of each issue. AND…..I enjoy 50% of that “most.â€Â That’s a pretty good hit rate for this relationship between myself and a mid-level music glossy, especially one that couldn’t find room for my sizeable talents. And I’m sure that’s what it was, an space issue. I mean, no one can write a crappy, marginal metalcore review quite like me (Eugene of Oxbow had some funny things to say about writing for Decibel…scroll down).

Overall, Decibel writers remain a more caustic, humorous lot than what’s usually available in this insular bubble (made even more insular by the fact that Decibel covers “extremeâ€Â music, or rather, metalcore, death metal, grindcore, flimsy “artâ€Â metal, and the thrash revival). It’s miles above Revolver, which maintains a average IQ of 71 from cover to cover and remains stuck in 1998. Decibel gives way too much space to over-intellectualizing “intenseâ€Â pretty-boy boneheadedness like The Red Chord, As I Lay Dying, A Life Once Lost (and any band that could share its name with the title of a made-for-Lifetime drama) plus other garbage that’s one dinner away from Hot Topic fodder. Outside of this, I manage to read enough entertaining writing to briefly expand my “to steal from Soul Seekâ€Â list.

 

Back From Belgium…

Just got back from a few days days in Brussels and yes, I just happened to stumble across some record shops when I was there… It was nice to see so much vinyl still being sold within a City centre. There was quite a lot of dross to get though and I didn’t have the time to go through everything, but a couple of shops had some good stuff that was easy to spot(Jukebox and Collector)
It was a mixed bag but some of the finds included the following in pic sleeves:
Hector -Wired Up/ Bye Bye Bad Days (French )
The Smoke -My Friend Jack
Clique -Superman
Trems -You Can’t Touch Sue
Teddy Lane -Do The Rock The Rock ‘N’ Roll
Milk ‘N’ Cookies -Little Lost And Innocent (French)
Shakane -Love Machine
Plastic Feet -Big Blond Baby (Belgian pic sleeve different from the Dutch one)
Doc & Prohibition -Generation

Plus a US 4 track EP from Stumblebunny on Slip -Shod Records ( 1977 -2 years before the LP), a Robin Goodfellow UK Demo on Dawn plus more Cardinal Point, Arrows and other pic sleeves

‘Round Manhattan

Wondering what to do in the city on a Saturday or Sunday afternoon? How about doing as we did yesterday and partaking in the Algonquin Round Table Walking Tour.

Presented by the Dorothy Parker Society of New York in the person of society president Kevin C. Fitzpatrick, the two-hour tour covers a 30-block vicious circle that includes visits to more than 40 Round Table-related locales: speakeasies, hotels, homes, offices, and theaters frequented by the likes of Dorothy Parker, George S. Kaufman, Robert Benchley, Edna Ferber, Harpo Marx, and more.

Fitzpatrick, who wrote the book A Journey into Dorothy Parker’s New York and conducts the tour several times a year, makes the jaunt fun and informative — and, as a bonus along the way, recommends some of New York’s best bars. Beginning and ending at the Round Table’s headquarters, the Algonquin Hotel, he’ll let you in on the ins and outs of the New York literary scene gone by but, thanks to his efforts, not forgotten.

Fitzpatrick proves wrong Parker’s famous quip: “You can lead a horticulture, but you can’t make her think.”

Geneva Elise Barrett ChildsBorn 5:35 am, 8/2. …

Geneva Elise Barrett Childs


Born 5:35 am, 8/2. 8 lbs 1 oz.

She came about ~30 seconds after the water broke with no one in the room but a very surprised nurse (who’d just arrived), the doula, and me. The nurse was next to me, struggling to pull on her glove, cursing, maybe stressed. I was telling her to calm down, but then I looked down and saw my little girl’s head, already out. I reached down and caught her as she was born into the world, and that was one of the most beautiful moments of my life.