The Loneliest Street In Berlin

Because my mind only works intermittently, particularly as the weekend approaches, I often find myself having to buy one or two grocery items on Sunday, having spaced them out in the Saturday shopping, which I still approach with the same panic as when everything shut up at 2pm on Saturdays, as it did when I first moved here.

This means a trip to a train station, as generously defined by Deutsche Bahn. There’s an Edeka market in the Friedrichstr. station which has a lot of stuff my regular supermarket doesn’t, but is often so jammed that security guards close it down until it empties out some, resulting in a huge line in the station. The other alternative is the Kaiser’s in the Hauptbahnhof, which doesn’t have as much stuff, but isn’t such a mob scene most of the time.

When I go there, I usually walk down Invalidenstr., but after I do my shopping, I generally walk back another way, a discipline I learned long ago driving through Italy with a friend who repeated the mantra “never go back the way you came,” which I find excellent advice. So since there’s always something to see, I generally head back by way of Reinhardtstr., the lonliest street in Berlin. I also use it when I walk to the ARD studios on Reichstagufer to record my stuff for Fresh Air, so I’ve been watching it for a while.

All in all, it’s a pretty depressing walk, particularly if you approach it from the Hauptbahnhof. You cross the (re-channeled) Spree via a bridge, and then approach an intersection which gives you the option of heading south towards Unter den Linden or east on Reinhardtstr. Right there at the corner is a large, modern office building with a huge poster on it offering, as it has for over a year, offices for rent. “Here’s where decisions are made!” it says, not forgetting to mention the stunning views of the government quarter, the Reichstag and the Spreebogen complex. But mostly, it looks like the decision has been made to rent somewhere else.

The first block is desolate, even during the week. It’s kind of an orphan, not too accessible by public transportation, and with one empty apartment and office building after the other. One or two of the streetside apartments appears to have a tenant, but I also know that real-estate folks hang curtains in empty apartments to make it look like they’re inhabited. There’s a nice store selling 20th Century antiques, Art Deco and Art Nouveau, from Vienna, a tiny car-rental company, and a “design center” with occasional exhibits. Then you hit the corner of Luisenstr. and there’s a restaurant called Kanzlereck, “Chancellor’s Corner,” serving up German cuisine in a room in which photographic transparancies of past and present Chancellors of Germany are printed onto the window glass. This is probably a ploy to keep people from overeating.

On an island stands a statue of a naked guy wrestling a dragon down, in honor of Rudolf Virchow, who, with Robert Koch, put the adjacent Charité Hospital on the map by pretty much inventing the germ theory of disease and the science of pathology.

Keep going and you’ll see that the Kanzlereck was the gateway to Little Bonn. Actually, the whole area south of Reinhardtstr., particularly along Albrechtstr. and continuing to Schiffbauerdamm, can bear this title. Most of the restaurants are branches of popular ones in Bonn, and they and the bars hang out signs for Kölsch, the beer of choice for transplanted Bonners. Those Bonners are supposed to be living in these apartments, but as you continue to walk to Friedrichstr., it becomes evident that not very many are. The parade of empty buildings and “For Rent” signs just continues.

Which is not to say that nobody’s rented. There’s a store specializing in ostrich products (non-edible ones) like novelties made from ostrich eggs. There’s a very tiny musical-instrument repair shop. There was a brave Persian restaurant, with an authentic-looking menu, but it closed for lack of customers and is now a “Thai” restaurant. There’s the headquarters of the FDP, Germany’s Liberal party, and branches of a dozen or so media companies from around the world, Switzerland, Japan, and Frankfurt among them. Probably weirdest of all is a huge store that sells nothing but glowing balls. How they pay the rent is beyond me. And almost at Friedrichstr. is another mind-twister, a cellar store selling Luxembourg wine and Persian groceries. I didn’t even know Luxembourg was big enough to support a vineyard. And, inevitably, there are a few businesses that have hung on, probably since the DDR: a couple of cafes, a keymaker, an ancient stamp shop.

But mostly, Reinhardtstr. is about failure. The “Residence at the Deutsches Theater” was one such grandiose project, a gleaming white complex of luxury flats which is now, at least partially, an apartment hotel. It’s depressing to see the dust bunnies through the plate glass windows of the stores which remain empty despite every effort to rent them, the way their For Rent signs have yellowed around the edges. The sad fact is, a sizeable percentage of government workers never wanted to move to Berlin in the first place, and those who did go home for the weekend. They don’t like Berlin and they don’t like Berliners. They have their own restaurants, bars, and clubs, but mostly, I suspect, they do their jobs and pine for retirement.

It’s almost a relief to get off the street and start heading home, although as I pass the corner of Oranienburger Str. I always remember that line about tourism being like prostitution, in that you make your most attractive features available to all for a price and hope you don’t invite disease or destruction.

But that’s a rant for another day.

THE CHERRY BLOSSOMS – A “COSMIC KAZOO MEDICINE SHOWâ€Â

It’s only been a couple weeks since I got acquainted with the absurd & joyous music of Nashville’s ramshackle folk collective CHERRY BLOSSOMS, but I’m a convert for life. They’ve been playing around since 1991, with a core of John Allingham and Peggy Snow writing, plucking and hollering around what sounds like a cast of dozens. There’re the jew’s harp guy, the kazoo lady, the ukulele weirdo in the corner, that one girl shouting in the back, an acoustic guitarist tripping on mushrooms, etc. Or who knows, maybe it’s only four or five folks. I’ve only heard one other modern band going for this vibe, whatever it is, and they’re called VALLEY OF ASHES & they’re pretty neat too.

THE CHERRY BLOSSOMS decided to put out a proper record in 2007, an LP, and it’s imaginatively called “The Cherry Blossomsâ€Â. I can’t find an image scan of the cover to load up for ya so you get a band photo instead. The record is a wild one – songs start up organically, musicians join in, people start shouting, tape hiss fluctuates here and there, and yet it’s not an improv or a weird-America record, really. It’s truly got the feel of long-ago Americana played by worshippers of the pre-WWII form, but who’ll play it their demented way & their way only. It’s a blast! They have a CD-R with our heroine JOSEPHINE FOSTER out now too so they’re really revving up the hype machine this year, hunh?

Play or Download THE CHERRY BLOSSOMS – “Charlie Primâ€Â
Play or Download THE CHERRY BLOSSOMS – “The Mighty Mississippiâ€Â

Unrelated Items

Let’s Go To Prison – For a crappy little comedy (see Grandma’s Boy), IT DELIVERS THE LAUGHS (see Grandma’s Boy)!!! Most are had during the first 15 or 20 minutes, and most are better than average, crude one-liners. Crude always gets me. 

Alpha Dog – Much better than I had imagined, but that’s coming from a true crime fanatic that lazily followed the real case while it was in and out of the news and read most of the post-incident features in the big mags (and books – see Scary Monsters and Super Freaks…sort of the Best American Crime Writing for the entertainment biz). I loathe to admit it, but Jay Tim can actually act and does a great job in his role…not that playing a shit-talking wanna-be gangsta is that far from his “training.â€Â This is the movie that Bully tried to be; a harrowing picture of morally deficient, rich, white yo-kids in their early 20’s that get away with almost everything they attempt. 

VitaminWater “Formula 50″ – Taste like the Kool-Aid of childhood. My fave VW flavor, besides the green tea (which rarely available in my parts). I’m a consummate bev-head, now buying several stupid brands on a regular basis. I even purchased a Mountain Dew “Big Rigâ€Â energy drink today. It heftier than a tall boy, and packed about 300 more mg of caffeine than I normally injest on a daily basis. I make a lot of unwise decisions. Even after .50 Cent sold his investment in VitaminWater for a gazillion dollars, they still print this on the side of the bottle (grammatical errors are left intact): “inspired by today’s most talked about artist, hottest record producer and talked about movie star, this ‘not-so-hypnotic’ tonic contains (hint hint) 50 (per) cent of many of the important vitamins that you need every day….however, unlike mister fifty (or ‘fiddy’ as the kids say), this drink does not contain talent, a seven-figure recording deal, platinum jewelry, a big entourage or a bulletproof vestâ€ÂÂ 

Skunk Magazine (subhead: “stinkin’ it to the manâ€Â) – You can go here for a better explanation of this impulse gift from a friend. I do not indulge in the diggity dank, but every HI-larious aspect of the culture can be found here. Makes High Times seem like AARP. In my issue, features include : Trailer Park Girls Gone Wild, Clitoraid, Erbo Pipe, Hell Froze My Grow, and an interview with L.A.’s ‘dopest’ attorney, Allison Margolin. Not giggling yet? Check out the contributing writers in the masthead: Bud Vila, Freddy Watso, Dumbass Dirt Farmer, Rex Bones, Mary Jane Green, Mother Shabubu, Trippy MacShroom, Professor Smokeface, Sparky, Dr. Pot, The Rev, and the ominous Jeffrey Steinborn. 

 

Marmalade –Our House Is Rockin’

Marmalade –Our House Is Rockin’/Hallelujah Freedom Blues –EMI 2071 (1973 UK)

Surprisingly heavy later release by the Cousin Norman mob. Both tunes are prime juicy cuts of Para Glam Boogie quite close to Hustler, Canyon, Geordie, Albatross etc…Marmalade had a pretty long career across several labels and some of their early singles and first album on CBS are definitely worth seeking out as they contained some great Psych/Pop (with 2 bass players!)

Click on title for edits of Our House Is Rockin’ and Hallelujah Freedom Blues

9. Jeff Wong

I’ve done a poor, poor, pitiful job of updating this blog as of late, but, for what it’s worth, the time has been well spent and yielded not only funding that allows me to continue concentrating on the book but also a wealth of additional research material. Mea culpa, mea culpa…

Back on June 2nd at the Lincoln Center Barnes & Noble, where Crystal Zevon was joined by Dave Barry and a couple of members of the Rock Bottom Remainders to promote her biography of Warren Zevon (much more to follow about the Zevons and their relationship with Paul), I had the opportunity to meet the talented illustrator Jeff Wong. Paul was a dear friend of Jeff’s. The two of them shared, among other interests, a love of Ross Macdonald books (more to follow, too, about the role that Macdonald, aka Ken Millar, played in Paul’s life). And, because the universe is sometimes a wonderful and just place, Jeff will be illustrating the cover of Everything Is an Afterthought: The Life and Writings of Paul Nelson.

He graciously mentions the project in his answer to the final question of an interview posted over at Duane Swierczynski’s Secret Dead Blog.

9. Jeff Wong

I’ve done a poor, poor, pitiful job of updating this blog as of late, but, for what it’s worth, the time has been well spent and yielded not only funding that allows me to continue concentrating on the book but also a wealth of additional research material. Mea culpa, mea culpa…

Back on June 2nd at the Lincoln Center Barnes & Noble, where Crystal Zevon was joined by Dave Barry and a couple of members of the Rock Bottom Remainders to promote her biography of Warren Zevon (much more to follow about the Zevons and their relationship with Paul), I had the opportunity to meet the talented illustrator Jeff Wong. Paul was a dear friend of Jeff’s. The two of them shared, among other interests, a love of Ross Macdonald books (more to follow, too, about the role that Macdonald, aka Ken Millar, played in Paul’s life). And, because the universe is sometimes a wonderful and just place, Jeff will be illustrating the cover of Everything Is an Afterthought: The Life and Writings of Paul Nelson.

He graciously mentions the project in his answer to the final question of an interview posted over at Duane Swierczynski’s Secret Dead Blog.

9. Jeff Wong

I’ve done a poor, poor, pitiful job of updating this blog as of late, but, for what it’s worth, the time has been well spent and yielded not only funding that allows me to continue concentrating on the book but also a wealth of additional research material. Mea culpa, mea culpa…

Back on June 2nd at the Lincoln Center Barnes & Noble, where Crystal Zevon was joined by Dave Barry and a couple of members of the Rock Bottom Remainders to promote her biography of Warren Zevon (much more to follow about the Zevons and their relationship with Paul), I had the opportunity to meet the talented illustrator Jeff Wong. Paul was a dear friend of Jeff’s. The two of them shared, among other interests, a love of Ross Macdonald books (more to follow, too, about the role that Macdonald, aka Ken Millar, played in Paul’s life). And, because the universe is sometimes a wonderful and just place, Jeff will be illustrating the cover of Everything Is an Afterthought: The Life and Writings of Paul Nelson.

He graciously mentions the project in his answer to the final question of an interview posted over at Duane Swierczynski’s Secret Dead Blog.

Copyright 2007 by Kevin Avery. All rights reserved.

9. Jeff Wong

I’ve done a poor, poor, pitiful job of updating this blog as of late, but, for what it’s worth, the time has been well spent and yielded not only funding that allows me to continue concentrating on the book but also a wealth of additional research material. Mea culpa, mea culpa…

Back on June 2nd at the Lincoln Center Barnes & Noble, where Crystal Zevon was joined by Dave Barry and a couple of members of the Rock Bottom Remainders to promote her biography of Warren Zevon (much more to follow about the Zevons and their relationship with Paul), I had the opportunity to meet the talented illustrator Jeff Wong. Paul was a dear friend of Jeff’s. The two of them shared, among other interests, a love of Ross Macdonald books (more to follow, too, about the role that Macdonald, aka Ken Millar, played in Paul’s life). And, because the universe is sometimes a wonderful and just place, Jeff will be illustrating the cover of Everything Is an Afterthought: The Life and Writings of Paul Nelson.

He graciously mentions the project in his answer to the final question of an interview posted over at Duane Swierczynski’s Secret Dead Blog.

Copyright 2007 by Kevin Avery. All rights reserved.

9. Jeff Wong

I’ve done a poor, poor, pitiful job of updating this blog as of late, but, for what it’s worth, the time has been well spent and yielded not only funding that allows me to continue concentrating on the book but also a wealth of additional research material. Mea culpa, mea culpa…

Back on June 2nd at the Lincoln Center Barnes & Noble, where Crystal Zevon was joined by Dave Barry and a couple of members of the Rock Bottom Remainders to promote her biography of Warren Zevon (much more to follow about the Zevons and their relationship with Paul), I had the opportunity to meet the talented illustrator Jeff Wong. Paul was a dear friend of Jeff’s. The two of them shared, among other interests, a love of Ross Macdonald books (more to follow, too, about the role that Macdonald, aka Ken Millar, played in Paul’s life). And, because the universe is sometimes a wonderful and just place, Jeff will be illustrating the cover of Everything Is an Afterthought: The Life and Writings of Paul Nelson.

He graciously mentions the project in his answer to the final question of an interview posted over at Duane Swierczynski’s Secret Dead Blog.

Copyright 2007 by Kevin Avery. All rights reserved.