A YOUNG PERSON’S GUIDE TO JOSEPHINE FOSTER

JOSEPHINE FOSTER’s bizarre, avant-folk songs travel musical history via a ghostly linkage with the Appalachian porch whisperers of the pre-WWII era, with a pinch of the British Isles folk touch to boot. One thing for certain about her these days is that she doesn’t stand in one place for too long – witness her most recent CD, “A Wolf In Sheep’s Clothingâ€Â, a German-language run through 19th century tunes that was even too much for me to take. Recently I heard some new material of hers and it was weird-ass, free-form noise. It’s OK – I am fully on board, because I think she is a singular talent, and one of this decade’s true originals. I love the delicate complexity of each ringing tone she coaxes out of her guitar with strange tunings and stranger patterns, and with a voice that’s equally as eerie (and beautiful beyond doubt), and which goes through every imaginable permutation to get to the deep emotional truth at each song’s core. Foster’s lungs take a little bit of patience for the uninitiated, but at least she sounds like a w-o-m-a-n, albeit a woman transported from 16th century England tearooms by way of Mary Poppins films.

I’m picking a representative smattering of five songs from her catalog for ya. Two are from a heavy psych/folk CD she put out with a backing band called The Supposed (“All The Leaves Are Gone”); one is from her second-ever homemade CD-R (“Little Life”) – she has about a half-dozen of those, and you can order some of them right here; one is from her fantastic CD from 2005 “Hazel Eyes, I Will Lead Youâ€Â ; and one was a freebie cover song of THE CHERRY BLOSSOMS, whom Foster has collaborated with) on a comp that came with THE BELIEVER literary magazine. All are superlative. If you like this, there’s a lot, lot more to delve into.

Play or Download JOSEPHINE FOSTER & THE SUPPOSED – “Well-Heeled Menâ€Â (from 2004 “All The Leaves Are Goneâ€Â CD)
Play or Download
JOSEPHINE FOSTER – “The Golden Windowâ€Â (from June 2005 compilation CD included with “The Believerâ€Â magazine)


Play or Download
JOSEPHINE FOSTER – “There Are Eyes Aboveâ€Â (from 2005 “Hazel Eyes, I Will Lead Youâ€Â CD)


Play or Download JOSEPHINE FOSTER – “Francie’s Songâ€Â (from 2001 “Little Lifeâ€Â CD-R)


Play or Download JOSEPHINE FOSTER & THE SUPPOSED – “
John Ave.
Seen From The Gray Trainâ€Â
(from 2004 “All The Leaves Are Goneâ€Â CD)

LIVING IN A WHITE GHETTO

Among the pearls buried on an unduly unheralded late 80s compilation of “driving bands from Los Angelesâ€Â called “GIMME THE KEYSâ€Â was a band called THE THIRSTY BRATS. There wasn’t a lot to these fellas – their thing was raw, dirty, 50s-inspired drunk-and-roll in the vein of then-current acts like the LAZY COWGIRLS and slightly earlier bands like the SUICIDE KINGS. Little did I know it until today, but SCOTT “DELUXEâ€Â DRAKE claims to have been a member of the band at one juncture. I believe him.

I saw the band one time only, at an all-day free festival/alcoholiday of Trigon Records acts in Isla Vista, California. This’d be around 1989, I’d say. I think the Thirsty Brats might have been hopped up on goofballs, as their set was exceptionally sloppy, the singer harangued the crowd unduly and often, and loads of drunk people danced their asses off to the dirty rock and roll beat. Other acts that appeared that day included CLAW HAMMER, a tripping-on-acid CRAWLSPACE (confirmed to me personally by the band), FEARLESS LEADER (stymied by the Isla Vista Park Service in their attempt to “let a chicken looseâ€Â during their set), and MOIST-N-MEATY. In other words, pretty much all the bands on “Gimme The Keysâ€Â. Eighteen years later I spin the record and my favorite track not by Claw Hammer is easily “White Ghettoâ€Â by those same Thirsty Brats. In fact, I kinda think it’s a classic. Whatever that means.

Play or Download THIRSTY BRATS – “White Ghettoâ€Â (from 1988 compilation “Gimme The Keysâ€Â)

ASTEROID GARAGE BOP FROM THE ETTES

One of my favorite tracks of the past year is “Reputationâ€Â from an LA mersh-garage act called THE ETTES. They say that they are a cross between “Nancy Sinatra + The Stooges + Thee Headcoats + Thee Headcoatees + The Strokes + The Sonics + The Rolling Stones + Compulsive Gamblers + Patsy Clineâ€Â. Well there’s at least a few ringers in there, aren’t there? So I got the CD and I wasn’t particularly thrilled by it – but I’ll admit I probably need to give it another spin or two before reflexively chucking it. But “Reputationâ€Â is a wowzer. Loud, over-amped multitracked vocals, a killer set of riffs, SIMPLY SAUCER-ish “space soundsâ€Â, and all knocking by in under two minutes. A great one, one that it’s hard not to play over and over and over. I’m certain you’ll agree.

Play or Download THE ETTES – “Reputationâ€Â (from “Shake The Dustâ€Â CD)

How to shatter an afternoon drive.

As posted last week, Candace and I spent the weekend in and around Crossville TN (with my mom) visiting my aunt, who lives in a retirement village called Fairfield Glade.

Accomplished: (as predicted) A lot of fruitless fishing (I caught one GIANT sunfish). Two great hikes (one was the historic Fall Creek Falls), and the unfortunate (almost) witnessing of this accident:

https://tennessean.com/apps/pbcs.dll/article?AID=/20070615/NEWS09/70615095

We were about thirty cars behind the one that was struck by the motorcyclist. By the time we crawled up, jackets were placed over his destroyed head, but blood was everywhere, legs were pretzel-ed, people were out and about on cell phones, and the waffling driver in front of us had come to a complete stop, forcing the gruesome sight for several minutes. Not sure about you, but I don’t enjoy the intense negativity presented by a freshly dead accident victim.

 

I don’t want to be cranky this afternoon, but….

My colleague Bob Mehr probably won his Sopranos bet (dead Tony) by default of David Chase’s laziness (though I’ve since decided that I like the entire episode). We’ve since switched our topic of discussion to the latest ultra-pathetic example of the faux-everything campaign supported by what some people consider the “underground.â€Â

Please, if you find Dan Deacon to be entertaining or original, please post a comment or two in his defense.

Subject: Double D. Baby

Don’t you know, man? Don’t you know that THIS is MUSIC, ART, COMEDY AND PERFORMANCE in the year 2007.
  
This is the future. So forget your guitars and your songs and your rock and roll. And bow down to the future.
  
Bow down to Dan Deacon (a.k.a. what happens when hipster irony, cable access worship and bad electronic music clash)
  
 
  
Seriously, man. Watching this I am really starting to feel my age.
  
I mean, I get it (cause, like, I have seen Devo before and all).  I understand all the component parts that make up his schtick. I can even appreciate certain aspects of it (the Ian Curtis ripoff vocals, the Wonder Showzen/Adult Swim visuals) for a fleeting moment. But I just don’t get how anyone could seriously expend any real time, energy or head space on this utter one trick novelty. (not surprisingly he’s super tight with Liam Lynch).
  
-B
  
Response: I’ve decided to take up freshwater scuba diving. At golf courses. For golf balls. To sell back to the pro-shop. I can no longer take this cruel world.
  
No, if I was 22 and this was being shoved down my throat, I’d feel 35, if that makes any sense. If one starts to grow up at age 17, than I grew up on “fucked-upâ€Â pubic access/spontaneous video footage, most of which you can find on YouTube with minimal effort. The Liam Lynch connection is no surprise; they make the perfect team for peddling the worn script of 80’s street culture (YOU OUT THERE!! ARE YOU STILL AMUSED BY GIANT JAMBOXES????), the hipster-izing of the “nerdâ€Â agenda (which I thought happened in the early-to-mid 90’s), a fraudulent “outsiderâ€Â aesthetic, and the inability to write a decent hook (that might partially redeem the unsavory mediocrity of the whole package). Still, because of the pre-Internet slowpoke environment that ruled my late teens and early 20’s, it pains me to come up with a comparable example. Let’s look at Dan Deacon like we did Candlebox or Collective Soul, as the adventurousness needed for consumption is identical
Is the hot air expended in vain (don’t answer that)? Am I totally out of touch and supposed to know that this is uninspired garbage? Is it absurd to let this soon forgotten blip irritate me?
  
-A
 

 

 

 

 

 

 

 

 

 

Screemer – They’re On Bell Flexi (Interplanetary Twist)

Screemer – They’re On Bell-Lyntone –LYN 3534 (1976 UK)

This is a pretty naff flexi disc promoting Screemer’s Interplanetary Twist (Bell 1483). Anyhow it’s an opportunity to meet Adrian, Glen (is this 80’s plonker Zaine Griff?), Rob, Dave and Alan. The promotional effort didn’t work and Interplanetary Twist sank without a trace. This Phil Wainman production was also at least two years out of date, although it had a certain Rocky Horror edge; it didn’t get a chance to resonate with the public at the time. It seems that this same band had a later single on Arista (In The City), but is not to be confused with Screamer’s City Or Bust also on Arista that same year.

Click on title for the full Screemer flexi experience

Just Another Day In Berlin

I was awakened around 8 am yesterday by a call from a friend in Prague, announcing that a friend of his, from Texas originally, would be coming to Berlin later in the day. After the call was over, I went back to sleep. I had a lot of work to do, and wanted to be fresh.

By the time I had had my coffee and was checking e-mails, the friend-of-a-friend had written me, and we went back and forth until we had a meeting set up later in the evening in Friedrichshain, where he was staying. Then it was time to get to work: totally rewriting a sample page of a brochure for a school here so it wouldn’t be so stuffy and yet would appeal to the right kind of students.

This, it developed, took a couple of hours, but I figured if the school green-lighted the project I’d have made a significant score. And I’d find out: the woman in charge was leaving for vacation at the end of the day. So after I’d whipped it into shape and e-mailed it to her, I realized I’d be stupid to sit around the house waiting to hear from her, so I strapped on the trusty Nikon and went in search of the Acid Icon artist’s other work.

It was just past Rosenthaler Platz, on the south side of Torstr. but proved maddeningly difficult to photograph, as you can see:

This gives a hint of the colors, especially in the face, but it obscures the majority of the piece.

This, on the other hand, gives an idea of the scale of the piece. The only proper way to photograph this would be from inside the industrial courtyard, unfortunately. Still, there are a couple of clues here. First, it’s copyright by Super Blast, which explains the SB on the other icon’s field. Second, the idiosyncratic spelling of “Maschine” makes it pretty certain the artist is German. And the mysterious inscription “Thanks to Play Station” doesn’t, I hope, mean that Super Blast was part of that lame promotion of a few weeks back. If so, there’s nothing overt in either image that indicates it.

I grabbed another couple of shots as I headed back home — the defaced Ronald McDonald, which I added on my post about the McDonald’s closing a couple of weeks ago, and a shot for bowleserised’s all-things-pony blog, The Ponyhof. She and I then spent an amusing couple of hours trying to figure out how to download the goddam photos from Gmail.

Finally, since it was getting towards 5 and I knew just how fast Germans depart the office on Friday, I called the school, only to discover that I’d been in competition with some other writers and the school had gone for one who had a degree. Because naturally, making your living by writing for over 40 years doesn’t mean that you know a thing about language. I wasn’t even particularly surprised, since I know how much store Germans — and, I suspect, Europeans in general — put in such things. Hell, I’d have graduated from college if I’d understood the weird experimental educational project they’d put me in. Or not, I don’t know. (It doesn’t matter now: the damn place is closing).

So the next order of business was to eat some dinner and head off to the bar to meet this guy, which I did. The new tram line by my house makes it easy to get to the hip! edgy! district of Friedrichshain, where every second person is from America and nobody’s much over 30. Trouble is, the new tram line, like all the tram lines in my neighborhood, are closed for the next couple of weeks for track work. Thus, I was wedged into a bus that was loaded well beyond its legal limit with drunken teenagers and ferried most of the way across town, where we were dumped to meet the part of the tramline that was running. Then I got there and there was a sign on the bar that there was a private party going on.

This turned out to be because apparently the place is officially not open for business, so I won’t identify it further, but at any rate the Texan finally made his appearance and we talked for a while until the trust-fund hipster vibe got to me and I realized that I’d be repeating the same arduous journey back home, so I said good-bye and caught the tram.

Boy, did I feel smart: by the time the (mostly empty) bus pulled up at the terminus at Nordbahnhof, I could see lightning flashing in the sky, and by the time I was half-way down my block, tiny raindrops were intermittently hitting my skin. I opened a nightcap beer, sat and read with the windows open as gentle rain started to fall, and then went to bed.

Now, I don’t know about you, but thunderstorms, for me, are like the best sleeping-pills ever invented. I think it’s the rapid drop in air pressure that does it, and I was asleep in no time.

The beer, however, wasn’t, so after lying there listening to a really bad storm pounding down, I got up to recycle it. Although all the lights were out, I could see that the entire bathroom floor was slick with water. Worse, it was copiously studded with dark lumps. Yes, folks, the sewer had backed up, the toilet had overflowed, and my bathroom was covered with the Waste of Others.

German mop technology, I’m sorry to say, isn’t very good. All I have is a so-called Wischmop, a primitive thing with semi-absorbent cloth shreds which need to be wrung out every couple of seconds. Over the next 90 minutes, until after 3 am, I was angrily swabbing, pushing the, um, souvenirs, against the wall, and praying not to get cholera, typhoid, hepatitis A, or some other dread disease. When things were somewhat under control, I took a long, hot shower and collapsed back in bed, where I remained until 10:30.

Why the city of Berlin’s sewers are so bad, I can’t say, although you’ve got to admit that a city so broke that it’s begging other police departments for their cast-off uniforms probably can’t maintain them. This kind of thing has happened before, but it’s never escaped the toilet before, and I was genuinely glad upon rising to note that there wasn’t much of a smell. I spent my early afternoon swabbing the bathroom down with Mr. Clean (Mr. Proper over here) and a healthy dose of Clorox (DanKlorix), and, while it dried, went off to buy some coffee.

Some time ago, I lamented the demise of the Malongo Coffee boutique at Galleries Lafayette here, where you could buy superb whole-bean coffee cheaper than at Starbucks or Einstein or Balzac or any of the other similar “quality” coffee joints. Well, in the past few weeks, they’ve returned as a presence at the bakery counter there. The prices have risen so that it’s no longer €4 for 250g, but more like €5, so they’re on par with the others (except Starbucks, which is €6), but I can once again make my famous blend and breakfasts here at the house are far more enjoyable.

Walking home, I made sure to avoid Friedrichstr., which has apparently been entered in an international competition for auto and pedestrian inaccessibility, and instead made my way over to Museum Island. At Bebelplatz, there was a book fair going on, and if I’d stayed til 4, I could have met Rolf Hochhuth and punched the old man out for awakening an interest in Germany in the teenaged me, but instead I wanted to get home. Walking up Tucholskystr. I saw yet another horror: a Hollywood Boulevard-style star, with a Vanity Fair logo, for Damien Hirst sunk in the sidewalk outside a gallery. Yet another there-goes-the-neighborhood moment — and Brangelina have yet to move in, as far as I know.

I was contemplating the messages the past 24 hours had brought when the doorbell rang. A young woman in a Deutsche Post uniform handed me a large, soft package of the sort I never get. It was postmarked Montpellier. In it was a huge towel, with Languedoc.com embroidered on one corner. I was puzzled until I realized I’d won it weeks ago in this contest, which I play when I’m bored in hopes of winning. (Yeah, I know the page doesn’t work all that well and most of the “clue” links don’t work: it’s French, for heaven’s sake!)

And it occurred to me: the students are leaving Montpellier right now. The apartments will be available all summer. Once again it’s time to strike.

Now to raise the €12,500 I need to do it with.